|
|
96%
|
Monsieur Lazhar (2012) |
"
With a few folds, this story could have made a script for John Barrymore, like Topaze, or for Chaplin."
—
New Republic
Posted May 11, 2012
|
|
|
22%
|
Elles (2012) |
"
One of her (Binoche's) lesser choices."
—
New Republic
Posted May 11, 2012
|
|
|
81%
|
Goodbye First Love (2012) |
"
Writer-director, Mia Hansen-Løve, whose third feature this is, has addressed her subject with complete emotional confidence."
—
New Republic
Posted May 11, 2012
|
|
|
59%
|
We Have a Pope (2012) |
"
Moretti's latest work looks at the church sympathetically, veristically, comically."
—
New Republic
Posted Apr 20, 2012
|
|
|
98%
|
Jiro Dreams of Sushi (2012) |
"
Gelb apparently understood that his subject was itself so taking that he wouldn't need filmic embellishments to keep his viewers alert."
—
New Republic
Posted Apr 20, 2012
|
|
|
95%
|
Gerhard Richter Painting (2012) |
"
A kind of residence with its subject rather than a report."
—
New Republic
Posted Apr 20, 2012
|
|
|
98%
|
E.T. The Extra-Terrestrial (1982) |
"
An appealing film this new one is, with some charm, some glee in the childrens' triumphs, some share in their friendship with E.T."
—
New Republic
Posted Feb 15, 2011
|
|
|
94%
|
La Nana (The Maid) (2009) |
"
How discomfiting it is to see a good film from a country that is low on any list of film-producing nations."
—
New Republic
Posted Nov 12, 2009
|
|
—
|
100%
|
Rembrandt's J'accuse (2008) |
—
New Republic
Posted Nov 12, 2009
|
|
—
|
76%
|
Our City Dreams (2008) |
—
New Republic
Posted Sep 9, 2009
|
|
—
|
44%
|
Tussenstand (Stages) (2007) |
—
New Republic
Posted Sep 9, 2009
|
|
—
|
91%
|
Gomorrah (Gomorra) (2008) |
—
New Republic
Posted Sep 9, 2009
|
|
—
|
74%
|
Caos Calmo (Quiet Chaos) (2009) |
—
New Republic
Posted Sep 9, 2009
|
|
—
|
48%
|
La Fille de Monaco (The Girl from Monaco) (2009) |
—
New Republic
Posted Sep 9, 2009
|
|
|
90%
|
Séraphine (2009) |
"
Provost has made a picture that is almost biblical in its simplicity and its passion."
—
New Republic
Posted Jun 24, 2009
|
|
—
|
86%
|
Lola Montès (The Fall of Lola Montes) (The Sins of Lola Montes) (1955) |
—
New Republic
Posted May 27, 2009
|
|
—
|
12%
|
Showgirls (1995) |
—
New Republic
Posted May 27, 2009
|
|
—
|
50%
|
Winning (1969) |
—
New Republic
Posted May 27, 2009
|
|
|
95%
|
Pulp Fiction (1994) |
"
The way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming."
—
New Republic
Posted May 27, 2009
|
|
—
|
96%
|
L'Avventura (The Adventure) (1960) |
—
New Republic
Posted May 27, 2009
|
|
—
|
100%
|
The Misfits (1961) |
—
New Republic
Posted May 27, 2009
|
|
|
98%
|
Avaze gonjeshk-ha (The Song of Sparrows) (2009) |
"
It is somehow congenial to feel that we are watching a tale that could have been told elsewhere."
—
New Republic
Posted May 6, 2009
|
|
|
95%
|
Goodbye Solo (2009) |
"
The overall effect of Goodbye Solo is of living through a drama of huge subjects, articulated in the vernacular."
—
New Republic
Posted May 6, 2009
|
|
|
91%
|
Maria Larssons eviga ögonblick (Everlasting Moments) (Maria Larsson's Everlasting Moment) (2009) |
"
Troell's screenplay, as has often been the case with him, exists for the fullness of its texture, not for dramatic growth and resolution."
—
New Republic
Posted Mar 19, 2009
|
|
|
78%
|
12 (2007) |
"
What keeps the film vital is the acting."
—
New Republic
Posted Mar 19, 2009
|
|
—
|
57%
|
Defiance (2009) |
—
New Republic
Posted Feb 12, 2009
|
|
|
94%
|
Dear Zachary: A Letter to a Son About His Father (2008) |
"
A slick account of ancient crevices in the human psyche rendered in cutting-edge cinematic style."
—
New Republic
Posted Nov 20, 2008
|
|
|
68%
|
Plus Tard (One Day You'll Understand) (Later) (2008) |
"
One Day You'll Understand is not exclusively a picture about the Holocaust. It is about a contradiction: human discomfort with some truths and human hunger for them."
—
New Republic
Posted Nov 20, 2008
|
|
|
91%
|
Stranded: I Have Come from a Plane That Crashed on the Mountains (2008) |
"
We are a bit less fraudulently sure of ourselves afterward."
—
New Republic
Posted Nov 4, 2008
|
|
|
80%
|
Un Secret (A Secret) (2008) |
"
Miller, a skilled veteran, reverses the old visual pattern for films with lengthy flashbacks: he shoots the past in color and the (evolving) present in black and white."
—
New Republic
Posted Oct 3, 2008
|
|
|
91%
|
Momma's Man (2008) |
"
Momma's Man is an act of daring."
—
New Republic
Posted Sep 17, 2008
|
|
|
81%
|
Obsluhoval Jsem Anglického Krále (I Served the King of England) (2008) |
"
The minor protocols and major assaults of the characters are fused, paradoxically, by a truly lyrical talent."
—
New Republic
Posted Sep 17, 2008
|
|
|
91%
|
August Evening (2007) |
"
Eska, who wrote and edited his film, appears to be at the beginning of a good career."
—
New Republic
Posted Sep 17, 2008
|
|
|
97%
|
The Pool (2008) |
"
A film that is a kind of counter-film, which sets expectations in an environment that supports unexpected results."
—
New Republic
Posted Sep 17, 2008
|
|
|
74%
|
La Fille Coupée en Deux (The Girl Cut in Two) (A Girl Cut in Two) (2008) |
"
As is nearly always the case with Chabrol, a special pleasure pervades the picture."
—
New Republic
Posted Aug 27, 2008
|
|
|
87%
|
Frozen River (2008) |
"
We quickly sense that the director of this film has unusual perception, and that whatever the story and performances turn out to be, she will make the most of them."
—
New Republic
Posted Aug 27, 2008
|
|
|
88%
|
Boy A (2007) |
"
Crowley gets a remarkable performance from Andrew Garfield: his Jack is a person who carries guilt with him even when he is trying to override it."
—
New Republic
Posted Aug 11, 2008
|
|
|
67%
|
A Very British Gangster (2008) |
"
A Very British Gangster proves yet again that one great asset of film is vicarious participation in crime."
—
New Republic
Posted Aug 11, 2008
|
|
|
81%
|
Trumbo (2007) |
"
It is oddly pleasant to know that such a man once existed."
—
New Republic
Posted Jul 21, 2008
|
|
|
76%
|
Une Vieille Maîtresse (The Last Mistress) (An Old Mistress) (2007) |
"
Asia Argento, as Vellini, is a firebrand, a woman who is attractive even in non-seductive moments when she is angry or downcast or 'off-stage.'"
—
New Republic
Posted Jul 21, 2008
|
|
|
72%
|
And When Did You Last See Your Father? (When Did You Last See Your Father?) (2008) |
"
What ensures our pleasure is the dialogue, which is supple, and the quality of the acting."
—
New Republic
Posted Jun 29, 2008
|
|
|
89%
|
Auf der Anderen Seite (The Edge of Heaven) (On the Other Side) (2007) |
"
The care that Akin expends on his people is skimped in the structure of his screenplay."
—
New Republic
Posted Jun 29, 2008
|
|
|
86%
|
Mongol (2008) |
"
Mongol has just enough characterization to sustain its own reason for being -- cinematic fullness."
—
New Republic
Posted Jun 29, 2008
|
|
|
94%
|
My Winnipeg (2007) |
"
My Winnipeg is a mobile collage, and its assemblage is fascinating."
—
New Republic
Posted Jun 29, 2008
|
|
|
92%
|
Chris & Don: A Love Story (2007) |
"
The subtitle of the film is 'A Love Story.' The picture makes the worn term fresh, moving."
—
New Republic
Posted Jun 29, 2008
|
|
|
67%
|
Battle for Haditha (2007) |
"
Films about the Iraq war continue to come and, I hope, will keep coming. Among the most recent, The Battle for Haditha is especially notable."
—
New Republic
Posted May 27, 2008
|
|
|
76%
|
Padre Nuestro (Sangre De Mi Sangre) (2007) |
"
Plot flaws and all, we can be glad that the picture was made -- because of its acting."
—
New Republic
Posted May 27, 2008
|
|
|
37%
|
Savage Grace (2007) |
"
Unfortunately for all its assets, especially Moore, Savage Grace leaves us somewhat empty-handed."
—
New Republic
Posted May 27, 2008
|
|
|
72%
|
Lust, Caution (2007) |
"
Lust, Caution asks some patience of us, but our patience pays off."
—
New Republic
Posted Nov 7, 2007
|