|
0/5
|
0%
|
Pinocchio (2002) |
"
From concept to execution it is a huge mistake."
—
Boxoffice Magazine
Posted Jul 23, 2003
|
|
.5/5
|
2%
|
The Master of Disguise (2002) |
"
The film is so busy making reference to other films and trying to be other films that it fails to have a heart, mind or humor of its own."
—
Boxoffice Magazine
Posted Aug 11, 2002
|
|
1/5
|
15%
|
Sleepover (2004) |
"
It may be true that all 14-year-olds desire to be older and strive to appear so, but exploring those wishes and dreams in such a superficial, coarse and insensitive way as this movie does is neither responsible nor good entertainment for anyone of any age"
—
Boxoffice Magazine
Posted Jul 11, 2004
|
|
1/5
|
44%
|
Dr. Dolittle (1998) |
"
This movie is not fair to either man or beast. It makes all creatures seem annoying, charmless, noisy, witless and unfunny--unless you are fond of toilet and arse jokes."
—
Boxoffice Magazine
Posted Jun 5, 2002
|
|
1/5
|
13%
|
B.A.P.S. (1997) |
"
Bad, amateur, poor and silly."
—
Boxoffice Magazine
Posted Jun 5, 2002
|
|
|
22%
|
Impostor (2001) |
"
Hope keeps arising that the movie will live up to the apparent skills of its makers and the talents of its actors, but it doesn't."
—
Boxoffice Magazine
Posted Jan 4, 2002
|
|
|
21%
|
The Glass House (2001) |
"
All one leaves the theatre with is the urge to beg Hollywood to stop this endless cycle of mindless horror flicks."
—
Boxoffice Magazine
Posted Dec 23, 2001
|
|
|
50%
|
Kate & Leopold (2001) |
"
This bland, taffy-pulled, over-long go-round, like something put together by market research, lacks most of the essentials of true love -- heart, passion, sexuality, excitement etc. etc."
—
Boxoffice Magazine
Posted Dec 21, 2001
|
|
|
15%
|
The Affair of the Necklace (2001) |
"
Oddly cast and ploddingly executed."
—
Boxoffice Magazine
Posted Dec 4, 2001
|
|
|
49%
|
Riding in Cars with Boys (2001) |
"
It's neither as much fun as it could be, nor as emotionally affecting."
—
Boxoffice Magazine
Posted Oct 28, 2001
|
|
|
50%
|
Shadow Glories (The Fight) (2001) |
"
It ends up a broken, fractured version of what it might have been, rather than the intelligent, poetic drama it aspires to be."
—
Boxoffice Magazine
Posted Oct 4, 2001
|
|
|
63%
|
Crazy/ Beautiful (2001) |
"
The two talented stars both have enough inner light to almost convince us that what's going on matters, but they are stymied by the fact that their performances are geared to a tragedy the movie fails to fulfill."
—
Boxoffice Magazine
Posted Jun 29, 2001
|
|
|
53%
|
A Love Divided (1999) |
"
It fails to arouse much more than deep annoyance."
—
Boxoffice Magazine
Posted Jun 1, 2001
|
|
|
29%
|
Drowning Mona (2000) |
"
It isn't very funny."
—
Boxoffice Magazine
Posted Jan 1, 2000
|
|
|
13%
|
Whipped (1999) |
"
Some of the unpleasant moments are funny, some not, but it isn't realistic enough to have an impact and not stylish enough to be seductive even at its most amusing."
—
Boxoffice Magazine
Posted Jan 1, 2000
|
|
|
53%
|
The Grandfather (El Abuelo) (1998) |
"
Never fully quickens into a work of sustained emotion."
—
Boxoffice Magazine
Posted Jan 1, 2000
|
|
|
19%
|
The Next Best Thing (2000) |
"
[Madonna], as usual, tries hard but seems manufactured."
—
Boxoffice Magazine
Posted Jan 1, 2000
|
|
1.5/5
|
14%
|
London (2006) |
"
This is a story about people who have no one to blame but themselves. The same goes for the filmmakers."
—
Boxoffice Magazine
Posted Feb 10, 2006
|
|
1.5/5
|
32%
|
Tristan & Isolde (2006) |
"
They are hollow people mooning their way through a backdrop of endless battles in which wild-haired, wild-eyed men chop each other about."
—
Boxoffice Magazine
Posted Jan 13, 2006
|
|
1.5/5
|
42%
|
Herbie: Fully Loaded (2005) |
"
Stuck in a role that no one could steer straight, Lindsay Lohan looks aged by the experience."
—
Boxoffice Magazine
Posted Jun 22, 2005
|
|
1.5/5
|
80%
|
Pooh's Heffalump Movie (2005) |
"
Updating classics to meld with the sensibilities of the current era is only forgivable when the modernization truly honors the source and adds to the enjoyment. Pooh's Heffalump Movie does neither."
—
Boxoffice Magazine
Posted Feb 10, 2005
|
|
1.5/5
|
26%
|
The Princess Diaries 2 - Royal Engagement (2004) |
"
Despite all the excessive overlays of set-design, costuming and sugary sweet sappiness, this sequel is a dead artifact."
—
Boxoffice Magazine
Posted Aug 15, 2004
|
|
1.5/5
|
21%
|
Little Black Book (2004) |
"
The director's best efforts to try to balance heart with farce and nice-girl folly with mean-girl meddling do not create any sort of believable whole."
—
Boxoffice Magazine
Posted Aug 8, 2004
|
|
1.5/5
|
65%
|
Beyond The Clouds (Al di là delle nuvole) (1995) |
"
Musing on the power of inner thought and imagination, the film is far from deep, but instead feels superficial and one-dimensional."
—
Boxoffice Magazine
Posted Nov 19, 2002
|
|
1.5/5
|
7%
|
Summer Catch (2001) |
"
It's almost any botched play analogy you can think of, though never exciting enough to be compared to a strike-out or even to a wild pitch."
—
Boxoffice Magazine
Posted Sep 4, 2001
|
|
2/5
|
56%
|
Keeping Mum (2006) |
"
The British countryside provides a pretty framework, unfortunately the picture inside doesn't fit the bill."
—
Boxoffice Magazine
Posted Dec 30, 2006
|
|
2/5
|
38%
|
The Nativity Story (2006) |
"
It's a dreary, depressing slog until finally there's a tiny, tiny hint that the world could possibly contain joy, love and peace, instead of a wealth of evil."
—
Boxoffice Magazine
Posted Dec 1, 2006
|
|
2/5
|
37%
|
The Guardian (2006) |
"
Watching The Guardian is like treading water in a cold tank when you'd rather be sun-basking on a raft in a tranquil cove."
—
Boxoffice Magazine
Posted Sep 29, 2006
|
|
2/5
|
21%
|
You, Me and Dupree (2006) |
"
Dupree's presence is annoying and disruptive, but not remotely convincing as a legitimate catalyst for exposing anything insightful, amusing or charming about modern relationships."
—
Boxoffice Magazine
Posted Jul 14, 2006
|
|
2/5
|
34%
|
The Break-Up (2006) |
"
Director Peyton Reed really does seem to be trying to probe for something more worthy, to find some insight into modern-day relationships, but it simply isn't there."
—
Boxoffice Magazine
Posted Jun 2, 2006
|
|
2/5
|
15%
|
Miss Congeniality 2 - Armed and Fabulous (2005) |
"
It's kinda sweet, completely vacuous, and not really very entertaining."
—
Boxoffice Magazine
Posted Mar 24, 2005
|
|
2/5
|
15%
|
Diary of a Mad Black Woman (2005) |
"
Nobody in the movie seems to know quite what sentiment he or she should be channeling at any given moment."
—
Boxoffice Magazine
Posted Feb 25, 2005
|
|
2/5
|
61%
|
Wimbledon (2004) |
"
It has no sharp edge, few laughs, and never successfully probes beneath the surface of the milieu it attempts to explore."
—
Boxoffice Magazine
Posted Sep 17, 2004
|
|
2/5
|
50%
|
America's Heart and Soul (2004) |
"
A clip package of interesting snapshots of landscapes and people whirled by fast enough to look like something meaningful, but essentially no more interesting that a neighbor's vacation video."
—
Boxoffice Magazine
Posted Jul 4, 2004
|
|
2/5
|
35%
|
What a Girl Wants (2003) |
"
What a girl wants is a much better script, especially if she's a girl with Amanda Bynes' talent."
—
Boxoffice Magazine
Posted Apr 4, 2003
|
|
2/5
|
27%
|
A Walk to Remember (2002) |
"
Plod, plod, plod."
—
Boxoffice Magazine
Posted Jan 27, 2002
|
|
2/5
|
89%
|
The Human Body (2001) |
"
The impression left is that of a series of slides with the lecturer flashing the clicker too quickly from one to another."
—
Boxoffice Magazine
Posted Dec 29, 2001
|
|
2/5
|
54%
|
Enemy at the Gates (2001) |
"
The filmmakers of Enemy at the Gates haven't solved the "hearts and minds" problem -- not for the films' heroes and villains, and certainly not for themselves."
—
Boxoffice Magazine
Posted Mar 27, 2001
|
|
2.5/5
|
54%
|
Flicka (2006) |
"
Maria Bello's skill and onscreen presence speak volumes about the mother's thoughts and feelings, even when the script leaves her high and dry."
—
Boxoffice Magazine
Posted Oct 28, 2006
|
|
2.5/5
|
76%
|
Absolute Wilson (2006) |
"
Over all, though not surprisingly, the result is too sharply slanted in favor of Wilson's genius rather than in questioning his talent."
—
Boxoffice Magazine
Posted Oct 28, 2006
|
|
2.5/5
|
4%
|
Material Girls (2006) |
"
Martha Coolidge's direction treats the whole adventure with more respect than it deserves, which also makes one wish that she'd been able to work with the Duffs on something much more worthwhile."
—
Boxoffice Magazine
Posted Aug 26, 2006
|
|
2.5/5
|
25%
|
Peaceful Warrior (2006) |
"
The filmmakers can't be faulted for trying; it's a decent effort, but nevertheless misses out in both the mind and body categories, and rather overdoes the spirit."
—
Boxoffice Magazine
Posted Jun 2, 2006
|
|
2.5/5
|
45%
|
The Thing About My Folks (2005) |
"
Despite some amusing and touching scenes, it is a bit too sitcom-like for its own good."
—
Boxoffice Magazine
Posted Sep 16, 2005
|
|
2.5/5
|
36%
|
Asylum (2005) |
"
Despite all the on-screen intensity, we are locked out."
—
Boxoffice Magazine
Posted Aug 12, 2005
|
|
2.5/5
|
34%
|
Must Love Dogs (2005) |
"
Too pat when it needs to be hairy, Must Love Dogs fails to find the undercurrents of complex emotion beneath its pretty patter surface."
—
Boxoffice Magazine
Posted Jul 29, 2005
|
|
2.5/5
|
63%
|
Mail Order Wife (2005) |
"
Mail Order Wife is a con. A good con, it's true, but like all cons it leaves a sour taste once the trick is revealed."
—
Boxoffice Magazine
Posted Apr 23, 2005
|
|
2.5/5
|
46%
|
The Ballad of Jack and Rose (2005) |
"
It's somehow out of sync with its own rhythms and moods, thus its impact is much slighter than might be expected from an idea approached with intelligence and insight by Rebecca Miller and conveyed by as talented a clutch of actors."
—
Boxoffice Magazine
Posted Apr 2, 2005
|
|
2.5/5
|
10%
|
The Wedding Date (2005) |
"
Romantic comedy is a tough genre to pull off in this crass and explicit day and age. This movie gives it a perky try, but its formula, unlike its hired-for-the-occasion leading man, just isn't the right package."
—
Boxoffice Magazine
Posted Feb 4, 2005
|
|
2.5/5
|
58%
|
Fear X (2003) |
"
Intellectually, the story isn't as compelling Kafkaesque at it probably wants to be, but at least it has a mind of its own."
—
Boxoffice Magazine
Posted Jan 21, 2005
|
|
2.5/5
|
68%
|
The Spongebob Squarepants Movie (2004) |
"
Aims to be a whale of a tale but in the process dissipates some of the very clever hilarity usually squeezed into the brief small-screen episodes."
—
Boxoffice Magazine
Posted Nov 18, 2004
|
85%
79%
7%
