|
0/4
|
8%
|
Emerald Cowboy (2003) |
"
Thanks to the amateurish, spectacularly talent-free quality of its cinematography, direction, writing and acting, Emerald Cowboy is simply impossible to sit through."
—
New York Post
Posted Sep 20, 2003
|
|
0/4
|
2%
|
The Master of Disguise (2002) |
"
No one but a convict guilty of some truly heinous crime should have to sit through The Master of Disguise."
—
New York Post
Posted Aug 2, 2002
|
|
0/4
|
11%
|
Kung Pow! Enter the Fist (2002) |
"
An inept, tedious spoof of '70s kung fu pictures, it contains almost enough chuckles for a three-minute sketch, and no more."
—
New York Post
Posted Jan 28, 2002
|
|
0/4
|
15%
|
The Affair of the Necklace (2001) |
"
Hokey, embarrassing costumer."
—
New York Post
Posted Nov 30, 2001
|
|
0/4
|
14%
|
Black Knight (2001) |
"
The filmmakers ... seem to have been inspired mainly by contempt for the audience: everything about their work feels lazy and slapdash."
—
New York Post
Posted Nov 21, 2001
|
|
0/4
|
21%
|
The Glass House (2001) |
"
Just another thriller that feels mass-produced."
—
New York Post
Posted Sep 17, 2001
|
|
0/4
|
60%
|
Haiku Tunnel (2001) |
"
Amazingly amateurish, the film lands wide of satirical targets that should be impossible to miss."
—
New York Post
Posted Sep 14, 2001
|
|
0/4
|
11%
|
The Musketeer (2001) |
"
An example of lazy, dumb and couldn't-care -less hack movie making."
—
New York Post
Posted Sep 7, 2001
|
|
0/4
|
7%
|
Summer Catch (2001) |
"
Offensively bad teen movie that makes a bore of both baseball and sex."
—
New York Post
Posted Aug 24, 2001
|
|
0/4
|
21%
|
Ghosts of Mars (2001) |
"
The one intriguing thing about John Carpenter's Ghosts of Mars is how such a dreadful screenplay could have made it onto celluloid."
—
New York Post
Posted Aug 24, 2001
|
|
0/4
|
12%
|
Original Sin (2001) |
"
The kind of movie that keeps you on your toes waiting for the next deadly serious absurdity."
—
New York Post
Posted Aug 3, 2001
|
|
0/4
|
50%
|
Jurassic Park III (2001) |
"
With the exception of some startlingly real and impressive dinosaur effects, its only virtue is brevity, running as it does a mere 92 minutes."
—
New York Post
Posted Jul 18, 2001
|
|
0/4
|
33%
|
Angel Eyes (2001) |
"
Its protagonists, their situation and its mechanical but mushy resolution are never remotely believable."
—
New York Post
Posted Jun 19, 2001
|
|
0.5/4
|
4%
|
The Whole Ten Yards (2003) |
"
A dumb, pointless sequel."
—
New York Post
Posted Apr 9, 2004
|
|
0.5/4
|
12%
|
Timeline (2003) |
"
This is not just a 'B-movie' -- it's a B-movie that fails to entertain on any level."
—
New York Post
Posted Nov 26, 2003
|
|
.5/4
|
26%
|
Chelsea Walls (2001) |
"
Calling it pretentious doesn't do justice to the toxic faux-bohemianism and unearned self-regard that bubble and ooze out of every aspect of Chelsea Walls."
—
New York Post
Posted Apr 19, 2002
|
|
0.5/4
|
9%
|
The Skulls (2000) |
"
Shot from one of the worst scripts to make it to the big screen in recent memory, it represents the sludge at the bottom of the Hollywood barrel."
—
New York Post
Posted Jan 1, 2000
|
|
0.5/4
|
70%
|
The Idiots (Idioterne) (Dogma 95) (2000) |
"
A tedious, pretentious bore."
—
New York Post
Posted Jan 1, 2000
|
|
1/4
|
21%
|
Poco più di un anno fa (Adored: Diary of a Porn Star) (2003) |
"
Not only is Adored amateurish and mawkish even by the standards of American 'gaysploitation' cinema, it's weirdly shy about showing nudity and sex."
—
New York Post
Posted May 28, 2004
|
|
1/4
|
16%
|
Twist (2004) |
"
More tedious than affecting, the film feels like an excuse for reproducing more of the kind of kinky imagery notoriously employed by fashion photographer Steven Meisel in his creepy pedophile advertisements for Calvin Klein."
—
New York Post
Posted May 21, 2004
|
|
1/4
|
60%
|
The Dreamers (2004) |
"
A kind of art-house Showgirls -- which actually exceeds Showgirls in its self-indulgence, shallowness and sheer stupidity."
—
New York Post
Posted Feb 6, 2004
|
|
1/4
|
20%
|
Honey (2003) |
"
Its by-the- numbers plot is depressingly familiar, and each line of dialogue is so predictable that the script could have been generated by a computer."
—
New York Post
Posted Dec 5, 2003
|
|
1/4
|
54%
|
Veronica Guerin (2003) |
"
Shamelessly schmaltzy biopic."
—
New York Post
Posted Oct 17, 2003
|
|
1/4
|
9%
|
The Order (The Sin Eater) (2003) |
"
The movie would be perfect material for a resurrected version of the TV spoof Mystery Science Theater."
—
New York Post
Posted Sep 8, 2003
|
|
1/4
|
7%
|
Gigli (2003) |
"
An inept attempt to do Elmore Leonard by Martin Brest, a filmmaker whose coarse sensibility makes him catastrophically unqualified to the task."
—
New York Post
Posted Aug 1, 2003
|
|
1/4
|
8%
|
Gods and Generals (2003) |
"
It is so lacking in flesh-and-blood characters, so unclear in its depiction of battles like Bull Run, and so nauseating in its gruesome sentimentality that it is all but unwatchable."
—
New York Post
Posted Feb 20, 2003
|
|
1/4
|
9%
|
Darkness Falls (2003) |
"
Could just as well have been titled Dumb Then Dumber for the way its plot makes decreasing sense even by the low standards of B horror flicks."
—
New York Post
Posted Jan 23, 2003
|
|
1/4
|
11%
|
National Security (2003) |
"
Lazy and uninspired."
—
New York Post
Posted Jan 17, 2003
|
|
1/4
|
8%
|
Extreme Ops (2002) |
"
A pathetically inane and unimaginative cross between XXX and Vertical Limit."
—
New York Post
Posted Nov 29, 2002
|
|
1/4
|
13%
|
Ghost Ship (2002) |
"
A big, incoherent bore, interesting only as an example of assembly-line movie-making gone awry."
—
New York Post
Posted Oct 25, 2002
|
|
1/4
|
43%
|
The Rules of Attraction (2002) |
"
Even if the enticing prospect of a lot of nubile young actors in a film about campus depravity didn't fade amid the deliberate, tiresome ugliness, it would be rendered tedious by Avary's failure to construct a story with even a trace of dramatic interest."
—
New York Post
Posted Oct 11, 2002
|
|
1/4
|
78%
|
8 Women (8 Femmes) (2002) |
"
Inept, tedious kitsch that even at its best feels like John Waters minus the joie de vivre."
—
New York Post
Posted Sep 20, 2002
|
|
1/4
|
9%
|
Stealing Harvard (2002) |
"
A cheap scam put together by some cynical creeps at Revolution Studios and Imagine Entertainment to make the suckers out there surrender $9 and 93 minutes of unrecoverable life."
—
New York Post
Posted Sep 13, 2002
|
|
1/4
|
10%
|
Juwanna Mann (2002) |
"
This zillionth comedy about a guy who learns valuable lessons from his time as a woman is remarkably lacking in inspiration."
—
New York Post
Posted Jun 21, 2002
|
|
1/4
|
41%
|
The Scorpion King (2002) |
"
Feels like a joyless piece of exploitation, punctuated with embarrassing, witless dialogue."
—
New York Post
Posted Apr 19, 2002
|
|
1/4
|
19%
|
Wannabes (2000) |
"
In the era of The Sopranos, it feels painfully redundant and inauthentic."
—
New York Post
Posted Mar 12, 2002
|
|
1/4
|
65%
|
Festival In Cannes (2002) |
"
It's quite an achievement to set and shoot a movie at the Cannes Film Festival and yet fail to capture its visual appeal or its atmosphere."
—
New York Post
Posted Mar 8, 2002
|
|
|
19%
|
Joe Somebody (2001) |
"
The demands of formula eventually stifle anything that even looks like inspiration or honesty."
—
New York Post
Posted Dec 21, 2001
|
|
|
28%
|
Not Another Teen Movie (2001) |
"
Many of the movie's targets are just too big and too obvious to elicit more than a smile of recognition, and the movie quickly degenerates into little more than a game of spot the (generally unfunny) reference for fans of the teen genre."
—
New York Post
Posted Dec 14, 2001
|
|
|
40%
|
Vanilla Sky (2001) |
"
The end isn't satisfying enough to justify their efforts and your time."
—
New York Post
Posted Dec 14, 2001
|
|
|
6%
|
Corky Romano (2001) |
"
Almost from the beginning, you're jarred by lame gags that fall horribly, embarrassingly flat."
—
New York Post
Posted Oct 12, 2001
|
|
|
7%
|
Glitter (2001) |
"
An instant camp classic."
—
New York Post
Posted Sep 21, 2001
|
|
|
46%
|
Brother (2001) |
"
Takeshi's elliptical directorial style is here overwhelmed by the script's crudeness and lack of narrative power."
—
New York Post
Posted Jul 20, 2001
|
|
|
68%
|
The Crimson Rivers (Les Rivières pourpres) (2001) |
"
The plot of this adaptation of Jean-Christophe Grange's novel becomes simultaneously ridiculous and predictable."
—
New York Post
Posted Jun 29, 2001
|
|
|
52%
|
The Fast and the Furious (2001) |
"
Yes, the whole thing is pretty dumb, and every character and every situation is familiar from better movies."
—
New York Post
Posted Jun 22, 2001
|
|
|
48%
|
Russian Doll (2001) |
"
The film resolves the romantic dilemma in the most artificial and unsatisfying way."
—
New York Post
Posted Jun 15, 2001
|
|
|
26%
|
Swordfish (2001) |
"
A film that reeks of stupidity and cynicism, one that makes you feel soiled just to have sat through it."
—
New York Post
Posted Jun 8, 2001
|
|
|
35%
|
The Man Who Cried (2000) |
"
Spotted with historical inaccuracies and groaning with dialogue so dreadful that it makes a fine cast look ridiculous again and again."
—
New York Post
Posted May 25, 2001
|
|
|
60%
|
The King Is Alive (2001) |
"
The performances Levring gets from his international cast are almost strong enough to distract you from his failure to develop any of the grand themes so self-consciously set-up by the choice of King Lear."
—
New York Post
Posted May 11, 2001
|
|
|
13%
|
Town & Country (2000) |
"
Feels like a ragged assemblage of parts from at least two entirely different movies."
—
New York Post
Posted Apr 27, 2001
|
67%
——
98%
