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Tim Grierson

Tim Grierson

Agrees with the Tomatometer 80% of the time.

Biography:
Tim is a film and music critic whose writing has appeared in LA Weekly, Blender, Wired, Screen International, The Village Voice, and VH1.com. He is also an editor of The Simon, an online publication of culture, politics, and humor, and is a member of the Los Angeles Film Critics Association.
Publications:
City Pages, Minneapolis/St. Paul , EmanuelLevy.Com , Gawker , L.A. Weekly , Screen International , Screendaily , The Simon , Village Voice
Critics' Group:
Los Angeles Film Critics Association
Total Reviews:
440
Total QuickRatings:
1
Location:
Los Angeles

Best Reviewed Films

Showing 1 - 50 of 325
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Rating T-Meter Title | Year Add Date
A- 93% Happy-Go-Lucky (2008) " Deceptively lighthearted, Mike Leigh's new film offers a sober, poignant look at the difficulties of maintaining happiness in our harsh modern world, boasting a towering, Oscar-worthy performance from Sally Hawkins." — EmanuelLevy.Com
Posted Sep 28, 2008
81% Scott Pilgrim vs. the World (2010) " A fizzy blast that may not offer many lasting rewards but certainly generates an impressive headlong rush along the way." — Screen International
Posted Jul 26, 2010
38% Beautiful Islands (2010) " At a time when most advocacy documentaries aim for righteous fury, Tomoko Kana's Beautiful Islands is so gentle that it's practically radical by comparison." — L.A. Weekly
Posted Jul 22, 2010
86% Inception (2010) " Inception is an extraordinarily ambitious work. It's a bit overlong at 148 minutes, but I couldn't tell you what I would have cut out of it." — The Simon
Posted Jul 15, 2010
63% Great Directors (2010) " Great Directors doesn't tell you a lot about its great directors, but as a roadmap on how to live artfully, it's rather inspiring." — The Simon
Posted Jul 9, 2010
67% Wild Grass (Les Herbes Folles) (2010) " Not since the masterful Punch-Drunk Love has a love story been this willfully loopy and beguiling." — The Simon
Posted Jun 25, 2010
75% Cold Weather (2011) " Though the film doesn't always deliver on its ambitions, this clever mash-up of genres ripples with an ingratiating confidence." — Screen International
Posted Jun 25, 2010
47% The A-Team (2010) " 'Overkill is underrated,' proclaims a character in The A-Team, which might as well serve as this stylish action film's motto, selling point and chief limitation. " — Screen International
Posted Jun 10, 2010
91% Joan Rivers: A Piece Of Work (2010) " Inspiring, sobering and very funny." — EmanuelLevy.Com
Posted Jun 10, 2010
51% Coco Chanel & Igor Stravinsky (2010) " As Coco Chanel, Anna Mouglalis is brittle, shallow, and petty in all the right ways." — The Simon
Posted Jun 10, 2010
—— 12th & Delaware () " [A] terrific documentary." — Village Voice
Posted Jun 8, 2010
29% Survival of the Dead (2010) " I would hardly proclaim Survival to be a creative renaissance for Romero, but the movie's down-and-dirty simplicity keeps this latest installment moving along." — The Simon
Posted May 27, 2010
89% Alle Anderen (Everyone Else) (2010) " Like love itself, Everyone Else is far from perfect, but its sustaining pleasures make you wonder how you ever lived without it. " — The Simon
Posted May 16, 2010
75% Dirty Hands: The Art & Crimes of David Choe () " If Exit Through the Gift Shop is a witty, subversive satire on the rock star-ification of underground graffiti artists, Dirty Hands is a sober, loving snapshot of one troubled soul within that milieu." — L.A. Weekly
Posted Apr 29, 2010
50% Kenny Chesney: Summer In 3d (2010) " Unapologetically dopey and undeniably ingratiating, the supersized Kenny Chesney: Summer in 3D makes a surprisingly convincing argument for big, dumb likability." — L.A. Weekly
Posted Apr 22, 2010
67% Date Night (2010) " Steve Carell and Tina Fey manage to be funny without ever seeming superior to the slipshod material." — The Simon
Posted Apr 11, 2010
98% How to Train Your Dragon (2010) " Dragon isn't an instant classic, but there's emotion and darkness in it." — The Simon
Posted Apr 11, 2010
75% Greenberg (2010) " The storytelling may not always be sharp enough, but director Noah Baumbach's vision of a Los Angeles where people with dreams slowly age into bland irrelevance is spot-on." — The Simon
Posted Apr 11, 2010
76% Kick-Ass (2010) " Defiantly irreverent and gleefully violent, Kick-Ass caters to its target audience without much regard for anyone else." — EmanuelLevy.Com
Posted Apr 7, 2010
37% The City of Your Final Destination (2010) " A light drama that's slight but also inviting." — EmanuelLevy.Com
Posted Apr 4, 2010
84% The Ghost Writer (2010) " This isn't a movie to compare to Chinatown or Rosemary's Baby, but it's entertaining, clever, very funny and largely unpredictable all the way to the end." — The Simon
Posted Feb 26, 2010
90% Fish Tank (2010) " Andrea Arnold is too skilled not to surprise you with the unexpectedly graceful moment, and she has a feel for the downtrodden milieu she loves exploring." — The Simon
Posted Feb 26, 2010
77% Bronson (2009) " Bronson doesn't have much to say, but it's a very fun exercise in bad behavior that's neither glamorized nor bemoaned." — The Simon
Posted Feb 26, 2010
69% Shutter Island (2010) " Clearly flawed but entirely involving, Shutter Island is a superb genre thriller elevated by director Martin Scorsese's consummate skill." — Screen International
Posted Feb 16, 2010
43% The Extra Man (2010) " A deeply goofy comedy set in a world of weirdoes which boasts one of Kevin Kline's funniest ever performances." — Screen International
Posted Jan 28, 2010
93% The Kids Are All Right (2010) " Cleverly peppered with laughs in its examination of the modern "untraditional" family." — Screen International
Posted Jan 26, 2010
87% Please Give (2010) " Keener, Peet and Hall all shine as women plagued with self-doubt who respond to those insecurities in strikingly different ways." — Screen International
Posted Jan 25, 2010
54% Hesher (2011) " Hesher is a risky gambit that's pleasingly provocative." — Screen International
Posted Jan 25, 2010
67% Daybreakers (2010) " Even if the premise turns out to be juicier than the payoff, this sci-fi/horror thriller suggests the Spierig brothers' future might be bright." — Screen International
Posted Dec 30, 2009
85% A Single Man (2009) " Unlike few films I've seen, A Single Man excellently visualizes what depression feels like." — The Simon
Posted Dec 30, 2009
75% Invictus (2009) " Eastwood's austere direction is always this close to tumbling into dullness, but he's got two strong leads to keep Invictus alert and alive." — The Simon
Posted Dec 30, 2009
72% La Mujer sin Cabeza (The Headless Woman) (2008) " Even if I was never fully captivated by Veronica's existential journey, I was happy to get lost in it for the length of the film's running time." — The Simon
Posted Dec 30, 2009
83% Avatar (2009) " An extraordinary visual achievement somewhat hampered by pedestrian storytelling and cardboard characterizations." — EmanuelLevy.Com
Posted Dec 11, 2009
61% Brothers (2009) " This Brothers can't help but feel like a shadow of the original, but its quieter stretches are quite successful." — The Simon
Posted Dec 4, 2009
70% The Last Station (2010) " Literate, pleasant, vaguely arty, good enough." — The Simon
Posted Dec 4, 2009
93% Fantastic Mr. Fox (2009) " In hindsight, it seems obvious now that Wes Anderson should make a stop-motion animated film -- the medium highlights all his strengths while nullifying his limitations." — The Simon
Posted Dec 4, 2009
85% Me and Orson Welles (2009) " It's a fun, smart movie about artistic aspirations, but its worthiness stems from Christian McKay's terrific performance." — The Simon
Posted Dec 4, 2009
75% The Road (2009) " The Road ends up being more gloomy than harrowing. That's probably good for your constitution but not so much for your viewing experience." — The Simon
Posted Dec 4, 2009
81% Los Abrazos Rotos (Broken Embraces) (Broken Hugs) (2009) " It's an easy film to like, but to love it you have to have spent your entire life learning everything about the world from other films." — The Simon
Posted Nov 19, 2009
87% La Danse -- Le Ballet de l'Opera de Paris (2009) " Sweeping, elegant, completely enjoyable, but rarely revelatory." — The Simon
Posted Nov 19, 2009
89% Red Cliff (Chi Bi) (2009) " John Woo doesn't make films, he makes movies -- and Red Cliff is one pretty darn good movie." — The Simon
Posted Nov 19, 2009
81% Collapse (2009) " Like with The Fog of War, Collapse is intentionally, deceptively one-dimensional, and it's up to you to fill in the other half of the debate with your own opinions." — The Simon
Posted Nov 12, 2009
90% The Messenger (2009) " In his directorial debut, Moverman is a very confident filmmaker, one who can sustain unbroken scenes of over 10 minutes without making it seem self-indulgent or gimmicky." — The Simon
Posted Nov 12, 2009
53% Disney's A Christmas Carol (2009) " The greatest tension in this adaptation of A Christmas Carol isn't between Scrooge and those pesky ghosts but within writer-director Robert Zemeckis." — The Simon
Posted Nov 12, 2009
60% Pirate Radio (The Boat That Rocked) (2009) " To enjoy Pirate Radio you have to accept its bits-and-pieces format. And you probably will also have always secretly wanted to be a disc jockey as a kid." — The Simon
Posted Nov 12, 2009
85% Treeless Mountain (2009) " A series of plotless, episodic incidents that slowly build to understated emotional crescendos." — The Simon
Posted Nov 12, 2009
82% Paranormal Activity (2009) " I think it's more fun and inventive than really frightening, but that's not to say it doesn't have a significant amount of creepy-crawly moments that are very, very effective." — The Simon
Posted Nov 5, 2009
91% Precious: Based on the Novel Push by Sapphire (2009) " Moment by moment, Precious walks a predictable path but keeps us off-balance because Daniels consistently executes scenes slightly differently than what we expect." — The Simon
Posted Nov 5, 2009
52% The Men Who Stare at Goats (2009) " Nagging deficiencies aside, I can't deny that I found this to be a fizzy, funny little romp." — The Simon
Posted Nov 5, 2009
48% Ong Bak 2 (2009) " Ong Bak 2 can't possibly match the novelty and inspired acrobatics of the original, but Tony Jaa gives this new entry enough kick to keep audiences more than satisfied." — Screen International
Posted Oct 22, 2009
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