Critics » Matt Zoller Seitz » Rotten
Matt Zoller Seitz

Matt Zoller Seitz

Agrees with the Tomatometer 76% of the time.

Publications:
House Next Door , New York Press , New York Times , Newark Star-Ledger , Salon.com
Total Reviews:
155

Worst Reviewed Films

Showing 1 - 50 of 146
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Rating T-Meter Title | Year Add Date
1/5 —— A Broken Sole (2007) " Boringly staged tableaus of self-involved yuppies and sentimentalized white working-class ethnics struggling to connect." — New York Times
Posted Nov 4, 2007
1/5 9% The Comebacks (2007) " One of those parody movies that presume that merely making reference to another film constitutes a joke." — New York Times
Posted Oct 20, 2007
0% Strange Wilderness (2008) " Underachieving even by the standards of stoner comedies, Strange Wilderness is so inert that it doesn't so much unreel on screen as loiter there, giggling at its own outrageousness." — New York Times
Posted Feb 2, 2008
1.5/5 18% Chapter 27 (2007) " Any film that dares attempt a nonjudgmental portrait of John Lennon's assassin would most likely be accused of tastelessness, but in the case of Chapter 27 the charges are justified." — New York Times
Posted Mar 28, 2008
1.5/5 50% Doomsday (2008) " Doomsday is frenetic, loud, wildly imprecise and so derivative that it doesn't so much seem to reference its antecedents as try on their famous images like a child playing dress-up. Homage without innovation isn't homage, it's karaoke." — New York Times
Posted Mar 16, 2008
1.5/5 3% Witless Protection (2008) " In Witless Protection, Larry the Cable Guy plays a small-town deputy, fantasizing about becoming an F.B.I. agent. Sitcom wackiness ensues." — New York Times
Posted Feb 25, 2008
1.5/5 50% 30 Days of Night (2007) " The performers have little to do besides spill and drink blood in this tedious, inconsequential B picture. The sun doesnâ(TM)t rise nearly fast enough." — New York Times
Posted Oct 19, 2007
1.5/5 10% The Inner Life of Martin Frost (2007) " The result plays like a half-baked tribute to Wings of Desire." — New York Times
Posted Sep 15, 2007
1.5/5 20% Death Sentence (2007) " A tedious, pandering time-waster." — New York Times
Posted Aug 31, 2007
1.5/5 13% September Dawn (2007) " The maudlin, grotesque western September Dawn apes Schindler's List in hopes of creatinga Christian Holocaust picture." — New York Times
Posted Aug 24, 2007
1.5/5 45% Cashback (2007) " Beware films with protagonists depicted as vastly more sensitive than their fellow characters. The result may be a crock like Cashback." — New York Times
Posted Jul 20, 2007
1.5/5 13% Miriam (2006) " The events recounted in the World War II drama Miriam are horrific, and the story behind it is moving. Unfortunately, the finished product feels like exploitation." — New York Times
Posted Jun 8, 2007
1.5/5 11% The Hills Have Eyes 2 (2007) " One man-versus-mutant dust-up ends with a sledgehammer to the groin. Enough said." — New York Times
Posted Apr 2, 2007
1.5/5 20% The Hitcher (2007) " Like the same-titled 1986 cult favorite, this remake is a crash-and-burn action horror with intellectual pretensions." — New York Times
Posted Jan 20, 2007
1.5/5 4% Happily N'ever After (2006) " Despite self-aware touches, this is another tired kidsploitation product in which a wasp-waisted ingénue and a shallow beau drive the plot and live happily ever." — New York Times
Posted Jan 5, 2007
2/5 48% The Ruins (2008) " More disgusting than scary, The Ruins is the latest in a long line of horror films about upper-middle-class travelers being terrorized in unfamiliar environments." — New York Times
Posted Apr 7, 2008
2/5 34% National Treasure: Book of Secrets (2007) " The hyperactive sequel National Treasure: Book of Secrets sends its archaeologist hero on a globetrotting quest that might have been devised after a long night of Wikipedia surfing." — New York Times
Posted Dec 21, 2007
2/5 48% Choking Man (2007) " Choking Man is harsh and intermittently affecting but oppressively contrived and mostly pointless." — New York Times
Posted Nov 9, 2007
2/5 22% Resident Evil: Extinction (2007) " The third installment in the video-game-derived series of films is not exactly dull but never interesting either." — New York Times
Posted Sep 24, 2007
2/5 15% The Brothers Solomon (2007) " Three gags miss for every one that hits." — New York Times
Posted Sep 22, 2007
2/5 13% Mr. Woodcock (2007) " Between Mr. Thornton's wry performance and Tami Reiker's nuanced wide-screen photography, you half-expect Woodcock to deliver more than formulaic laughs." — New York Times
Posted Sep 14, 2007
2/5 80% Summer '04 (Sommer '04) (2007) " Summer '04 is so plainly the product of meticulous forethought that the shooting script might have been etched on marble slabs." — New York Times
Posted Aug 1, 2007
2/5 47% Laura Smiles (2006) " Part domestic drama, part thriller, Laura Smiles is so ambitious that its ultimate failure is more depressing than anything in its dark script." — New York Times
Posted Jul 27, 2007
2/5 45% One to Another (2006) " If this is art, Cinemax is the Louvre." — New York Times
Posted Jul 14, 2007
2/5 64% Vitus (2007) " This was Switzerland's entry for the 2006 Oscars, and you can see why. Like most award-seeking crowd-pleasers, it places uncomfortable impulses in opposition then dramatizes them in the most unchallenging way imaginable." — New York Times
Posted Jul 4, 2007
2/5 33% Good-Bye Momo (2007) " It sounds churlish to bash a film that's as bereft of bad thoughts as a tiny puppy. But when the puppy licks your face for 108 minutes, enough's enough." — New York Times
Posted Apr 20, 2007
2/5 69% Adam's Apples (Adams æbler) (2007) " Smart-aleck comedy and spirituality aren't incompatible, but in Adam's Apples they cancel each other out." — New York Times
Posted Mar 16, 2007
2/5 26% Daddy's Little Girls (2007) " The hamfistedness of Daddy's Little Girls ultimately shatters its charms." — New York Times
Posted Feb 16, 2007
2/5 0% Constellation (2005) " If earnestness equaled skill, Constellation would be a classic." — New York Times
Posted Feb 2, 2007
2.5/5 56% The Signal (2008) " This three-part horror movie directed by a trio of Atlanta filmmakers is set during the collapse of Terminus, a fictional city whose citizens are being driven to rage." — New York Times
Posted Feb 22, 2008
2.5/5 28% Step Up 2 the Streets (2008) " Step Up 2 the Streets posits a universe where racial and class differences are minor obstacles to fun and pretends its clichés aren't clichés." — New York Times
Posted Feb 14, 2008
2.5/5 60% Look (2007) " Look, an unsettling, rudely funny but not entirely credible feature by the writer and director Adam Rifkin, is an ensemble narrative for the age of public surveillance." — New York Times
Posted Dec 14, 2007
2.5/5 31% Undoing (2006) " Undoing, by the writer and director Chris Chan Lee, buries a potentially haunting pulp thriller beneath flashy tics." — New York Times
Posted Dec 5, 2007
2.5/5 31% Midnight Eagle (Middonaito Îguru) (2007) " A personal and political melodrama with perfunctory gunplay and explosions." — New York Times
Posted Nov 23, 2007
2.5/5 78% Desert Bayou (2007) " Feels less like a revelatory feature film than several shorts strung together." — New York Times
Posted Oct 5, 2007
2.5/5 24% Halloween (2007) " The new Halloween has sympathy for the Devil, but not enough." — New York Times
Posted Sep 4, 2007
2.5/5 1% Daddy Day Camp (2007) " Daddy Day Camp is a recruiting poster for kids, insisting that there's no domestic problem that military values can't solve." — New York Times
Posted Aug 8, 2007
2.5/5 33% Walking to Werner (2006) " The documentary Walking to Werner is a deeply self-reflexive work, perpetually at risk of disappearing into its own iris." — New York Times
Posted Jul 20, 2007
2.5/5 64% Broken English (2007) " The low-key comedy Broken English is a textbook example of an Indiewood film: a Hollywood fantasy wrapped in plain brown paper." — New York Times
Posted Jun 22, 2007
2.5/5 —— Otoshimono (Ghost Tunnel)(Ghost Train) (2007) " In Takeshi Furusawa's Ghost Train, a group of high school students tries to unravel a mystery that leads the teenagers into the bowels of their city." — New York Times
Posted Jun 6, 2007
2.5/5 14% Four Lane Highway (2005) " Affable but dull." — New York Times
Posted Jun 1, 2007
2.5/5 56% Civic Duty (2006) " The vivid sense of time and place is the best thing about the initially promising, ultimately irritating psychological thriller Civic Duty." — New York Times
Posted May 4, 2007
2.5/5 20% Dead Silence (2007) " The film's playfully self-aware touches (like a grand old theater named the Guignol) distract from its leaden pacing, three too many final twists and various behavioral idiocies." — New York Times
Posted Mar 18, 2007
2.5/5 69% Alone with Her (2007) " Writer and director Eric Nicholas's latest film, Alone With Her, is a voyeuristic thriller that is fiendishly assured yet ultimately less than the sum of its parts." — New York Times
Posted Jan 17, 2007
3/5 89% Teza () " He doesn't just reject political, philosophical, sexual, racial and spiritual dogma of every sort. He seems to view dogma itself as the one true evil: the ideological armor of bullies throughout history; the enemy of freedom, of art, of happiness itself." — New York Times
Posted Apr 2, 2010
3/5 85% Planet B-Boy (2007) " Still, from moment to moment, Planet B-Boy is fun, sometimes thrilling and packed with illuminating details and striking personalities" — New York Times
Posted Mar 24, 2008
3/5 38% Bonneville (2006) " Except for Jessica Lange's silent, expressive close-ups, the women's journey in Bonneville is aesthetically and dramatically unremarkable." — New York Times
Posted Feb 29, 2008
3/5 91% Beyond Belief (2008) " This documentary feature follows 9/11 widows from suburban Boston, as they try to raise money to help war widows in Afghanistan." — New York Times
Posted Feb 29, 2008
3/5 16% Revolver (2005) " The movie's hit-to-miss ratio is hardly Olympic caliber, but Mr. Ritchie deserves credit for chutzpah." — New York Times
Posted Dec 7, 2007
3/5 50% Dirty Laundry (2006) " Mr. Jamal's direction ranges from clumsy to competent. Fortunately, even as Mr. Jamal's characters hit notes reminiscent of a half-baked television pilot, they disclose eccentricities that his cast spins into comic gold." — New York Times
Posted Dec 7, 2007
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