ROTTEN TOMATOES: Chuck Rudolph

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CHUCK RUDOLPH

Agrees with the Tomatometer 57% of the time.

Biography: Chuck Rudolph is a writer who lives in Brooklyn, NY.

Publications: Matinee Magazine, Slant Magazine

Total Reviews: 417
Total QuickRatings: 81

Location: New York City

BEST REVIEWED FILMS

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« Rating	T-Meter	Title \| Year	Add Date (default)

Fresh A	Fresh 91%	Y Tu Mama Tambien (2002)	" *For those willing to listen and learn, Y Tu Mam� Tambi�n* is a haunting experience.*" — Matinee Magazine* Posted Mar 14, 2002
Fresh A	Fresh 72%	The Brotherhood of the Wolf (2002)	" The first movie in about three years that knows exactly how to whip serious ass." — Matinee Magazine Posted Feb 6, 2002
Fresh A	Fresh 92%	Ghost World (2001)	" A masterpiece that is the most astute film about post-teenage distress since Mike Nichols�s The Graduate" — Matinee Magazine Posted Jul 26, 2001
Fresh A	Fresh 70%	Made (2001)	" Takes so many surprising turns that it quickly begins to look less like a high-concept comedy and more like a brutally funny, incessantly caustic docu-drama." — Matinee Magazine Posted Jul 8, 2001
Fresh A	Fresh 88%	In the Mood for Love (2001)	" Works brilliantly on both an emotional and an intellectual level." — Matinee Magazine Posted Mar 18, 2001
Fresh A	Fresh 68%	Keeping the Faith (2000)	" Norton's presence is what gives the film its edge." — Matinee Magazine Posted Mar 24, 2001
Fresh A	Fresh 60%	Return to Me (2000)	" [Hunt] chooses early emotional depth to fulfill later parts of the movie--a master stroke, as it turns out." — Matinee Magazine Posted Mar 24, 2001
Fresh A	Fresh 96%	Yi Yi (2000)	" Effortlessly weaves a rich tapestry of personal emotions and grand-scale dramatics." — Matinee Magazine Posted Mar 19, 2001
Fresh A	Fresh 89%	Cast Away (2000)	" Hanks has little besides his body at his disposal, and the actor still creates one of the most poignant and tragic characters ever committed to celluloid." — Matinee Magazine Posted Dec 18, 2000
Fresh A	Fresh 89%	Galaxy Quest (1999)	" A pure joy from start to finish." — Matinee Magazine Posted Mar 8, 2002
Fresh A	Fresh 95%	Not One Less (1999)	" A masterpiece of simplicity." — Matinee Magazine Posted Mar 24, 2001
Fresh A	Fresh 74%	Bossa Nova (1999)	" [Barreto] finds the right tone for every scene, be it light or heavy, funny or dramatic." — Matinee Magazine Posted Mar 24, 2001
Fresh A	Fresh 83%	Magnolia (1999)	" Magnolia achieves a blinding grace in how its juxtaposition of the many storylines begins to confront and examine universal truths." — Matinee Magazine Posted Jan 1, 2000
Fresh A	Fresh 89%	Boys Don't Cry (1999)	" It's the kind of movie that manages to shake viewers at the very foundations of their expectations for what kind of power film holds." — Matinee Magazine Posted Jan 1, 2000
Fresh A	Fresh 95%	The Insider (1999)	" [Michael Mann is] the most agile, consistent, and powerful filmmaker in contemporary American film--in short, he's the best." — Matinee Magazine Posted Jan 1, 2000
Fresh A	Fresh 62%	Man on the Moon (1999)	" Ranks as the year's preeminent achievement in sly, subversive storytelling and post-entertainment deconstruction." — Matinee Magazine Posted Jan 1, 2000
Fresh A	Rotten 50%	Summer of Sam (1999)	" A sprawling wasteland of inflammatory tabloid moviemaking, it's more white-hot and frenetic and honestly emotional than any other movie this year." — Matinee Magazine Posted Jan 1, 2000
Fresh A+	Fresh 97%	The Iron Giant (1999)	" *A wonderfully made and emotionally touching film that takes its place next to Dumbo* and Pinnochio as one of the three or four greatest animated films ever made.*" — Matinee Magazine* Posted Jan 1, 2000
Fresh A	Fresh 98%	Croupier (1998)	" It's a real surprise to watch Hodges examine the humanity of his characters instead of just having them run around and kill each other." — Matinee Magazine Posted Mar 19, 2001
Fresh A	Fresh 82%	The Legend of Drunken Master (1994)	" *Beats Crouching Tiger, Hidden Dragon* at its own game of high-flying huzzah, and with relative ease.*" — Matinee Magazine* Posted Mar 19, 2001
Fresh A	Fresh 97%	Talking Heads - Stop Making Sense (1984)	" A distinct collaboration between Demme and the band, it hits with equal force on visual and aural fronts." — Matinee Magazine Posted Jan 1, 2000
Fresh A	Fresh 97%	The Last Waltz (1978)	" Not just perhaps the greatest concert film ever made, but one of the best films ever made, period." — Matinee Magazine Posted Apr 12, 2002
Fresh A+	Fresh 92%	O Lucky Man! (1973)	" Courts brilliance by tempering its cynicism with a hefty dose of protracted, but never quite gullible, innocence in its main character." — Matinee Magazine Posted May 17, 2002
Fresh A	Fresh 100%	Gimme Shelter (1970)	" Concepts of viewing that are often dealt with subconciously are brought to a blinding light by the Maysles Brothers." — Matinee Magazine Posted Mar 23, 2001
Fresh A-	Fresh 82%	The Rookie (2002)	" Packs an unexpected emotional punch that most conventional movies don�t have." — Matinee Magazine Posted Apr 3, 2002
Fresh A-	Fresh 81%	The Vertical Ray of the Sun (2001)	" Has a rapturous mood about it that evokes vague recollections of dreams you�ve had but are quickly forgetting upon waking up." — Matinee Magazine Posted Jul 8, 2001
Fresh A-	Fresh 89%	Himalaya (2001)	" Valli never lets the immense rawness of the film oppress the grace found in its gripping character-driven firmament." — Matinee Magazine Posted Jun 24, 2001
Fresh A-	Rotten 52%	Waking the Dead (2000)	" *Impressions of love, loss, dedication, and perseverance transcend cinematic boundaries and actually mean* something.*" — Matinee Magazine* Posted Mar 24, 2001
Fresh A-	Fresh 81%	Wonder Boys (2000)	" Wonder Boys becomes about nothing and about everything in unison--the sheer randomness of its twists mirrors the boredom and inevitability of life's challenges." — Matinee Magazine Posted Mar 19, 2001
Fresh A-	Fresh 88%	Two Family House (2000)	" Michael Rispoli is so perfect in each and every scene that you can't even imagine him playing any other parts, much less somebody else playing his." — Matinee Magazine Posted Mar 19, 2001
Fresh A-	Fresh 68%	Humanit� (1999)	" It's loaded with pretension, and it comes dangerously close to being little more than an exasperating stunt--and in the end that's what's so great about it." — Matinee Magazine Posted Mar 23, 2001
Fresh A-	Fresh 71%	Bringing Out the Dead (1999)	" [Has] moments so great that they nearly deserve a round of spontaneous applause." — Matinee Magazine Posted Jan 1, 2000
Fresh A-	Rotten 48%	Any Given Sunday (1999)	" *Taken as a whole, Any Given Sunday* is probably the most purely enjoyable movie that Stone has ever made.*" — Matinee Magazine* Posted Jan 1, 2000
Fresh A-	Rotten 57%	Deep Blue Sea (1999)	" The emotional edge in Harlin's direction [is] unquestionably as impressive as his action expertise is." — Matinee Magazine Posted Jan 1, 2000

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A	The Brotherhood of the WolfOffsite
A+	O Lucky Man!Offsite
A-	The RookieOffsite
3.5/4	Jules And JimOffsite
B+	EnigmaOffsite
B	Spy GameOffsite
2.5/4	The Upside of AngerOffsite
B-	Monsters, Inc.Offsite
C+	SlackersOffsite
2/4	Confessions of a Dangerous MindOffsite
C	The Business of StrangersOffsite
1.5/4	In My CountryOffsite
C-	KandaharOffsite
D+	Nine QueensOffsite
D	Not Another Teen MovieOffsite
0.5/4	ChaosOffsite
D-	Hart's WarOffsite
F	I Am SamOffsite
short	The Curse of the Jade ScorpionOffsite

A+	O Lucky Man!Offsite
A	The Last WaltzOffsite
A	Y Tu Mama TambienOffsite
A	Galaxy QuestOffsite
A	The Brotherhood of the WolfOffsite
A	Ghost WorldOffsite
A	MadeOffsite
A	Not One LessOffsite
A	Bossa NovaOffsite
A	Keeping the FaithOffsite

F	Ocean's ElevenOffsite
F	I Am SamOffsite
F	Pavilion of WomenOffsite
F	The Loss of Sexual InnocenceOffsite
F	Black and WhiteOffsite
F	Erin BrockovichOffsite
F	GladiatorOffsite
F	ElectionOffsite
F	DiamondsOffsite
F	Boiler RoomOffsite

CHUCK RUDOLPH

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