ROTTEN TOMATOES: Hank Sartin

LISTING OF ALL REVIEWS & ARTICLES

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3/6	"It�s frankly exhausting, and like that bag of Skittles, it won�t really satisfy your hunger. But look at all those bright, shiny colors." -- Time Out New York Posted May 8, 2008	Speed Racer (2008)	35%
2/6	"Writer-director Eva Aridjis has a flat style that�s frankly numbing; Wood tries valiantly, but he and Donowho are both dragged down by the script." -- Time Out New York Posted Apr 30, 2008	The Favor (2008)	17%
	"Jason Statham uses his smoldering charisma to great effect." -- Chicago Reader Posted Apr 16, 2008	The Transporter (2002)	53%
2/6	"*A police thriller that�s desperate to be gritty, Street Kings* boasts a protagonist so dumb it takes him an hour of screen time to realize a 'plot twist' we assumed was a given.*" -- Time Out New York* Posted Apr 10, 2008	Street Kings (2008)	33%
3/6	"*After the shrewd, in-depth analysis of No Direction Home, we expect more from Scorsese than two hours of perfectly framed close-ups of Mick." -- Time Out New York* Posted Apr 3, 2008	Shine a Light (2008)	86%
3/6	"While Phillippe does a creditable job and Cornish is suitably torn by her divided loyalties to two men, Tatum and especially Gordon-Levitt are utterly wasted, used like extras when either of their stories seems interesting enough for a film of its own." -- Time Out New York Posted Mar 27, 2008	Stop-Loss (2008)	65%
2/6	"The eternal battle between the hot-but-arrogant blond and the hot-and-likable brunet continues on new turf in the almost gleefully bad Never Back Down." -- Time Out New York Posted Mar 14, 2008	Never Back Down (2008)	25%
4/6	"If [director] Bharat Nalluri can�t always sustain the fizz, it�s certainly not Adams�s fault; this is another eye-catching performance from the actor, who seems to be specializing in playing dumb." -- Time Out New York Posted Mar 7, 2008	Miss Pettigrew Lives for a Day (2008)	76%
2/6	Click here to read article -- Time Out New York Posted Jan 18, 2008	August Rush (2007)	37%
3/6	"*In legal terms, Mad Money* isn�t a felony; it�s more like a misdemeanor.*" -- Time Out New York* Posted Jan 17, 2008	Mad Money (2008)	20%
	"Eigeman has been in training for this kind of thing for years, but the pleasant surprise is Janssen, who shows a gift for clever dialogue. This is light fare, but it�s smart, enjoyable light fare." -- Time Out Posted Aug 9, 2007	The Treatment (2007)	68%
	"*For the Broadway babies out there, ShowBusiness* will make you want to schedule a trip to the Great White Way.*" -- Time Out* Posted Jul 12, 2007	ShowBusiness: The Road to Broadway (2007)	88%
	"Individual sequences generate an eerie tension that's always deflated, creating a jarring stop-and-go rhythm, and the atmospheric trickery never strays beyond a lot of smoke and mirrors." -- Chicago Reader Posted Jun 6, 2007	Signs (2002)	73%
	"All the uplift could easily get cloying, but director John Lee Hancock knows how to keep things in control, and the whole is surprisingly satisfying." -- Chicago Reader Posted Mar 26, 2007	The Rookie (2002)	82%
	"In their quest for the youth market, Hollywood hacks often dress up their old script ideas in baggy pants and backward baseball caps, but I hope American kids aren't dumb enough to swallow this awful extreme-sports adventure." -- Chicago Reader Posted Mar 6, 2007	Extreme Ops (2002)	6%
	"I expected this to be much funnier: Latifah coasts on her charm, and Fallon seems incapable of playing an actual character." -- Chicago Reader Posted Feb 27, 2007	Taxi (2004)	11%
	"Every joke is stretched to the breaking point, and no one seems to be having any fun." -- Chicago Reader Posted Jan 8, 2007	The Whole Ten Yards (2004)	5%
	"Nothing's quite so painful as failed comedy, and this atrocity is equivalent to a compound fracture." -- Chicago Reader Posted Jan 5, 2007	National Lampoon's Gold Diggers (2004)	0%
	"Romantic comedy ought to have some romance and laughs, but this extraordinarily flat effort has neither." -- Chicago Reader Posted Jan 3, 2007	Serving Sara (2002)	5%
	"Director Zak Tucker is a bit too fond of jump cuts as signifiers of edginess. Still, when the material doesn't get in the way he's pretty good at getting across the emotional content." -- Chicago Reader Posted Aug 10, 2006	Poster Boy (2006)	22%

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