Steven Rea

Steven Rea

Agrees with the Tomatometer 78% of the time.

Publications:
Entertainment Weekly , Houston Chronicle , Philadelphia Daily News , Philadelphia Inquirer
Total Reviews:
1742
Total QuickRatings:
1

Listing Of All Reviews & Articles

Showing 1 - 50 of 1742
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Rating T-Meter Title | Year Add Date
2.5/4 63% Kurt & Courtney (1998) " Kurt and Courtney is an entertaining swim through the muck of the rock underworld. But as journalism, it's an utterly sloppy piece of work." — Philadelphia Inquirer
Posted Apr 11, 2014
4/4 95% Finding Vivian Maier (2014) " Finding Vivian Maier is a find in more ways than one." — Philadelphia Inquirer
Posted Apr 11, 2014
3.5/4 95% Child's Pose (2014) " A dark piece of neorealism - and a searing indictment of Eastern Europe's newly moneyed classes ..." — Philadelphia Inquirer
Posted Apr 11, 2014
3/4 83% Joe (2014) " This world feels studied in its "authenticity": the rusted GMC pickup, the tumbledown shack, the boozy brothel, and angry Joe Ransom guttin' deer and tending to his own gunshot wounds with a grimace and a bottle of alcohol." — Philadelphia Inquirer
Posted Apr 11, 2014
3/4 55% Dom Hemingway (2014) " The kind of crime flick where the characters volley dialogue like furious ping-pong players, riffing with delight, their lines ripe with pulpy metaphor." — Philadelphia Inquirer
Posted Apr 11, 2014
2.5/4 63% Draft Day (2014) " The NFL gets a "special thanks" in the end credits. Maybe it should have been the other way around." — Philadelphia Inquirer
Posted Apr 11, 2014
2/4 63% Nymphomaniac: Volume II (2014) " A long plod ..." — Philadelphia Inquirer
Posted Apr 4, 2014
2/4 45% In the Blood (2014) " In the Blood is generic B-movie fare, bloody and, alas, increasingly dumb." — Philadelphia Inquirer
Posted Apr 4, 2014
4/4 99% The Missing Picture (2014) " Many films have examined from many vantages the Khmer Rouge's nightmare reign, notably Roland JoffĂ©'s 1985 Oscar winner The Killing Fields." — Philadelphia Inquirer
Posted Apr 4, 2014
2.5/4 89% Captain America: The Winter Soldier (2014) " There's too much going on: the Marvel Universe stuff, the WikiLeaks-ish paranoia stuff, the video game-ish CG visual effects stuff, the epic John Woo-ish everybody-pointing-a-weapon-at-everybody-else face-off stuff." — Philadelphia Inquirer
Posted Apr 4, 2014
3.5/4 56% Legends of the Fall (1994) " Check your cynicism at the door, and just revel in its enormity." — Philadelphia Inquirer
Posted Apr 2, 2014
2/4 38% The Lawnmower Man (1992) " The Lawnmower Man echoes Frankenstein and a zillion other noble-scientist-whose-experiment-goes-awry movies." — Philadelphia Inquirer
Posted Apr 1, 2014
3.5/4 97% Ernest & CĂ©lestine (2014) " Ernest & Celestine is a genuine charmer for kids, and for the parental units tagging alongside." — Philadelphia Inquirer
Posted Mar 28, 2014
3/4 91% Le Week-End (2014) " Not exactly a breezy getaway, the film visits the sites, and drops down on rougher terrain, too." — Philadelphia Inquirer
Posted Mar 28, 2014
2/4 73% Enemy (2014) " A spooky enigma, more ponderous than provocative, more silly than suspenseful." — Philadelphia Inquirer
Posted Mar 28, 2014
3/4 77% Noah (2014) " Darren Aronofsky's Noah is the Old Testament on acid. It's the movie equivalent of Christian death metal. It's an antediluvian Lord of the Rings, fist-pumping, ferocious, apocalyptic, and wet - very wet." — Philadelphia Inquirer
Posted Mar 28, 2014
1.5/4 43% The Face of Love (2014) " A Lifetime Channel-like meditation on grief and moving on ..." — Philadelphia Inquirer
Posted Mar 21, 2014
4/4 96% The Lunchbox (2014) " "What do we live for?" is the question that pops up in The Lunchbox, a romance set in Mumbai. The film, a first feature from Ritesh Batra, aims to offer a meaningful answer: We live, ideally, for love." — Philadelphia Inquirer
Posted Mar 21, 2014
3/4 77% Nymphomaniac: Volume I (2014) " Nymphomaniac: Vol. I is intimate, in-your-face, and, mostly, enjoyably ridiculous." — Philadelphia Inquirer
Posted Mar 21, 2014
3/4 40% Divergent (2014) " With a couple of elaborate action set pieces and some trippy, dreamlike sequences when Tris' thoughts are on display, Divergent is sure-footed, suspenseful, and sequel-ready." — Philadelphia Inquirer
Posted Mar 21, 2014
4/4 89% Rushmore (1998) " There's a danger of overselling Anderson's sweet-hearted, loony little fantasy, but everything -- from the soundtrack of '60s Brit bands with their jangly anthems of angsty love to Robert Yeoman's slightly hyper-real photography -- fits perfectly." — Philadelphia Inquirer
Posted Mar 17, 2014
4/4 92% The Grand Budapest Hotel (2014) " The Grand Budapest Hotel is by far the most headlong comedic affair in Anderson's canon. It's practically Marx Brothers-ian at moments. And Fiennes - who knew he was capable of such wicked, witty timing?!" — Philadelphia Inquirer
Posted Mar 14, 2014
3/4 23% Need For Speed (2014) " You'd have to be a true carmudgeon (sorry) to want it to stop." — Philadelphia Inquirer
Posted Mar 14, 2014
4/4 98% Elaine Stritch: Shoot Me (2014) " Stritch, in her trademark billowy white blouses and skinny black tights, or in bed, without makeup and without, sometimes, a lucid notion, reveals herself to be full of opposing emotions and desires." — Philadelphia Inquirer
Posted Mar 7, 2014
1.5/4 10% The Bag Man (2014) " Whatever you do, do not look inside the bag." — Philadelphia Inquirer
Posted Mar 7, 2014
3/4 78% Mr. Peabody & Sherman (2014) " Mr. Peabody & Sherman has a cool, midcentury-modern look (dog and boy live in a populuxe Manhattan penthouse) and a voice cast that may not be A-list but fits the bill nicely." — Philadelphia Inquirer
Posted Mar 7, 2014
3.5/4 84% Bottle Rocket (1996) " This is a movie about friendship, about foolhardy endeavors that get your adrenaline going and make you feel life buzzing in your toes. Written with wit and concision and remarkable confidence, Bottle Rocket is a joyride worth taking." — Philadelphia Inquirer
Posted Mar 4, 2014
3/4 94% Dark Days (2000) " Revealing, if occasionally frustrating." — Philadelphia Inquirer
Posted Mar 3, 2014
4/4 88% The Wind Rises (2014) " The Wind Rises has the sweep and majesty of a Technicolor Hollywood classic." — Philadelphia Inquirer
Posted Feb 28, 2014
3.5/4 88% Tim's Vermeer (2014) " Tim's Vermeer is film as forensics, bringing math and science to bear to solve an art-world mystery." — Philadelphia Inquirer
Posted Feb 28, 2014
2/4 48% Stalingrad (2014) " Stalingrad is long and operatic, but its message is simple enough: War is hell, but hell, it makes for good cinema." — Philadelphia Inquirer
Posted Feb 28, 2014
2/4 22% Son Of God (2014) " They have turned the Christ saga into cheese. As in cheesy." — Philadelphia Inquirer
Posted Feb 28, 2014
2/4 60% Non-Stop (2014) " Non-Stop gets increasingly far-fetched as the jet makes its way across the Atlantic." — Philadelphia Inquirer
Posted Feb 28, 2014
3/4 68% Visitors (2014) " Godfrey Reggio's Visitors is as much a Zen experience as it is a movie, although as the latter it can be quite astonishing, too - cinema that envelops and enthralls." — Philadelphia Inquirer
Posted Feb 21, 2014
2.5/4 33% 3 Days To Kill (2014) " It's the modern dilemma: how to balance work with family, get the job done, and still have time to share a meal with the wife and kid." — Philadelphia Inquirer
Posted Feb 21, 2014
3/4 89% Omar (2014) " Abu-Assad's tale is less a political thriller than it is a human story - although everything about its setting and circumstances is defined by oppression, surveillance, restriction, and control." — Philadelphia Inquirer
Posted Feb 21, 2014
1.5/4 45% In Secret (2014) " Despite its able cast and handsome period costumes, In Secret is, in fact, quite awful." — Philadelphia Inquirer
Posted Feb 21, 2014
3.5/4 91% Kids for Cash (2014) " Kids for Cash is no-nonsense, no-stone-unturned filmmaking." — Philadelphia Inquirer
Posted Feb 14, 2014
2/4 13% Winter's Tale (2014) " Winter's Tale is the kind of really bad movie that may still be quite easy to like, or even love, if you abandon all senses ye who enter here." — Philadelphia Inquirer
Posted Feb 14, 2014
4/4 85% Like Father, Like Son (2014) " If you've seen Hirokazu Koreeda's films - Nobody Knows, Still Life, I Wish - then just the announcement that a new one, Like Father, Like Son, has arrived is all you need to know." — Philadelphia Inquirer
Posted Feb 14, 2014
1.5/4 15% Endless Love (2014) " A jaw-dropping groanfest of teen romance cliches ..." — Philadelphia Inquirer
Posted Feb 14, 2014
48% RoboCop (2014) " RoboCop is a solid near-future action pic that poses moral questions about artificial intelligence and remote-control combat systems without getting too preachy or ponderous about it." — Philadelphia Inquirer
Posted Feb 12, 2014
3.5/4 92% Shakespeare in Love (1998) " In addition to Fiennes, who does a star-making job here, and the radiant Paltrow, Shakespeare in Love teems with wonderful performances." — Philadelphia Inquirer
Posted Feb 11, 2014
3/4 93% Eat Drink Man Woman (Yin shi nan nu) (1994) " Lee's Eat Drink Man Woman is tender without being mushy, sweet without being syrupy -- and surprising in ways that can only make you smile." — Philadelphia Inquirer
Posted Feb 10, 2014
3.5/4 91% High Fidelity (2000) " High Fidelity, with its knowing take on men, messed-up romance and music, is like one long, hook-filled pop song for the eyes." — Philadelphia Inquirer
Posted Feb 10, 2014
3.5/4 88% Chasing Amy (1997) " With their matching hipster goatees and deadpan cynicism, Affleck and Lee evince the easy rapport of old buds." — Philadelphia Inquirer
Posted Feb 7, 2014
3.5/4 95% Four Weddings and a Funeral (1994) " Four Weddings and a Funeral is one of those rare films that have you smiling from the get-go, and keep you that way -- with a few well-earned poignant interludes (including, of all things, a reading of W.H. Auden) -- right to the end." — Philadelphia Inquirer
Posted Feb 7, 2014
2/4 33% The Monuments Men (2014) " Alas, it's a throwback that's thrown its back out - limping along, trailed by battalions of stereotypes and ammo rounds of cliche." — Philadelphia Inquirer
Posted Feb 7, 2014
1.5/4 25% Welcome to the Jungle (2014) " Director Rob Meltzer, who made the kind-of-amusing meta short "I Am Stamos," directs things in shameless, let's-get-this-thing-over-with style ..." — Philadelphia Inquirer
Posted Feb 7, 2014
3.5/4 99% Gloria (2014) " Gloria, spare and keenly observed, plays like a short story - there is no sweeping narrative arc, no momentous triumph or calamity." — Philadelphia Inquirer
Posted Jan 31, 2014
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