|
—
|
——
|
Lola Versus (2012) |
—
Screen International
Posted May 15, 2012
|
|
—
|
70%
|
The Giant Mechanical Man (2012) |
—
Screen International
Posted May 15, 2012
|
|
—
|
——
|
Any Day Now () |
—
Screen International
Posted May 15, 2012
|
|
|
63%
|
Lymelife (2008) |
"
Culkin and Roberts hit the right balance of savviness and clumsiness as teenagers who are smart enough to see what their parents try to conceal."
—
Screen International
Posted May 14, 2012
|
|
—
|
60%
|
Cherry (2010) |
—
Screen International
Posted Feb 17, 2012
|
|
—
|
——
|
Ai Weiwei: Never Sorry (2012) |
—
Screen International
Posted Feb 9, 2012
|
|
—
|
——
|
Slavery By Another Name () |
—
Screen International
Posted Feb 1, 2012
|
|
—
|
——
|
Teddy: It's Gonna Be a Bear (2011) |
—
Screen International
Posted Jan 26, 2012
|
|
|
——
|
My Brother The Devil () |
"
The radiance of My Brother The Devil should also work as an audition tape for Letitia Wright."
—
Screen International
Posted Jan 26, 2012
|
|
|
60%
|
Bachelorette () |
"
Leslye Headland's directorial debut, adapting her own stage play, runs on nastiness with a dose of romance. It doesn't reinvent anything, but it keeps the bile flowing."
—
Screen International
Posted Jan 24, 2012
|
|
—
|
64%
|
Red Hook Summer (2012) |
—
Screen International
Posted Jan 24, 2012
|
|
|
80%
|
Searching for Sugar Man (2012) |
"
In a deft interplay of dogged investigation and randomness, Bendjelloul shows how facts surface to dispel a persistent myth that Rodriguez shot himself on stage."
—
Screen International
Posted Jan 21, 2012
|
|
|
78%
|
The Queen of Versailles (2012) |
"
If the film intends to show that any of the Siegels have gained any wisdom from hardship, we don't see it."
—
Screen International
Posted Jan 21, 2012
|
|
—
|
100%
|
Livide (Livid) () |
—
Screen International
Posted Sep 14, 2011
|
|
|
83%
|
Circumstance (2011) |
"
It's an auspicious beginning for a young director. Watch for the fireworks once Circumstance reaches Iran."
—
Screen International
Posted May 9, 2011
|
|
—
|
——
|
The Bleeding (2011) |
—
Screen International
Posted Apr 25, 2011
|
|
—
|
——
|
Full Treatment (De Vrais Mensonges) () |
—
Screen International
Posted Apr 23, 2011
|
|
|
77%
|
Here (2012) |
"
In HERE, the landscape doesn't become a character, as the boilerplate cliché would have it, but the brief-encounter romance becomes a proto-documentary."
—
Screen International
Posted Apr 4, 2011
|
|
|
44%
|
The Catechism Cataclysm (2011) |
"
Watching the lazy surreal odyssey unfold, you might be tempted to see The Catechism Cataclysm as a metaphor about telling a story, or about the futility of telling a story."
—
Screen International
Posted Apr 4, 2011
|
|
|
67%
|
Lord Byron (2011) |
"
Lord Byron is best seen as an experiment in telling the simplest of stories with the simplest of means."
—
Screen International
Posted Apr 4, 2011
|
|
|
79%
|
The Mill and the Cross (2011) |
"
The epic film is a breakthrough in transforming a painting into a moving picture, but sadly the drama doesn't rise to the level of its novelty and ambition."
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
The Oregonian (2011) |
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
Rebirth () |
—
Screen International
Posted Feb 10, 2011
|
|
|
73%
|
POM Wonderful Presents: The Greatest Movie Ever Sold (2011) |
"
The key product on the screen here is Morgan Spurlock, with plenty of style and attitude."
—
Screen International
Posted Feb 10, 2011
|
|
|
17%
|
Flypaper (2011) |
"
The film is a heist-and-hostage comedy that reminds you that criminals, under pressure, are as neurotic as anyone else."
—
Screen International
Posted Feb 10, 2011
|
|
—
|
73%
|
Mei loi ging chaat (Future X-Cops) (2010) |
—
Screen International
Posted Feb 10, 2011
|
|
|
89%
|
Margin Call (2011) |
"
Chandor's script fuels intensity by packing the drama into a tight window."
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
The Bengali Detective () |
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
Bad Lord Byron (1994) |
—
Screen International
Posted Feb 10, 2011
|
|
|
17%
|
The Art of Getting By (2011) |
"
Gavin Wiesen is cooking with a recipe in his screenplay, and it's a bland reheated one."
—
Screen International
Posted Feb 10, 2011
|
|
|
68%
|
Our Idiot Brother (2011) |
"
Paul Rudd makes this ordinary comedy something special."
—
Screen International
Posted Feb 10, 2011
|
|
|
81%
|
Life in a Day (2011) |
"
Ingenious [and] warmhearted."
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
Here (2009) |
—
Screen International
Posted Feb 10, 2011
|
|
|
67%
|
Hobo With a Shotgun (2011) |
"
[The filmmakers] infuse originality into the one-against-all tale by thinking outside the horror toolbox."
—
Screen International
Posted Feb 10, 2011
|
|
|
13%
|
I Melt with You (2011) |
"
Despite its cast, I Melt With You, with all its explosive tactility, doesn't offer much that you won't get from watching anything by Danny Boyle, who seems one of its stylistic roadmaps."
—
Screen International
Posted Feb 10, 2011
|
|
|
56%
|
Septien (2011) |
"
Tully is comfortable enough with his own material that he doesn't overplay gags. His parodies are odd enough to have a comic freshness, even in the well-traveled field of gothic mockery."
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
Ice Castles (2010) (2010) |
—
Screen International
Posted Feb 10, 2011
|
|
—
|
——
|
Little Birds () |
—
Screen International
Posted Feb 10, 2011
|
|
|
96%
|
Exit Through The Gift Shop (2010) |
"
Weak production values don't matter in this fascinating look at the making of an art charlatan. Unwittingly, it seems, Banksy met and filmed his match."
—
Screen International
Posted Jan 28, 2010
|
|
|
68%
|
The Runaways (2010) |
"
A vivid period piece, The Runaways is anything but an extended music video."
—
Screen International
Posted Jan 26, 2010
|
|
|
74%
|
Splice (2010) |
"
Natali's experiment works."
—
Screen International
Posted Jan 26, 2010
|
|
|
94%
|
Winter's Bone (2010) |
"
Austere and grimly realistic."
—
Screen International
Posted Jan 26, 2010
|
|
|
54%
|
Welcome to the Rileys (2010) |
"
Welcome To The Rileys has its heart in the right place, but the drama falters as it tends towards the solemnly earnest."
—
Screen International
Posted Jan 25, 2010
|
|
|
81%
|
Four Lions (2010) |
"
Daring and potentially offensive, this hilarious satire may be too biting for its own good."
—
Screen International
Posted Jan 25, 2010
|
|
|
55%
|
The Killer Inside Me (2010) |
"
Audiences up to their ears in serial killers may enter this film, thinking they already know them all. Winterbottom will prove them wrong."
—
Screen International
Posted Jan 25, 2010
|
|
|
90%
|
Every Little Step (2009) |
"
The documentary, edited down from some 400 hours, is packed with crowd-pleasing moments."
—
Screen International
Posted Dec 16, 2009
|
|
|
50%
|
Suck (2010) |
"
Stefaniuk, a one-man band as writer, director, actor and author of seven of the film's songs, leavens the schtick of band humour with vampire lore."
—
Screen International
Posted Sep 15, 2009
|
|
|
9%
|
My Life in Ruins (Driving Aphrodite) (2009) |
"
The film has the feel of a vaudeville show, with a series of stock characters entering and exiting, hamming for the camera as they go."
—
Screen International
Posted May 27, 2009
|
|
|
87%
|
Amreeka (2009) |
"
Newcomer Cherien Dabis directs Amreeka with a sure hand which takes the film beyond the cliches and sentimentality of the standard immigrant saga."
—
Screendaily
Posted May 14, 2009
|