|
1/6
|
13%
|
The Ugly Truth (2009) |
—
Time Out Chicago
Posted Jan 14, 2010
|
|
1/6
|
30%
|
Underworld: The Rise of the Lycans (2009) |
"
Take our advice: Buy a rubber mallet and strike yourself repeatedly until you start to black out. Same basic feeling."
—
Time Out New York
Posted Jan 29, 2009
|
|
1/6
|
33%
|
Paul Blart: Mall Cop (2009) |
"
The Black Friday setting suggests that this was meant to be a holiday release, but it's not hard to see why the studio dumped this suckfest in January."
—
Time Out New York
Posted Jan 21, 2009
|
|
1/5
|
5%
|
Good Luck Chuck (2007) |
"
We've never gotten the appeal of Cook, and this did nothing to explain it."
—
Time Out Chicago
Posted Feb 8, 2012
|
|
1/5
|
58%
|
Paper Heart (2009) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
64%
|
Harry Brown (2010) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
30%
|
Underworld: The Rise of the Lycans (2009) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
33%
|
Paul Blart: Mall Cop (2009) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
64%
|
Adam (2009) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
7%
|
Babylon A.D. (2008) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
81%
|
Panique au village (A Town Called Panic) (2009) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
13%
|
The Spy Next Door (2010) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
6%
|
Who's Your Caddy? (2007) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
24%
|
The Life Before Her Eyes (2007) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
36%
|
Sydney White (2007) |
—
Time Out
Posted Nov 18, 2011
|
|
1/5
|
4%
|
In the Name of the King: A Dungeon Siege Tale (2006) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
40%
|
The Bucket List (2007) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
19%
|
The Back-up Plan (2010) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
25%
|
Confessionsofa Ex-Doofus-ItchyFooted Mutha (2008) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
7%
|
Waiting For Dublin (2007) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
25%
|
The Narrows (2008) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
1%
|
Daddy Day Camp (2007) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
13%
|
The Ugly Truth (2009) |
—
Time Out
Posted Nov 17, 2011
|
|
1/5
|
16%
|
Revolver (2005) |
—
Time Out
Posted Nov 16, 2011
|
|
1/5
|
21%
|
Leap Year (2010) |
—
Time Out
Posted Nov 16, 2011
|
|
1/5
|
33%
|
Paul Blart: Mall Cop (2009) |
—
Time Out Chicago
Posted Sep 22, 2011
|
|
1/5
|
13%
|
The Ugly Truth (2009) |
—
Time Out New York
Posted Sep 22, 2011
|
|
1/5
|
25%
|
The Narrows (2008) |
—
Time Out Chicago
Posted Sep 16, 2011
|
|
1/5
|
6%
|
All About Steve (2009) |
"
A talented director might have made Bullock seem like a comic genius, but Phil Traill has no control over tone, leaving the audience unsure whether to laugh or cry."
—
Time Out New York
Posted Sep 9, 2009
|
|
1/5
|
25%
|
The Narrows (2008) |
"
Imagine Mean Streets with less grit, unconvincing casting and none of Scorsese's tortured Catholic guilt."
—
Time Out New York
Posted Jun 17, 2009
|
|
|
74%
|
Abril Despedaçado (Behind the Sun) (2001) |
"
The appearance of circus performers in any film not by Fellini usually bodes ill, and it does so here."
—
Chicago Reader
Posted Apr 1, 2010
|
|
|
42%
|
Nabbeun namja (Bad Guy) (2001) |
"
The audience is subjected to a series of emotional contortions, encouraged to experience them like a voyeur, and then scolded for doing so."
—
Chicago Reader
Posted Feb 8, 2010
|
|
|
10%
|
Bad Company (2002) |
"
Director Joel Schumacher does a fair job of managing the chaos, but after a while you get tired of being dragged from setup to setup."
—
Chicago Reader
Posted Feb 5, 2010
|
|
|
14%
|
The Young Unknowns (2000) |
"
This bleak little drama started as a play, and I'd bet that even onstage it felt contrived."
—
Chicago Reader
Posted Jul 20, 2009
|
|
|
74%
|
Signs (2002) |
"
Individual sequences generate an eerie tension that's always deflated, creating a jarring stop-and-go rhythm, and the atmospheric trickery never strays beyond a lot of smoke and mirrors."
—
Chicago Reader
Posted Jun 6, 2007
|
|
|
8%
|
Extreme Ops (2002) |
"
In their quest for the youth market, Hollywood hacks often dress up their old script ideas in baggy pants and backward baseball caps, but I hope American kids aren't dumb enough to swallow this awful extreme-sports adventure."
—
Chicago Reader
Posted Mar 6, 2007
|
|
|
10%
|
Taxi (2004) |
"
I expected this to be much funnier: Latifah coasts on her charm, and Fallon seems incapable of playing an actual character."
—
Chicago Reader
Posted Feb 27, 2007
|
|
|
4%
|
The Whole Ten Yards (2003) |
"
Every joke is stretched to the breaking point, and no one seems to be having any fun."
—
Chicago Reader
Posted Jan 8, 2007
|
|
|
0%
|
National Lampoon's Gold Diggers (2004) |
"
Nothing's quite so painful as failed comedy, and this atrocity is equivalent to a compound fracture."
—
Chicago Reader
Posted Jan 5, 2007
|
|
|
5%
|
Serving Sara (2002) |
"
Romantic comedy ought to have some romance and laughs, but this extraordinarily flat effort has neither."
—
Chicago Reader
Posted Jan 3, 2007
|
|
|
26%
|
Poster Boy (2006) |
"
Director Zak Tucker is a bit too fond of jump cuts as signifiers of edginess. Still, when the material doesn't get in the way he's pretty good at getting across the emotional content."
—
Chicago Reader
Posted Aug 10, 2006
|
|
2/6
|
34%
|
Not Easily Broken (2009) |
"
That's a reasonable message, but it might feel more resonant if the script were a little fairer to both sexes."
—
Time Out
Posted Apr 17, 2009
|
|
2/6
|
34%
|
Alien Trespass (2009) |
"
All that's missing from this would-be spoof are laughs."
—
Time Out New York
Posted Apr 1, 2009
|
|
2/6
|
17%
|
The Haunting in Connecticut (2009) |
"
Cornwell delivers shock-cut scares with metronomic regularity; all you can do is sit numbly, waiting for the next pummeling."
—
Time Out Chicago
Posted Apr 1, 2009
|
|
2/6
|
72%
|
The Great Buck Howard (2009) |
"
The younger Hanks is a blander version of his father, without any sense of the elder's hidden zaniness; Malkovich, unsurprisingly, is quite convincing as a man whose ego surrounds him like an enveloping fog."
—
Time Out New York
Posted Mar 18, 2009
|
|
2/6
|
22%
|
Push (2009) |
"
Paul McGuigan's jittery editing and shaky cameras make the action confusing rather than thrilling, and nothing can save this movie from the screenplay's nearly incomprehensible twists."
—
Time Out New York
Posted Feb 11, 2009
|
|
2/6
|
34%
|
Not Easily Broken (2009) |
"
[Has] a reasonable message, but it might feel more resonant if the script were a little more fair and balanced in the battle of the sexes."
—
Time Out New York
Posted Jan 7, 2009
|
|
2/6
|
16%
|
Max Payne (2008) |
"
No one actually cares if the story adds up in a movie based on a video game. Audiences expect to have their nerve endings stimulated (or frayed), as they will be by the aggressive, bass-heavy sound mix."
—
Time Out New York
Posted Oct 15, 2008
|
|
2/6
|
31%
|
Nights in Rodanthe (2008) |
"
Nicholas Sparks's novels are to Harlequin romances as international coffees are to Nescafé: Marketed as having a little dash of class, they're still ersatz java."
—
Time Out New York
Posted Sep 24, 2008
|
|
2/6
|
36%
|
Igor (2008) |
"
A few inspired bits can't save this piece of candy from its own gooey center."
—
Time Out New York
Posted Sep 17, 2008
|
62%
——
97%
