Critics » Stanley Kauffmann
Stanley Kauffmann

Stanley Kauffmann

Agrees with the Tomatometer 80% of the time.

Publications:
New Republic , New York Times
Total Reviews:
475

Listing Of All Reviews & Articles

Showing 1 - 50 of 475
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Rating T-Meter Title | Year Add Date
98% E.T. The Extra-Terrestrial (1982) " An appealing film this new one is, with some charm, some glee in the childrens' triumphs, some share in their friendship with E.T." — New Republic
Posted Feb 15, 2011
94% La Nana (The Maid) (2009) " How discomfiting it is to see a good film from a country that is low on any list of film-producing nations." — New Republic
Posted Nov 12, 2009
100% Rembrandt's J'accuse (2008) New Republic
Posted Nov 12, 2009
76% Our City Dreams (2008) New Republic
Posted Sep 9, 2009
44% Tussenstand (Stages) (2007) New Republic
Posted Sep 9, 2009
91% Gomorrah (Gomorra) (2008) New Republic
Posted Sep 9, 2009
74% Caos Calmo (Quiet Chaos) (2009) New Republic
Posted Sep 9, 2009
48% La Fille de Monaco (The Girl from Monaco) (2009) New Republic
Posted Sep 9, 2009
90% Séraphine (2009) " Provost has made a picture that is almost biblical in its simplicity and its passion." — New Republic
Posted Jun 24, 2009
86% Lola Montès (The Fall of Lola Montes) (The Sins of Lola Montes) (1955) New Republic
Posted May 27, 2009
12% Showgirls (1995) New Republic
Posted May 27, 2009
50% Winning (1969) New Republic
Posted May 27, 2009
95% Pulp Fiction (1994) " The way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming." — New Republic
Posted May 27, 2009
96% L'Avventura (The Adventure) (1960) New Republic
Posted May 27, 2009
100% The Misfits (1961) New Republic
Posted May 27, 2009
98% Avaze gonjeshk-ha (The Song of Sparrows) (2009) " It is somehow congenial to feel that we are watching a tale that could have been told elsewhere." — New Republic
Posted May 6, 2009
95% Goodbye Solo (2009) " The overall effect of Goodbye Solo is of living through a drama of huge subjects, articulated in the vernacular." — New Republic
Posted May 6, 2009
91% Maria Larssons eviga ögonblick (Everlasting Moments) (Maria Larsson's Everlasting Moment) (2009) " Troell's screenplay, as has often been the case with him, exists for the fullness of its texture, not for dramatic growth and resolution." — New Republic
Posted Mar 19, 2009
78% 12 (2007) " What keeps the film vital is the acting." — New Republic
Posted Mar 19, 2009
57% Defiance (2009) New Republic
Posted Feb 12, 2009
94% Dear Zachary: A Letter to a Son About His Father (2008) " A slick account of ancient crevices in the human psyche rendered in cutting-edge cinematic style." — New Republic
Posted Nov 20, 2008
68% Plus Tard (One Day You'll Understand) (Later) (2008) " One Day You'll Understand is not exclusively a picture about the Holocaust. It is about a contradiction: human discomfort with some truths and human hunger for them." — New Republic
Posted Nov 20, 2008
91% Stranded: I Have Come from a Plane That Crashed on the Mountains (2008) " We are a bit less fraudulently sure of ourselves afterward." — New Republic
Posted Nov 4, 2008
80% Un Secret (A Secret) (2008) " Miller, a skilled veteran, reverses the old visual pattern for films with lengthy flashbacks: he shoots the past in color and the (evolving) present in black and white." — New Republic
Posted Oct 3, 2008
91% Momma's Man (2008) " Momma's Man is an act of daring." — New Republic
Posted Sep 17, 2008
81% Obsluhoval Jsem Anglického Krále (I Served the King of England) (2008) " The minor protocols and major assaults of the characters are fused, paradoxically, by a truly lyrical talent." — New Republic
Posted Sep 17, 2008
91% August Evening (2007) " Eska, who wrote and edited his film, appears to be at the beginning of a good career." — New Republic
Posted Sep 17, 2008
97% The Pool (2008) " A film that is a kind of counter-film, which sets expectations in an environment that supports unexpected results." — New Republic
Posted Sep 17, 2008
73% La Fille Coupée en Deux (The Girl Cut in Two) (A Girl Cut in Two) (2008) " As is nearly always the case with Chabrol, a special pleasure pervades the picture." — New Republic
Posted Aug 27, 2008
87% Frozen River (2008) " We quickly sense that the director of this film has unusual perception, and that whatever the story and performances turn out to be, she will make the most of them." — New Republic
Posted Aug 27, 2008
88% Boy A (2007) " Crowley gets a remarkable performance from Andrew Garfield: his Jack is a person who carries guilt with him even when he is trying to override it." — New Republic
Posted Aug 11, 2008
67% A Very British Gangster (2008) " A Very British Gangster proves yet again that one great asset of film is vicarious participation in crime." — New Republic
Posted Aug 11, 2008
81% Trumbo (2007) " It is oddly pleasant to know that such a man once existed." — New Republic
Posted Jul 21, 2008
76% Une Vieille Maîtresse (The Last Mistress) (An Old Mistress) (2007) " Asia Argento, as Vellini, is a firebrand, a woman who is attractive even in non-seductive moments when she is angry or downcast or 'off-stage.'" — New Republic
Posted Jul 21, 2008
72% And When Did You Last See Your Father? (When Did You Last See Your Father?) (2008) " What ensures our pleasure is the dialogue, which is supple, and the quality of the acting." — New Republic
Posted Jun 29, 2008
89% Auf der Anderen Seite (The Edge of Heaven) (On the Other Side) (2007) " The care that Akin expends on his people is skimped in the structure of his screenplay." — New Republic
Posted Jun 29, 2008
86% Mongol (2008) " Mongol has just enough characterization to sustain its own reason for being -- cinematic fullness." — New Republic
Posted Jun 29, 2008
94% My Winnipeg (2007) " My Winnipeg is a mobile collage, and its assemblage is fascinating." — New Republic
Posted Jun 29, 2008
92% Chris & Don: A Love Story (2007) " The subtitle of the film is 'A Love Story.' The picture makes the worn term fresh, moving." — New Republic
Posted Jun 29, 2008
67% Battle for Haditha (2007) " Films about the Iraq war continue to come and, I hope, will keep coming. Among the most recent, The Battle for Haditha is especially notable." — New Republic
Posted May 27, 2008
76% Padre Nuestro (Sangre De Mi Sangre) (2007) " Plot flaws and all, we can be glad that the picture was made -- because of its acting." — New Republic
Posted May 27, 2008
37% Savage Grace (2007) " Unfortunately for all its assets, especially Moore, Savage Grace leaves us somewhat empty-handed." — New Republic
Posted May 27, 2008
72% Lust, Caution (Se jie) (2007) " Lust, Caution asks some patience of us, but our patience pays off." — New Republic
Posted Nov 7, 2007
36% Sleuth (2007) " This film wants only to entertain, and other talents have gathered with Pinter to help." — New Republic
Posted Nov 7, 2007
89% Zodiac (2007) " Gyllenhaal always manages to present a person of some sensitivity without leaning on actorish resources." — New Republic
Posted Oct 18, 2007
73% Family Law (Derecho de Familia) (2006) " Particularly good at the tiny details that become recognition points in daily patterns." — New Republic
Posted Dec 29, 2006
71% La Vida secreta de las palabras (The Secret Life of Words) (2006) " Like Ceylan -- like many a fine director -- Coixet has made her film less as a drama than as the traversal of a state of mind, a mood." — New Republic
Posted Dec 15, 2006
—— Lotna (1959) (1959) New York Times
Posted Nov 11, 2006
72% Iklimler (Climates) (The Climate) (2006) " Like all good art, it evokes a supranational affinity. And there is an unsurprising paradox: this drama of personal uncertainties is lodged in a certainty of form." — New Republic
Posted Nov 3, 2006
Showing 1 - 50 of 475
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