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Critics / Ed Gonzalez / Best
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ED GONZALEZ

""Scooby Doo can do do but Sartre is smartra."--Homer Simpson"

Agrees with the Tomatometer 71% of the time.

Biography: Ed Gonzalez is a freelance writer working out of New York City, or thereabouts. A graduate of NYU, he worked for Cosmopolitan, House Beautiful, and O Magazine before turning to film criticism. His writing has appeared in City Pages, Gay City News, and The Village Voice. He currently serves time as Film Editor and Senior Film Writer at Slant Magazine and Contributing Film Editor at PLANETº. Ed is also a member of the Online Film Critics Society and the New York Film Critics Online.

Publications: Apollo Guide, City Pages, Minneapolis/St. Paul, House Next Door, L.A. Weekly, Los Angeles Times, Slant Magazine, Village Voice

Critics' Group: Online Film Critics Society, New York Film Critics Online

Total Reviews: 2553

Location: Weehawken, NJ

BEST REVIEWED FILMS

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# a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres
Showing 1 - 0 of 117
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« Rating T-Meter Title | Year Add Date (default)

Fresh
4/4

Fresh
71%

Inland Empire (2006)

" The Atlas Shrugged of narrative avant-garde films, compulsively watchable and insanely self-devouring." — Slant Magazine

Posted Oct 2, 2006

Fresh
4/4

Fresh
86%

L'Enfant (2006)

" A miracle." — Slant Magazine

Posted Sep 20, 2005

Fresh
4/4

Fresh
95%

The Best of Youth (2005)

" This epic elegy to family and country is a towering work of narrative fiction." — Slant Magazine

Posted Feb 5, 2006

Fresh
4/4

Fresh
61%

The New World (2005)

" The exquisiteness of The New World and how it reveals itself to its audience is flabbergasting...like a heretofore unknown cave painting impeccably preserved except for a few spots here and there eroded by time and nature." — Slant Magazine

Posted Dec 16, 2005

Fresh
4/4

Fresh
89%

Bad Education (2004)

" Almodóvar’s canvas—like that of another hot-blooded drama queen, Federico García Lorca—is one of uncensored emotion and pure energy." — Slant Magazine

Posted Oct 6, 2004

Fresh
4/4

Rotten
44%

Twentynine Palms (2004)

" Dumont is clearly fascinated by America’s wide-open spaces, and much of Twentynine Palms is a love poem to the way we look at the world." — Slant Magazine

Posted Feb 27, 2004

Fresh
4/4

Fresh
77%

Big Fish (2003)

" Big Fish is love and death, Burton style." — Slant Magazine

Posted Nov 23, 2003

Fresh
4/4

Fresh
69%

The Company (2003)

" This elegant movement in still life unravels as a profound metaphor for both the filmmaking process and life itself." — Slant Magazine

Posted Oct 17, 2003

Fresh
4/4

Fresh
87%

Mystic River (2003)

" A somber evocation of a poor, close-knit section of Boston on the brink of moral collapse." — Slant Magazine

Posted Oct 1, 2003

Fresh
4/4

Fresh
71%

Dogville (2003)

" This acerbic “illustration” of a small town’s curious notions of entitlement unspools as a Christian allegory by way of Mark Twain or Dr. Seuss." — Slant Magazine

Posted Sep 27, 2003

Fresh
4/4

Fresh
94%

Millennium Actress (2003)

" Behold Millennium Actress, Satoshi Kon’s anime answer to Mulholland Drive." — Slant Magazine

Posted Sep 4, 2003

Fresh
4/4

Fresh
60%

Gerry (2003)

" Not since his first film, Mala Noche, has Van Sant produced a film so pure, uncompromising and ravishing to watch." — Slant Magazine

Posted Jan 17, 2003

Fresh
4/4

Fresh
85%

Spider (2003)

" The film's grayish mise-en-scene evokes the texture of a spider web, and the film's characters appear to hang from that web." — Slant Magazine

Posted Nov 27, 2002

Fresh
4/4

Fresh
92%

Balseros (2002)

" The filmmakers truly understand the symbolic struggle of Cubans trying to escape their island home’s political and economic suppression." — Slant Magazine

Posted Jul 23, 2003

Fresh
4/4

Fresh
91%

Far From Heaven (2002)

" This remarkable film's final shot evokes a changing season and perhaps a changing cultural tide." — Slant Magazine

Posted Oct 15, 2002

Fresh
4/4

Fresh
80%

Sunshine State (2002)

" Sayles continues exactly where Faulkner left off, tackling the institutionalized racism that seethes in the New South." — Slant Magazine

Posted May 30, 2002

Fresh
4/4

Fresh
84%

What Time Is It There? (2002)

" Tsai Ming-liang's ghosts are painfully aware of their not-being." — Slant Magazine

Posted Aug 31, 2001

Fresh
4/4

Fresh
92%

The Lord of the Rings: The Fellowship of the Ring (2001)

" Jackson's flights of fantasy bow before Tokien and are quite unlike anything you are likely to ever see on film." — Slant Magazine

Posted Dec 12, 2001

Fresh
4/4

Fresh
83%

Little Otik (2001)

" The most deadpan piece of pop art this side of "The Simpsons."" — Slant Magazine

Posted Dec 6, 2001

Fresh
4/4

Fresh
79%

The Royal Tenenbaums (2001)

" Wes Anderson's The Royal Tenenbaums unfolds like a regal fairy tale." — Slant Magazine

Posted Dec 4, 2001

Fresh
4/4

Fresh
84%

Donnie Darko (2001)

" An apocalyptic sweat chamber nervously situated between complacency and heartbreaking could-have-been hopefulness." — Slant Magazine

Posted Oct 23, 2001

Fresh
4/4

Fresh
96%

Werckmeister Harmonies (2001)

" Tarr's precise yet effortless command for the long take is so transcendent it suggests the presence of God." — Slant Magazine

Posted Oct 15, 2001

Fresh
4/4

Fresh
79%

Waking Life (2001)

" Whether it's a product of stoic contemplation or reefer madness, Linklater's waking life becomes an elusive, one-way vehicle to God." — Slant Magazine

Posted Oct 10, 2001

Fresh
4/4

Fresh
72%

Fat Girl (2001)

" Catherine Breillat's vision is so deceptively tranquil that love becomes indistinguishable from rape." — Slant Magazine

Posted Sep 26, 2001

Fresh
4/4

Fresh
81%

Mulholland Dr. (2001)

" A haunting, selfish, difficult masterpiece that literalizes the theory of surrealism as perpetual dream state." — Slant Magazine

Posted Sep 26, 2001

Fresh
4/4

Fresh
94%

Children Underground (2001)

" Edet Belzberg's heart-breaking documentary transcends exploit by subtly indicting the homeless plight of Romanian youth on Ceausescu's ignorant legacy." — Slant Magazine

Posted Sep 6, 2001

Fresh
4/4

Fresh
90%

Together (2001)

" Lukas Moodysson's hysterical, timeless piece of hippie lore looks for that happy gray area between capitalism and Marxism." — Slant Magazine

Posted Aug 21, 2001

Fresh
4/4

Fresh
92%

Apocalypse Now Redux (2001)

" Apocalypse Now is a frenzied, free-based ode to the grieving soldier and his need-to-numb." — Slant Magazine

Posted Aug 3, 2001

Fresh
4/4

Fresh
92%

Ghost World (2001)

" An ironic, humorous, painful and never pandering account of the ghostly nature that accompanies loss, hurt, regret, love and, ultimately, memory itself." — Slant Magazine

Posted Jul 17, 2001

Fresh
4/4

Fresh
94%

Under the Sand (2001)

" Rampling continues to reinvent sexual desire." — Slant Magazine

Posted May 6, 2001

Fresh
4/4

Fresh
88%

In the Mood for Love (2001)

" Wong Kar Wai's latest masterpiece is an erotic and visually stunning meditation on the confines of love." — Slant Magazine

Posted May 2, 2001

Fresh
4/4

Fresh
79%

Platform (2000)

" A laconic portrait of a remote Chinese city in arrested development." — Slant Magazine

Posted May 23, 2004

Fresh
4/4

Fresh
81%

The House of Mirth (2000)

" Besides his remarkable ability to render a profound sense of past in all his films, Davies can uncannily map out the emotions of his characters via his mise-en-scene." — Slant Magazine

Posted Aug 1, 2003

Fresh
4/4

Fresh
81%

George Washington (2000)

" George Washington is the closest thing we have to William Faulkner on screen" — Slant Magazine

Posted Mar 17, 2002

Fresh
4/4

Fresh
96%

Yi Yi (2000)

" A humanistic masterwork." — Slant Magazine

Posted May 2, 2001

Fresh
4/4

Fresh
92%

Run Lola Run (1999)

" Run Lola Run could very well be the punchiest piece of concept art to ever hit the silver screen, a shock-dose of German existential cinema you can ride." — Slant Magazine

Posted Aug 1, 2003

Fresh
4/4

Fresh
92%

Being John Malkovich (1999)

" Ribald Kafkaesque romp Being John Malkovich contemplates the nature of sexual identity and celebrity with a surrealist shtick that owes plenty to Buñuel and Svankmajer." — Slant Magazine

Posted Aug 17, 2001

Fresh
4/4

Fresh
98%

All About My Mother (1999)

" Pedro Almodóvar's best film to date, a heart-breaking paean to femininity, the maternal instinct and the thirst for drama." — Slant Magazine

Posted Aug 17, 2001

Fresh
4/4

Fresh
77%

The Virgin Suicides (1999)

" Coppola's adaptation of Jeffrey Eugenides's novel is both tender and devastating." — Slant Magazine

Posted May 2, 2001

Fresh
4/4

Fresh
78%

Beau Travail (1999)

" Beau Travail is an allegorical tale of revenge and jealousy set within a French Foreign Legion outpost in Africa." — Slant Magazine

Posted May 2, 2001

Fresh
4/4

Fresh
83%

Underground (1995)

" Emir Kusturica’s tragic-farce Underground may be the most important film of the last 25 years." — Slant Magazine

Posted Dec 21, 2003

Fresh
4/4

Fresh
94%

Hard Boiled (1992)

" A master stylist, Woo is similarly brilliant at examining the moral and social hierarchies of his patriarchal crime worlds." — Slant Magazine

Posted Dec 27, 2003

Fresh
4/4

Fresh
100%

Husbands and Wives (1992)

" Ten years ago, Husbands and Wives played second fiddle to Woody Allen's all-media split with Mia Farrow." — Slant Magazine

Posted Apr 28, 2002

Fresh
4/4

Rotten
53%

Twin Peaks: Fire Walk with Me (1992)

" Fabulously color-coded to resemble a dream world, a purgatory consumed by the sadness of blues and the terror of reds." — Slant Magazine

Posted Mar 1, 2002

Fresh
4/4

N/A

A Brighter Summer Day (1991)

" A Brighter Summer Day is itself in color, but it may as well be monochrome." — Slant Magazine

Posted Apr 4, 2004

Fresh
4/4

Fresh
83%

Opera (1991)

" Argento's Opera is a film of rare beauty, a celebration of love's absence and the ferocious force of the gaze." — Slant Magazine

Posted Dec 4, 2001

Fresh
4/4

Fresh
91%

Close-Up (1990)

" Close Up is still the definitive film-on-film commentary." — Slant Magazine

Posted Feb 4, 2002

Fresh
4/4

Fresh
86%

Yeelen (1987)

" It’s a sign of true genius that a director can summon the rise, fall and subsequent rebirth of the cosmos with such a profound understanding and respect for the shape of things." — Slant Magazine

Posted Sep 21, 2003

Fresh
4/4

Fresh
90%

Blue Velvet (1986)

" David Lynch's mise en scene screams "Leave it to Beaver."" — Slant Magazine

Posted May 27, 2002

Fresh
4/4

Fresh
100%

Shoah (1985)

" Lanzmann builds the past using tools that exist only in the present, summoning an unfathomable catastrophe with the voices and memories of survivors." — Slant Magazine

Posted Sep 29, 2003
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