ROTTEN TOMATOES: Jeremiah Kipp

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JEREMIAH KIPP

Agrees with the Tomatometer 71% of the time.

Biography: Jeremiah Kipp has a diverse background in film production and writing. He has been published in Filmmaker Magazine, Fangoria, MovieMaker Magazine, Shock Cinema, Show Business Weekly, Film Festival Today and Guerrilla Filmmaker and writes online movie reviews for Slant Magazine and Filmcritic.com. Jeremiah has also been a judge for New York’s annual Fringe Festival and is a member of the Online Film Critics Society and Cinemarati. Jeremiah holds a B.F.A. in film from New York University, having graduated from the Tisch School of the Arts with honors.

Publications: Film Festival Today, Filmcritic.com, Flipside Movie Emporium, Matinee Magazine, MovieWeb, Slant Magazine, Southside Callbox, ToxicUniverse.com

Critics' Group: Online Film Critics Society, Cinemarati

Total Reviews: 667
Total QuickRatings: 15

Location: New York

BEST REVIEWED FILMS

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« Rating	T-Meter	Title \| Year	Add Date (default)

Fresh 4/4	N/A	Paradise (2008)	" It wouldn't be a stretch to compare Paradise to Alphaville, what with its imagining of the modern as otherworldly, or to imagine it as a capsule made by an outer-space explorer who visits Earth and finds layers of mystery in the mundane." — Slant Magazine Posted Sep 23, 2009
Fresh 4/4	Fresh 73%	Pulse (2005)	" During a Kiyoshi Kurosawa film, one sits in anticipation of the horrors lingering just outside the frame." — Slant Magazine Posted Jun 25, 2005
Fresh 5/5	Fresh 96%	Catch Me If You Can (2002)	" Steven Spielberg has always has a fascination with the Peter Pan boy who never grew up; he drops this one into the splashy clothes, cars, and high style of the early 1960s." — ToxicUniverse.com Posted Dec 22, 2002
Fresh A	Fresh 91%	Far From Heaven (2002)	" Haynes uses the antiquated style without winking, and begs questions of whether a modern filmmaker can actually recreate Sirk without reinventing it in the process. Fused through Haynes’s modern sensibility it becomes something Other." — Matinee Magazine Posted Nov 7, 2002
Fresh A	Rotten 48%	Femme Fatale (2002)	" De Palma’s radical script-flip [of the genre] is a healthy indication of film culture rejecting the stupidity of crime movie violence and, with it, the failure of the imagination." — Matinee Magazine Posted Nov 7, 2002
Fresh A	Rotten 49%	Undisputed (2002)	" Undisputed allows its social commentary to play out through the confident rhythms of a traditional fight picture. It's the fiercest political sneak attack of 2002." — Matinee Magazine Posted Aug 30, 2002
Fresh A	Rotten 44%	Trouble Every Day (2002)	" *Rippling with ideas, Trouble Every Day* is cinematically astonishing in ways we just aren’t used to anymore.*" — Matinee Magazine* Posted Feb 28, 2002
Fresh 5/5	Fresh 96%	Werckmeister Harmonies (2001)	" dares to say the apocalypse has a startling, bleak beauty all its own. " — Filmcritic.com Posted Mar 14, 2006
Fresh A	Fresh 76%	Audition (2001)	" The violence of the finale poses troubling questions about self-denial, male dread, and cathartic suffering." — Matinee Magazine Posted Jun 11, 2002
Fresh 5/5	Fresh 100%	Sobibor, October 14, 1943, 4 p.m. (2001)	" Lanzmann's climax is sure to send some audience members running for the exit." — Filmcritic.com Posted Oct 5, 2001
Fresh 5/5	Fresh 81%	Mulholland Dr. (2001)	" A masterpiece." — Filmcritic.com Posted Sep 26, 2001
Fresh 5/5	Rotten 52%	Waking the Dead (2000)	" Gordon is particularly good at visualizing internal landscapes, particularly slow collapses into paralyzing madness and terrible guilt." — Filmcritic.com Posted Jan 1, 2000
Fresh 4/4	Fresh 78%	Eyes Wide Shut (1999)	" Misunderstood as a psychosexual thriller, Stanley Kubrick's final film is actually more of an acidic comedy about how Tom Cruise fails to get laid." — Slant Magazine Posted Nov 19, 2007
Fresh A	Fresh 97%	Crouching Tiger, Hidden Dragon (1999)	Click here to read article — Flipside Movie Emporium Posted Oct 24, 2001
Fresh 4/4	Rotten 55%	Velvet Goldmine (1998)	" Repeat viewings will allow one to piece together the fragmented montage as a melancholic ode to freedom, and those who fight for it through art." — Slant Magazine Posted Mar 25, 2004
Fresh 4/4	Fresh 77%	Beloved (1998)	" *Filled with some of the most extraordinary images of recent years, Beloved* was apparently too powerful for audiences to handle back in 1998.*" — Slant Magazine* Posted Feb 3, 2004
Fresh 5/5	Rotten 48%	Fear and Loathing in Las Vegas (1998)	" Fellini's movies work on this level, reveling in their carnival atmosphere while at the same time critiquing them." — ToxicUniverse.com Posted Mar 27, 2003
Fresh 5/5	Fresh 70%	The Idiots (1998)	Click here to read article — Filmcritic.com Posted Jan 1, 2000
Fresh 5/5	Fresh 93%	Waco: The Rules of Engagement (1997)	Click here to read article — ToxicUniverse.com Posted Jan 27, 2002
Fresh 4/4	Fresh 65%	Crash (1996)	" It's the cold survival logic of Darwin, where libertarians leave their past behind as if it were dead." — Slant Magazine Posted Jul 5, 2005
Fresh 4/4	Fresh 87%	Heat (1995)	" Echoes the tradition of American individualists." — Slant Magazine Posted Feb 21, 2005
Fresh 5/5	Fresh 88%	Thirty-Two Short Films About Glenn Gould (1993)	Click here to read article — ToxicUniverse.com Posted Jan 27, 2002
Fresh 4/4	Fresh 75%	Bad Lieutenant (1992)	" *Ferrara was in the right place at the right time to make Bad Lieutenant." — Slant Magazine* Posted Aug 5, 2009
Fresh 5/5	Fresh 88%	Henry: Portrait of a Serial Killer (1990)	Click here to read article — ToxicUniverse.com Posted Jan 27, 2002
Fresh 4/4	Fresh 80%	The Last Temptation of Christ (1988)	" There is a God in the film, and it pursues Jesus throughout." — Slant Magazine Posted Sep 19, 2003
Fresh 4/4	Rotten 40%	Walker (1987)	" Walker is the dark, neurotic flipside of Repo Man, where the antiheroic title character is not interested in any form of individual self-expression other than a single-minded pursuit of fame and glory." — Slant Magazine Posted Feb 13, 2008
Fresh 5/5	Fresh 100%	The Singing Detective - Complete Series (1986)	" ...about how the creative process is linked to memories, and how writing one's way through trauma may not erase it but provides a way of coping." — ToxicUniverse.com Posted Jan 16, 2004
Fresh 4/4	Fresh 87%	Kiss of the Spider Woman (1985)	" Argentine writer Manuel Puig's book Kiss of the Spider Woman has a theme that endures throughout all its various incarnations: that of human dignity and compassion surviving within a society that denies it." — Slant Magazine Posted Aug 14, 2008
Fresh 4/4	N/A	La Femme Publique (1984)	" *Though Kessling can be interpreted as a stand-in for Zulawski, Femme Publique* is not his autobiography in the same way his previous film Possession was.*" — Slant Magazine* Posted Feb 18, 2009
Fresh A+	Fresh 80%	Videodrome (1983)	" *Nearly twenty years after Videodrome* was shot, it still feels contemporary.*" — Flipside Movie Emporium* Posted Oct 24, 2001
Fresh A	Fresh 98%	E.T. The Extra-Terrestrial (1982)	" There is hope for the movies, even if that means that the best film currently playing in theaters in 2002 happens to be one of the greatest films to emerge in 1982, or any year." — Matinee Magazine Posted Apr 14, 2002
Fresh 5/5	Fresh 80%	The Thing (1982)	" This is one of those great films which inspire inarticulate awe within your humble narrator rather than verbose declarations of praise." — ToxicUniverse.com Posted Jan 27, 2002
Fresh 4/4	Fresh 94%	Raiders of the Lost Ark (1981)	" Lost Ark holds up for many reasons, not least of which is because of Spielberg's consummate skill as a visual storyteller and his ability to draw charged performances from his actors." — Slant Magazine Posted May 21, 2008
Fresh 5/5	Fresh 67%	My Breakfast With Blassie (1981)	Click here to read article — ToxicUniverse.com Posted Jan 27, 2002
Fresh 5/5	Fresh 89%	My Dinner With Andre (1981)	Click here to read article — Filmcritic.com Posted Feb 6, 2001
Fresh 4/4	Fresh 64%	Phantasm (1978)	" Phantasm can be viewed as a haunting fable of an adolescent grappling with his fear of death." — Slant Magazine Posted Apr 18, 2007
Fresh 5/5	Fresh 97%	Invasion of the Body Snatchers (1978)	" *The screenplay by W.D. Richter builds at a deliberate pace, and within the first half hour we’re already disturbed by the almost imperceptible behavior of those who have been snatched." — ToxicUniverse.com* Posted Jan 27, 2002
Fresh A+	Fresh 95%	Dawn of the Dead (1978)	" An epic among horror films." — Flipside Movie Emporium Posted Oct 24, 2001
Fresh 4/4	Fresh 100%	Chinatown (1974)	" The exhaustive, labyrinthine narrative is built up like a fortress around this film's bitter heart." — Slant Magazine Posted Nov 8, 2007
Fresh 5/5	Fresh 95%	Don't Look Now (1974)	" Like all great horror films, the reason it all feels so creepy is because our imagination makes it so." — ToxicUniverse.com Posted Jan 27, 2002
Fresh 4/4	N/A	The Devil (1972)	" *Whether taken as a historical drama or a horror film, The Devil* is unabashedly a parable about misappropriated anger against the forces of evil.*" — Slant Magazine* Posted Oct 10, 2007
Fresh 4/4	Fresh 94%	Deliverance (1972)	" This man-versus-nature story is also about man indulging his most uncivilized instincts, and in their various ways the four men on the canoe trip are transformed." — Slant Magazine Posted Aug 27, 2007
Fresh A	Fresh 82%	Pink Flamingos (1972)	" What makes it all so cheerfully engaging are the larger than life performances from actors who are hardly professional but compulsively watchable, especially Waters' superstar, the irrepressible Divine." — Flipside Movie Emporium Posted Oct 24, 2001
Fresh 4/4	Fresh 91%	A Clockwork Orange (1971)	" Spectacular, operatic, colorful, and exquisitely photographed." — Slant Magazine Posted Nov 19, 2007
Fresh 4/4	Fresh 100%	Punishment Park (1971)	" Punishment Park is told in the pseudo-documentary style that defines most of the obscure body of work by British filmmaker Peter Watkins." — Slant Magazine Posted Nov 14, 2005
Fresh 5/5	Fresh 93%	Straw Dogs (1971)	" Sam Peckinpah doesn't find anything to cheer about when his Man expresses his rage." — ToxicUniverse.com Posted May 29, 2003
Fresh 5/5	Fresh 74%	El Topo (1970)	" The surrealist filmmaker Alejandro Jodorowsky created his own midnight cult version of the Spaghetti Western which, once seen, is not easily forgotten. Some of his macabre and mystical images linger, both fascinating and strange." — Flipside Movie Emporium Posted Jul 11, 2002
Fresh 4/4	Fresh 95%	Night of the Living Dead (1968)	" *There's a brute force in Night of the Living Dead* that catches one in the throat.*" — Slant Magazine* Posted May 27, 2008
Fresh 4/4	Fresh 92%	The War Game (1965)	" Watkins's images are shrewd propaganda." — Slant Magazine Posted Jul 25, 2006
Fresh 5/5	Fresh 94%	Contempt (1964)	" *Screw Adaptation* and its lack of temerity. Contempt is a meta-movie that places the onus back on the viewer. How are we to sensibly respond, and is there any sense in that at all?*" — ToxicUniverse.com* Posted Feb 15, 2003

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4/4	PulseOffsite
5/5	Werckmeister HarmoniesOffsite
3.5/4	Henry: Portrait of a Serial KillerOffsite
B+	The Devil's RejectsOffsite
4/5	Forty Shades of BlueOffsite
3/4	Love Me or Leave MeOffsite
2.5/4	The Razor's EdgeOffsite
3/5	The Land of College ProphetsOffsite
2/4	Young Man With a HornOffsite
C	Last DaysOffsite
1.5/4	Hitchhiker's Guide to the GalaxyOffsite
1/4	The OmenOffsite

F	K-PaxOffsite
D-	The Rules of AttractionOffsite
D-	Halloween: ResurrectionOffsite
D-	Scotland, PAOffsite
D-	Jay and Silent Bob Strike BackOffsite
D-	Soul SurvivorsOffsite
D-	Orange CountyOffsite
.5/5	RollerballOffsite
0.5/5	How the Grinch Stole ChristmasOffsite
0.5/5	Modern VampiresOffsite

JEREMIAH KIPP

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