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Critics / Authors Reviews and Articles
PAUL TATARA
PUBLICATION(S)
CNN.com

BIOGRAPHY
Paul Tatara was born in Cleveland, Ohio, on February 17, 1963. Tatara and his family moved to Arab, Alabama (pop. 6,800) when he was 4 years old. During his formative years, he focused almost solely on playing baseball, basketball, and football. Though he's still a Cleveland sports fanatic -- the return of the Browns in 1999 made him cry -- movies have been Tatara's guiding passion since the age of 14. He graduated from Auburn University in 1985. After graduation, he lived in Gainesville, Florida for 5 years, where he managed a record store. Music is another driving force in his life, with Bruce Springsteen, John Lennon, and Bob Dylan serving as his Holy Trinity. (Thelonious Monk, Randy Newman, and Frank Sinatra would also squeeze in there, given more than three slots). The highlight of his Florida retail career came when rock icon Bo Diddley (a regular customer) plugged up in front of the store, hit a groove, and proceeded to jam on the same whump-a-thump riff for about 5 hours. Eventually, Tatara had to tell him to beat it. If only movies worked this way. Tatara moved to New York City in 1990 to pursue a career in writing. He has written several spec screenplays, as well as an unproduced script for 20th Century Fox. He also adapted "The Thrill of the Grass," a short story by W.P. Kinsella, for an episode of a future TV series to be produced by Kennedy/Marshall Productions. His original screenplay, "The Almost Perfect Game" (based on the career of former Boston Red Sox pitcher Bill Lee), is currently in development at Paramount Pictures, with Woody Harrelson set to star and produce. Since January 1997, he's been trying to entertain and inform people by daring to write what he actually thinks about movies for CNN Interactive. He has also been covering movies and pop culture for goodauthority.org since late 1999. He is endlessly amazed at how often this honesty irks some readers. Tatara is a traditionalist, preferring steak and potatoes to elaborately seasoned seaweed, and stories about recognizable human emotions to shots of screaming extras outrunning the umpteenth fireball. He says he'll apologize for the things he writes in his movie reviews as soon as the studios make amends for completely selling out what could still be a thriving art form. He suggests something on the order of the blanket settlement by the tobacco industry. Considering how many lousy films he's watched over the years, this would leave him sitting pretty.
more...

CONTACT INFO
Email Critic

STATS
Total Reviews: 242

OTHER INFO
• Official Website(s)


SECTIONS
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Movie Reviews
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Unquoted Reviews/Articles
 
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Rating T-Meter Title | Year Add Date (default)

Rotten

Rotten
24%

A Thousand Acres (1997)

" Cry, cry, cry. Hug, hug, hug. Yadda, yadda, yadda."

Posted Jul 3, 2008

Rotten

Fresh
77%

Dark City (1998)

" This is one of those movies that's more concerned with set design motivation than anything that's going on inside the characters' heads."

Posted Apr 28, 2008

Rotten

Rotten
32%

Gummo (1997)

" C'mon, Harmony. Mano a boyo. What are you really trying to prove here?"

Posted Apr 28, 2008

Rotten

Fresh
71%

Cop Land (1997)

" It's pretty funny, actually, that Stallone gained 40 pounds to play this role, and what the movie needs more than anything else is to eat a salad and do some sit-ups."

Posted Apr 9, 2008

Rotten

Fresh
80%

Soul Food (1997)

" An overt desire to please often leaves Tillman relying on force-feeding techniques."

Posted Mar 17, 2008

Rotten

Rotten
51%

Under Suspicion (2000)

" Too tawdry to be completely entertaining, and too static to generate much excitement."

Posted May 1, 2003

Rotten
2/5

Rotten
50%

Halloween: H2O (1998)

" I'm currently stuck watching the revival of a movie form that appalled me the first time around, then disappeared from view after a torrent of thoughtless re-workings that resembled bloody tape loops."

Posted Nov 15, 2002

Rotten

Fresh
77%

The Dangerous Lives of Altar Boys (2002)

" For a movie that's so full of anger and confusion, there sure aren't many memorable clashes, aside from the ones that take place in the kids' imaginations."

Posted Jun 21, 2002

Rotten

Rotten
33%

Windtalkers (2002)

" No amount of burning, blasting, stabbing, and shooting can hide a weak script."

Posted Jun 15, 2002

Rotten

Rotten
44%

Divine Secrets of the Ya-Ya Sisterhood (2002)

" It practically lies down and wallows in its mega-hammy 'I Am Woman' tone."

Posted Jun 7, 2002

Rotten

Fresh
76%

Undercover Brother (2002)

" A spy movie-blaxploitation picture spoof that repeats itself so often, and hits its targets so erratically, you'd swear it was adapted from a Saturday Night Live skit."

Posted May 31, 2002

Rotten

Fresh
66%

Star Wars Episode II: Attack of the Clones (2002)

" It's a mixed bag, but not as dreadfully mixed as the last one."

Posted May 15, 2002

Rotten

Rotten
48%

Unfaithful (2002)

" The audience when I saw this one was chuckling at all the wrong times, and that's a bad sign when they're supposed to be having a collective heart attack."

Posted May 9, 2002

Rotten

Rotten
46%

Hollywood Ending (2002)

" Though it draws several decent laughs, it's low-cal Woody at best."

Posted May 3, 2002

Rotten

Fresh
63%

Salton Sea (2002)

" If you're determined to see this one, don't forget to bring a soapy washcloth."

Posted Apr 26, 2002

Rotten

Rotten
30%

Murder by Numbers (2002)

" At 118 minutes, the running time allows for too much dawdling and not enough legitimate tension."

Posted Apr 19, 2002

Rotten

Rotten
31%

High Crimes (2002)

" High Crimes, an often pedestrian courtroom drama reteaming Ashley Judd and Morgan Freeman, is like a symphony played on cell phones."

Posted Apr 5, 2002

Rotten

Rotten
24%

Showtime (2002)

" It's getting harder and harder to ignore the fact that Hollywood isn't laughing with us, folks. It's laughing at us."

Posted Mar 14, 2002

Rotten

Rotten
28%

The Time Machine (2002)

" ... surprisingly inert for a movie in which the main character travels back and forth between epochs."

Posted Mar 7, 2002

Rotten

Rotten
38%

40 Days and 40 Nights (2002)

" It comes dangerously close to being America's first sex comedy without comedy."

Posted Mar 1, 2002

Rotten

Rotten
7%

Dragonfly (2002)

" Costner's warm-milk persona is just as ill-fitting as Shadyac's perfunctory directing chops, and some of the more overtly silly dialogue would sink Laurence Olivier."

Posted Feb 21, 2002

Rotten

Rotten
22%

John Q (2002)

" Director Nick Cassavetes and screenwriter James Kearns make Washington look silly for the first time in his career."

Posted Feb 14, 2002

Rotten

Rotten
43%

Big Fat Liar (2002)

" The overall effect is less like a children's movie than a recruitment film for future Hollywood sellouts."

Posted Feb 8, 2002

Rotten

Rotten
10%

Slackers (2002)

" The footage seems to have been tossed into the air and randomly reassembled when it hit the ground."

Posted Feb 2, 2002

Rotten

Fresh
85%

Monster's Ball (2001)

" Although director Marc Forster pulls decent performances from both Billy Bob Thornton and Halle Berry, coincidence-filled plotting, lame dialogue, and ham-fisted symbolism repeatedly undermine his best intentions."

Posted Feb 2, 2002

Rotten

Rotten
32%

Charlotte Gray (2001)

" Blanchett is an extraordinary actress, and she does what she can to flesh out the material. But Charlotte is one of the least active underground operatives in movie history."

Posted Jan 11, 2002

Rotten

Fresh
76%

Black Hawk Down (2001)

" Look out, everybody: Two of the most pandering, tactless filmmakers in Hollywood history are now teaching us about honor among soldiers."

Posted Dec 28, 2001

Rotten

Rotten
47%

Kate and Leopold (2001)

" Cute or not, Ryan is starting to seem like a stubborn homecoming queen who refuses to surrender her tiara."

Posted Dec 24, 2001

Rotten

Fresh
79%

The Royal Tenenbaums (2001)

" Inappropriate directness informs every second of The Royal Tenenbaums, and it just about wrecks the movie."

Posted Dec 13, 2001

Rotten

Rotten
36%

Behind Enemy Lines (2001)

" An implausible military technology adventure that takes about 10 minutes to get started, then climaxes for an hour-and-a-half."

Posted Nov 29, 2001

Rotten

Fresh
94%

In the Bedroom (2001)

" As good as the performances are, much of the movie flounders."

Posted Nov 24, 2001

Rotten

Fresh
64%

Spy Game (2001)

" Scott films every scene, no matter how routine, as if he's covering the launch of a nuclear missile."

Posted Nov 21, 2001

Rotten

Fresh
78%

Harry Potter and the Sorcerer's Stone (2001)

" Columbus and screenwriter Steve Kloves are so careful to avoid offending anyone by excising a passage from the book, the so-called narrative is more like a jamboree inside Rowling's head."

Posted Nov 15, 2001

Rotten

Fresh
66%

Heist (2001)

" Once you recognize that each new development is nothing more than a prelude to another con, any sense of tension is moot."

Posted Nov 9, 2001

Rotten

Fresh
76%

Tape (2001)

" The banter isn't sharp enough to drive the story, and Linklater's lack of visual elegance is a major hindrance."

Posted Nov 2, 2001

Rotten

Rotten
24%

Domestic Disturbance (2001)

" About as tense as a game of connect-the-dots."

Posted Nov 2, 2001

Rotten

Rotten
46%

Life as a House (2001)

" Life as a House is beautifully shot, by legendary cinematographer Vilmos Zsigmond, but let's get metaphorical again: a nice paint job is no substitute for a solid foundation."

Posted Oct 26, 2001

Rotten

Rotten
53%

My First Mister (2001)

" Franklin's gooey, implausible script is too ridiculous to support unexpected bouts of sincerity, and the darkness is seldom as profound as it should be."

Posted Oct 25, 2001

Rotten

Rotten
52%

The Last Castle (2001)

" Starts out Pretty Good, then it turns Silly, and finishes up Really Dumb."

Posted Oct 18, 2001

Rotten

Rotten
58%

Serendipity (2001)

" So stringently a 'romantic comedy,' you could review it with a pie chart."

Posted Oct 10, 2001

Rotten

Fresh
74%

Joy Ride (2001)

" The endless cat-and-mouse game starts out silly, then it gets ridiculous."

Posted Oct 5, 2001

Rotten

Rotten
21%

The Glass House (2001)

" One look at Terry and Erin's home, and you can sense director Daniel Sackheim gearing up for a tsunami of hogwash."

Posted Sep 24, 2001

Rotten

Rotten
52%

Rock Star (2001)

" We're supposed to be quietly appalled by the very things that are being used to draw thrill-seeking adolescents to the movie."

Posted Sep 6, 2001

Rotten

Rotten
45%

The Curse of the Jade Scorpion (2001)

" It seems that Allen now makes pictures out of habit, rather than desire or ambition, and the results often feel more like rough drafts than finished products."

Posted Aug 23, 2001

Rotten

Rotten
52%

American Pie 2 (2001)

" The entire movie plays like a fifth-rate burlesque show sprinkled with indiscreet product placement."

Posted Aug 10, 2001

Rotten

Rotten
29%

Jackpot (2001)

" If you have nothing to say about nothingness, you make a nothing movie."

Posted Jul 27, 2001

Rotten

Rotten
32%

America's Sweethearts (2001)

" The script is full of half-considered character stances."

Posted Jul 20, 2001

Rotten

Rotten
53%

Cats & Dogs (2001)

" Though its furry cast members are sometimes cute, the movie systematically converts Babe's tender, talking-animals appeal into just another soulless gadget-fest."

Posted Jul 5, 2001

Rotten

Rotten
19%

Lara Croft: Tomb Raider (2001)

" Character shadings take a back seat to confusing exposition and feeble mysticism."

Posted Jun 14, 2001

Rotten

Rotten
42%

Evolution (2001)

" Evolution amusing, not very involving."

Posted Jun 7, 2001

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