Critics » Rosie Fletcher » Rotten
Rosie Fletcher

Rosie Fletcher

Agrees with the Tomatometer 70% of the time.

Publications:
SFX Magazine , Total Film
Total Reviews:
29

Worst Reviewed Films

Showing 1 - 29 of 29
Rating T-Meter Title | Year Add Date
1/5 9% Reverb (2007) " The whole thing takes itself so seriously it's not even good for a laugh. Maybe it's scarier if you play it backwards." — Total Film
Posted Mar 6, 2009
2/5 —— Strippers vs Werewolves () " The script's very funny but with the exception of the charismatic Simon Phillips (as a nerdy vampire hunter), none of the actors seem to realise they're in a comedy." — Total Film
Posted Apr 18, 2012
2/5 0% Shelter () " Begins as a psychological thriller, transforms into a supernatural bonce-scratcher and finally descends into an almighty mess." — SFX Magazine
Posted Apr 21, 2010
2/5 42% The Last House on the Left (2009) " A passable, pointless remake that's as slick as it is empty." — Total Film
Posted Jun 12, 2009
2.5/5 69% [Rec] 2 (2010) " In our hearts we didn't expect [REC] 2 to be quite as good, but we really didn't expect a baggy, vaguely comic action romp which plays like a first-person-shoot-'em-up based on The Exorcist." — SFX Magazine
Posted May 28, 2010
3/5 63% Blood Car (2007) " Undeniably inventive, unconventional and occasionally very witty." — SFX Magazine
Posted Feb 27, 2012
3/5 82% Goon (2012) " Rough, rude and raucous." — Total Film
Posted Jan 4, 2012
3/5 71% The Awakening (2012) " Creepy, jumpy, if somewhat samey, it's set above the spooker norm by its strong visuals, grief-steeped period setting and lingering ambiguity." — Total Film
Posted Nov 7, 2011
3/5 74% Fright Night (2011) " Slick popcorn horror, faithful to the fun and flair of the original." — Total Film
Posted Aug 11, 2011
3/5 23% The Smurfs (2011) " Diverting and weird, but harmless." — Total Film
Posted Jul 29, 2011
3/5 69% Limitless (2011) " Director Neil Burger flaunts flair, with bursts of stylised Escher-esque camerawork (dig those speeding super-zooms), saturated colour and a euphoric soundtrack." — Total Film
Posted Mar 14, 2011
3/5 35% I Spit On Your Grave (2010) " A remake of two halves that both have impact but don't match up tonally." — Total Film
Posted Jan 5, 2011
3/5 29% The Collector (2009) " A ludicrous, gratuitous torture porn with an idiotic ending. But within those boundaries it's absolutely at the top of its game." — Total Film
Posted Jun 30, 2010
3/5 68% Black Death (2011) " There are some interesting ideas at play here and some well-timed twists, but it's not remotely scary at any point. " — SFX Magazine
Posted Jun 11, 2010
3/5 80% Tony (2009) " Despite a black vein of humour, the slow, directionless narrative leaves Tony looking like Dalston's dour answer to American Psycho." — Total Film
Posted Feb 5, 2010
3/5 56% 9 (2009) " Great material, credible producers, top voice talent and gorgeous visuals, stitched together to make a patchwork that's less than the sum of its parts. Striking and ambitious, but worn at the seams." — Total Film
Posted Oct 30, 2009
3/5 82% Triangle (2009) " The story springs several leaks, but a cool concept, striking set-pieces and an outstanding central performance manage to keep Christopher Smith's vessel afloat." — Total Film
Posted Oct 16, 2009
3.5/5 75% The Monitor (Babycall) () " Provides an effectively unsettling counterpart to glossier chillers of its ilk. " — SFX Magazine
Posted Apr 2, 2012
3.5/5 71% The Awakening (2012) " The Awakening is a classy old-fashioned ghost tale in the tradition of The Turn Of The Screw" — SFX Magazine
Posted Nov 11, 2011
3.5/5 60% Final Destination 5 (2011) " If you don't mind repetition, love a brilliantly horrible death, and like having your peepers assaulted - FD5 could be the Friday night film of the year." — SFX Magazine
Posted Sep 16, 2011
3.5/5 75% Heartless (2010) " A horror-fantasy-comedy-romance-monster movie, throbbing with emotion and depth, it haunts, it hurts and it lingers." — SFX Magazine
Posted May 20, 2010
3.5/5 69% Tormented (2009) " A smart, competent horror-com that's easily a match for its US counterparts." — SFX Magazine
Posted May 27, 2009
4/5 80% Shame (2011) " Not for the faint-hearted, prudish or impatient, Shame is as complex and ambiguous as its characters." — Total Film
Posted Jan 4, 2012
4/5 87% X-Men: First Class (2011) " It's intelligent and emotionally resonant, explosive and eye-dazzling. Factor in a zeitgeisty, hot-list cast and First Class is likely to be one of the summer's best biggies." — Total Film
Posted May 24, 2011
4/5 39% Due Date (2010) " Due Date is a sparkling spin around the old block, boasting ace leads, eye-snagging cameos, spit-your-popcorn laughs and a more marked tenderness than Phillips' all-conquering mega-hit, The Hangover." — Total Film
Posted Nov 4, 2010
4/5 72% La Mujer sin Cabeza (The Headless Woman) (2008) " It's dense and inscrutable, yet Martel's precise compositions, the partly natural, partly strange dialogue and the intense performances tease, please and demand repeat viewings." — Total Film
Posted Feb 19, 2010
4/5 56% Vinyan (2008) " A sense of dread weighs heavy throughout, reinforced by a score so intense that at times it verges on abusive. Yet this is also one of the most gorgeous-looking films in recent memory, with brave, unabashed performances." — Total Film
Posted Oct 4, 2009
4/4 84% Whip It (2009) " Part underdog sports flick, part coming-of-ager, Whip It! trades on familiar formulaics, yet Shauna Cross' smart script (based on her novel) keeps things fresh and funny." — Total Film
Posted Apr 15, 2010
5/5 73% Where the Wild Things Are (2009) " A poignant dissection of youth with nine-foot furry monsters, gorgeous production design, frenetic camerawork and a playful, wistful score from Karen O. Never mind the little ones. This beauty will have most grown-ups blubbing." — Total Film
Posted Dec 11, 2009
Showing 1 - 29 of 29
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