Critics » Philip Booth » Fresh
Philip Booth

Philip Booth

Agrees with the Tomatometer 75% of the time.

Publications:
Las Vegas CityLife , Orlando Weekly , PopMatters
Critics' Group:
Florida Film Critics Circle
Total Reviews:
157

Best Reviewed Films

Showing 1 - 50 of 155
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Rating T-Meter Title | Year Add Date
74% Iron Man 2 (2010) " Frantic, place-holding sequel? Check. Third installment guaranteed? Check." — Las Vegas CityLife
Posted May 6, 2010
75% Jimmy Neutron - Boy Genius (2001) " Has its own boyish charms." — Orlando Weekly
Posted Dec 21, 2001
74% Joy Ride (2001) " Satisfyingly spooky, if not entirely original." — Orlando Weekly
Posted Oct 5, 2001
93% Apocalypse Now Redux (2001) " Works both as grand spectacle and affecting human drama." — Orlando Weekly
Posted Sep 20, 2001
21% The Glass House (2001) " A competently paced, reasonably engrossing suburban thriller." — Orlando Weekly
Posted Sep 14, 2001
84% The Others (2001) " Amenabar, a master of suspenseful pacing, takes his time allowing the layers of perception to be removed." — Orlando Weekly
Posted Aug 9, 2001
45% Planet of the Apes (2001) " The new Planet, while certainly unable to duplicate the exuberance related to the discovery of a fascinating new world for those who've seen the original, is every bit as much fun as its predecessor." — Orlando Weekly
Posted Jul 26, 2001
73% The Score (2001) " The results are admirable and entertaining if a little underwhelming; the cumulative star power isn't as impressive as might have been expected." — Orlando Weekly
Posted Jul 12, 2001
86% Sexy Beast (2000) " The thing absolutely resonates." — Orlando Weekly
Posted Jul 6, 2001
73% A.I. Artificial Intelligence (2001) " While not quite fulfilling, the trip is more than a little intoxicating." — Orlando Weekly
Posted Jun 29, 2001
49% Atlantis - The Lost Empire (2001) " It's a thing of beauty, watching the purple-hulled craft, its portals glowing orange, descend into the deep blue sea." — Orlando Weekly
Posted Jun 14, 2001
26% Swordfish (2001) " [Travolta] is back on his game again as Gabriel, a dark angel of destruction." — Orlando Weekly
Posted Jun 8, 2001
81% The House of Mirth (2000) " An entrancing, entirely satisfying piece of work." — Orlando Weekly
Posted May 17, 2001
80% Bridget Jones's Diary (2001) " A pleasant romantic comedy, one that's certainly smarter and funnier than other examples of the genre, but hardly more memorable." — Orlando Weekly
Posted Apr 12, 2001
93% Spy Kids (2001) " Given the film's likable performances and surprising, funny plot turns, viewers over the age of 12 may even approach the prospect of a sequel without the usual feeling of paralytic dread." — Orlando Weekly
Posted Mar 29, 2001
92% High Fidelity (2000) " Flawed but smart comedy that works more often than it doesn't." — Orlando Weekly
Posted Mar 6, 2001
61% Recess: School's Out (2001) " As kid-culture trends go, it's infinitely less annoying than the rise and continuing dominance of godawful teeny pop." — Orlando Weekly
Posted Feb 16, 2001
78% The Pledge (2001) " It's an eerie, troubling piece of work -- a carefully crafted, existential thriller that represents a major artistic leap forward for Penn." — Orlando Weekly
Posted Jan 18, 2001
56% The Gift (2000) " A deliciously creepy little picture that has director Sam Raimi effectively incorporating supernatural shocks and making terrific use of a cast led by Cate Blanchett." — Orlando Weekly
Posted Jan 18, 2001
77% O Brother, Where Art Thou? (2000) " Oh Brother is packed with appealing moments certain to be recalled fondly." — Orlando Weekly
Posted Jan 12, 2001
83% Thirteen Days (2000) " Despite its drawbacks, Thirteen Days is finely acted, and it is as historically accurate as dramatic license will allow." — Orlando Weekly
Posted Jan 11, 2001
92% Traffic (2000) " An accomplished piece of social realism that amounts to the most satisfying movie of the year." — Orlando Weekly
Posted Jan 4, 2001
74% Finding Forrester (2000) " Van Sant should be lauded for taking on a movie that places such a high premium on the life of the mind." — Orlando Weekly
Posted Dec 21, 2000
53% The Family Man (2000) " An entertaining romantic comedy that delights despite (or, others may feel, because of) its high mush quotient." — Orlando Weekly
Posted Dec 21, 2000
54% What Women Want (2001) " For the majority of the film, Gibson acts as if he's having the time of his (onscreen) life. His enthusiasm is contagious." — Orlando Weekly
Posted Dec 14, 2000
85% The Emperor's New Groove (2000) " A slapstick odd-couple adventure, punctuated with laugh-out-loud wisecracks, which still charms despite its shortcomings." — Orlando Weekly
Posted Dec 14, 2000
71% The Cider House Rules (1999) " The film's energy spikes near the end." — Orlando Weekly
Posted Jan 1, 2000
89% Galaxy Quest (1999) " A Christmas present filled with impressive special effects and silly gags, which is far more entertaining than its packaging might have led anyone to believe." — Orlando Weekly
Posted Jan 1, 2000
27% Hollow Man (2000) " Verhoeven balances that sadly predictable last act with a pair of early sequences that are as remarkable as anything seen on the big screen." — Orlando Weekly
Posted Jan 1, 2000
41% Men of Honor (2000) " High-caliber performances [by] Gooding Jr. and De Niro." — Orlando Weekly
Posted Jan 1, 2000
77% The Adventures of Elmo in Grouchland (1999) " A lightweight, familiar comic adventure that ought to thrill the very young." — Orlando Weekly
Posted Jan 1, 2000
57% Deep Blue Sea (1999) " Strangely monotonous, with distressingly few chuckles." — Orlando Weekly
Posted Jan 1, 2000
67% The Thomas Crown Affair (1999) " Lot of fun!" — Orlando Weekly
Posted Jan 1, 2000
88% Almost Famous (2000) " The best pop-culture picture since last year's High Fidelity and one of the best rock & roll movies ever." — Orlando Weekly
Posted Jan 1, 2000
83% Magnolia (1999) " Absolutely mesmerizing piece of filmmaking." — Orlando Weekly
Posted Jan 1, 2000
48% The Way of the Gun (2000) " Packed with gory confrontations and racking up a body count that's high enough for all but the most demanding crime-film connoisseur, The Way of the Gun benefits from a palpable sense of dread and impending doom." — Orlando Weekly
Posted Jan 1, 2000
40% Pay It Forward (2000) " Inspired." — Orlando Weekly
Posted Jan 1, 2000
67% Small Time Crooks (2000) " Very funny." — Orlando Weekly
Posted Jan 1, 2000
48% Me, Myself & Irene (2000) " There's plenty to like about Irene, which offers serious comic relief." — Orlando Weekly
Posted Jan 1, 2000
83% The Hurricane (1999) " Sure to soften the heart of even the most jaded moviegoer." — Orlando Weekly
Posted Jan 1, 2000
64% The Yards (2000) " Quietly seductive." — Orlando Weekly
Posted Jan 1, 2000
62% Man on the Moon (1999) " A mesmerizing tale sure to thrill devotees of Kaufman's brand of off-kilter stunt humor." — Orlando Weekly
Posted Jan 1, 2000
97% The Iron Giant (1999) " Sweetly told, deeply humanistic." — Orlando Weekly
Posted Jan 1, 2000
62% The Patriot (2000) " A riveting, slick, graphically violent piece of entertainment." — Orlando Weekly
Posted Jan 1, 2000
100% Toy Story 2 (1999) " This time out, director John Lasseter and his team of writers and technicians have found even greater emotional depth in their Hasbro Hamlets." — Orlando Weekly
Posted Jan 1, 2000
36% Scream 3 (2000) " An entertaining, comic slasher movie that offers solid answers to the questions that have been nagging fans since the original installment." — Orlando Weekly
Posted Jan 1, 2000
85% Billy Elliot (2000) " Short on sentimentality and imbued with an appealing grittiness." — Orlando Weekly
Posted Jan 1, 2000
57% Dr. T & The Women (2000) " A pleasant diversion, a seriocomic lark in the mold of last year's Cookie's Fortune." — Orlando Weekly
Posted Jan 1, 2000
53% Scary Movie (2000) " Wayans make 'em scream like old times." — Orlando Weekly
Posted Jan 1, 2000
68% Unbreakable (2000) " Appealing but less accomplished." — Orlando Weekly
Posted Jan 1, 2000
Showing 1 - 50 of 155
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