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Critics / Jonathan Rosenbaum
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JONATHAN ROSENBAUM

Agrees with the Tomatometer 74% of the time.

Publications: Chicago Reader, Orlando Weekly

Critics' Group: National Society of Film Critics

Total Reviews: 1997

LISTING OF ALL REVIEWS & ARTICLES

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# a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres
Showing 1 - 50 of 1997
Previous | Next
Rating T-Meter Title | Year Add Date (default)

Fresh

Fresh
60%

Eva (1962)

" A decadent period piece and a sadomasochistic view of sexual relations, this singular, resonant, and at times even inspiring mannerist mess is far more interesting than a good many modest successes." — Chicago Reader

Posted Dec 22, 2009

Fresh

Fresh
92%

Of Time and the City (2009)

" Terence Davies, England's greatest living filmmaker, has released only six features, and this one is his first documentary, a mesmerizing and eloquent essay about his native Liverpool." — Chicago Reader

Posted Dec 16, 2009

Rotten

Fresh
68%

True Lies (1994)

" If the Gulf War gave you an insatiable taste for burning oil and burning Arabs, this extravaganza will tide you over for at least a couple of days." — Chicago Reader

Posted Dec 11, 2009

Fresh

Fresh
92%

Aladdin (1992)

" The results are fun and fast moving, but far from sublime." — Chicago Reader

Posted Nov 13, 2009

Fresh

Rotten
42%

Oliver and Company (1988)

" The animation is fairly unexciting though serviceable, and the overall mystification of class difference would probably have made Dickens shudder, but kids should find this tolerable enough." — Chicago Reader

Posted Nov 13, 2009

Rotten

Fresh
60%

Tapeheads (1989)

" A painful attempt to satirize the making of rock videos that runs aground with a puerile plot and bombastic, self-infatuated delivery." — Chicago Reader

Posted Nov 6, 2009

Rotten

Fresh
77%

Grosse Pointe Blank (1997)

" Despite some early indications from the two Cusacks and Arkin that it's going to be funny, it winds up an unholy mess that becomes steadily more incoherent -- morally, dramatically, and conceptually." — Chicago Reader

Posted Nov 6, 2009

Rotten

Fresh
89%

The Grifters (1990)

" A mannerist thriller that doesn't begin to work despite the number of talented hands involved." — Chicago Reader

Posted Nov 6, 2009

Fresh

Fresh
89%

The Adventures of Ichabod and Mr. Toad (1949)

" Engaging and lively." — Chicago Reader

Posted Nov 3, 2009

Rotten

Fresh
80%

Decline of Western Civilization Pt. 2, The - The Metal Years (1988)

" There's so little respect for the music that we never see or hear a number from beginning to end, and we rarely hear any of the musicians speak more than a few seconds at a time." — Chicago Reader

Posted Oct 23, 2009

Fresh

Fresh
73%

The Addiction (1995)

" No matter, without exactly transcending the awful material, Ferrara puts it across with astonishing poetry and conviction." — Chicago Reader

Posted Oct 20, 2009

Rotten

Fresh
62%

Day Watch (2007)

" Narrative incoherence continues to reign supreme." — Chicago Reader

Posted Oct 20, 2009

Rotten

Rotten
58%

Night Watch (2005)

" The punchy, nonstop visual effects crowd out coherent storytelling." — Chicago Reader

Posted Oct 20, 2009

Rotten

Rotten
9%

Dracula: Dead and Loving It (1995)

" Either this is the lamest Mel Brooks comedy ever or it's too close to other contenders to make much difference." — Chicago Reader

Posted Oct 20, 2009

Fresh

Rotten
57%

Nadja (1994)

" This offbeat horror item works much better as a dreamy mood piece with striking poetic images and as a semicomic appreciation of a few quintessential low-budget actors than as straight-ahead storytelling." — Chicago Reader

Posted Oct 20, 2009

Fresh

Fresh
67%

Blood for Dracula (1974)

" One of the two schlocky horror comedies Paul Morrissey made in Italy in 1974... Blood for Dracula is the sexier and funnier." — Chicago Reader

Posted Oct 19, 2009

Fresh

Fresh
66%

Fearless Vampire Killers Or: Pardon Me, But Your Teeth Are in My Neck (1967)

" The film amiably runs through all the standbys associated with vampire movies, putting a personal and goofy spin on most of them." — Chicago Reader

Posted Oct 19, 2009

Rotten
1/4

Rotten
49%

Human Nature (2002)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Fresh
3/4

Fresh
100%

La Commune (2000)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Fresh
3/4

Fresh
81%

The Believer (2002)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Rotten
2/4

Rotten
35%

Bartleby (2002)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Fresh
3/4

Fresh
81%

Diamond Men (2001)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Fresh
3/4

Fresh
72%

The Cat's Meow (2002)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Fresh
4/4

Fresh
86%

Gosford Park (2001)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Rotten
2/4

Fresh
85%

Monster's Ball (2001)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Rotten
2/4

Rotten
29%

No Such Thing (2002)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Fresh
4/4

Fresh
96%

Time Out (2002)

Click here to read article — Chicago Reader

Posted Oct 15, 2009

Rotten

Rotten
9%

Eye for an Eye (1996)

" [A] really awful, hysterical thriller." — Chicago Reader

Posted Aug 4, 2009

Rotten

Rotten
4%

Sister Act 2: Back in the Habit (1993)

" I hope what they all got paid made it worth the bother." — Chicago Reader

Posted Aug 4, 2009

Rotten

Rotten
16%

The Scarlet Letter (1995)

" “Freely adapted from the novel by Nathaniel Hawthorne,” the credits say cautiously. I'll say." — Chicago Reader

Posted Aug 4, 2009

Rotten

Rotten
8%

Intersection (1994)

" Stone deserves some points for playing a recognizable human being while Davidovich fares less well in an underscripted part, but what sabotages the story altogether is Gere's boundless narcissism." — Chicago Reader

Posted Aug 3, 2009

Rotten

Rotten
4%

Milk Money (1994)

" John Mattson's script is every bit as silly as it sounds; it dawdles, stumbles, stalls, embarrasses both itself and the audience, and is routinely formulaic to boot." — Chicago Reader

Posted Aug 3, 2009

Fresh

Rotten
50%

The Cable Guy (1996)

" It's a fairly interesting effort -- much more ambitious than most Carrey vehicles." — Chicago Reader

Posted Jul 28, 2009

Rotten

Rotten
2%

Speed 2: Cruise Control (1997)

" Do yourself a favor and see a movie instead." — Chicago Reader

Posted Jul 21, 2009

Rotten

Rotten
6%

Body of Evidence (1993)

" While he may be marginally better at directing kinky sex scenes than Instinct's Paul Verhoeven, [Edel is] stuck with a fairly ho-hum script by Brad Mirman." — Chicago Reader

Posted Jul 20, 2009

Rotten

Rotten
8%

Burn Hollywood Burn (1997)

" If you harbor an interest in watching so-called “industry smarts” autodestruct, this carries a certain morbid appeal, but that's about the extent of it." — Chicago Reader

Posted Jul 20, 2009

Fresh

Fresh
100%

Bob Roberts (1992)

" A sometimes brilliant if overloaded pseudodocumentary satire." — Chicago Reader

Posted Jul 8, 2009

Rotten

Rotten
48%

Ocean's Eleven (1960)

" Terminally boring." — Chicago Reader

Posted Jun 10, 2009

Rotten

Rotten
51%

Easy Virtue (2009)

" The only characters who seem anchored in some form of reality are the hero's parents...all the others, from siblings to servants, are standard-issue eccentrics or the subjects of running gags." — Chicago Reader

Posted May 29, 2009

Fresh

Fresh
75%

Army of Darkness (1992)

" This is old-fashioned fun until the climactic battle, which almost comes across like routine bone piling after all the flights of fancy." — Chicago Reader

Posted May 29, 2009

Fresh

Fresh
97%

Dog Day Afternoon (1975)

" One of Sidney Lumet's best jobs of directing and one of Al Pacino's best performances (as a bisexual bank robber) come together in a populist thriller with lots of New York juice" — Chicago Reader

Posted Apr 27, 2009

Fresh

Fresh
96%

A Fish Called Wanda (1988)

" Like many of the best English comedies, much of the humor here is based on character, good-natured high spirits, and fairly uninhibited vulgarity." — Chicago Reader

Posted Apr 27, 2009

Fresh

Fresh
100%

Quai des Orfèvres (1947)

" Clouzot is able to reveal a complex and interactive working-class world in which cops and criminals are sometimes difficult to tell apart." — Chicago Reader

Posted Apr 20, 2009

Fresh

Fresh
97%

The Discreet Charm of the Bourgeoisie (1972)

" Luis Buñuel's 1972 comic masterpiece, about three well-to-do couples who try and fail to have a meal together, is perhaps the most perfectly achieved and executed of all his late French films." — Chicago Reader

Posted Apr 20, 2009

Fresh

N/A

Weapons of the Spirit (1989)

" The film's story is so remarkable and inspiring that it still has the force of a revelation." — Chicago Reader

Posted Apr 17, 2009

Fresh

N/A

Broken Strings (1940)

" Bernard Ray's 1940 "race movie," made for segregated black audiences, is hokey but relatively touching and professional for its genre." — Chicago Reader

Posted Apr 17, 2009

Fresh

Fresh
88%

Touch the Sound (2006)

" [A] fascinating portrait." — Chicago Reader

Posted Apr 15, 2009

Fresh

Rotten
53%

The Pelican Brief (1993)

" It's too bad that Pakula allows this 1993 movie to dawdle after its climax, but prior to that he's adept at suggesting unseen menace and keeping things in motion." — Chicago Reader

Posted Mar 30, 2009

Fresh

Fresh
84%

Wag the Dog (1997)

" Hilary Henkin and David Mamet’s script is gleefully hyperbolic without ever straying from its political target." — Chicago Reader

Posted Mar 30, 2009

Fresh

Fresh
100%

No Way Out (1987)

" It's the kind of intricately plotted suspense film with juicy secondary parts (Will Patton, George Dzundza, Iman, Howard Duff) that used to be churned out in the 1940s." — Chicago Reader

Posted Mar 30, 2009
Results for All Genres
Showing 1 - 50 of 1997
Previous | Next
 
 
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