VERA H-C CHAN
Agrees with the Tomatometer 79% of the time.
Publications: Contra Costa Times
Total Reviews: 28
MOVIE REVIEWS ONLY
| Rating | T-Meter | Title | Year | Add Date (default) |
|---|---|---|---|
|
| " The costumes astound, the sight gags abound, but the heart, oh the heart, now that must be found." | |
|
| Big Trouble (2002) | |
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| Panic Room (2002) | |
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| The Queen of the Damned (2002) | |
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| John Q (2002) | |
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| Black Hawk Down (2001) | |
|
| Kate and Leopold (2001) | " This isn't a sci-fi movie, but you end up brooding about inconsistencies." |
|
| Black Knight (2001) | |
|
| Iron Monkey (1993) | |
|
| Rock Star (2001) | |
|
| Jeepers Creepers (2001) | |
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| ||
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| Bubble Boy (2001) | " A soup of predictable jokes almost too dull to be offensive." |
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| Along Came a Spider (2001) | " Really, if you're not here for Freeman, you might as well back out of that turnstile and go home." |
|
| Say It Isn't So (2001) | " The Farrelly brothers have finally gone and done it. They've become ... soft." |
|
| Series 7: The Contenders (2001) | |
|
| 15 Minutes (2001) | " Its attempts to take aim at tabloid culture ends up a hideous mess." |
|
| The Wedding Planner (2001) | Considering how the Silicon Valley boom has made this the most romantic of cities also the most expensive, you have to admire The Wedding Planner for sustaining the ultimate fairy tale. |
|
| Miss Congeniality (2000) | Bullock knows how to showcase her vulnerability, but unfortunately she can't compensate for plot implausibilities that don't have to be implausible, or clichés that don't have to be clichéd. |
|
| What Women Want (2000) | Nancy Meyers ... sustains a funny and clever momentum out of what could have been sheer farce. |
|
| The Emperor's New Groove (2000) | It's worth the family outing -- and besides, who can resist Tom Jones as the royal theme singer? |
|
| Bamboozled (2000) | At least Lee does bring up a past that everyone, race notwithstanding, ignores at his or her peril. |
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| Lost Souls (2000) | Its examination of our current cynical age of faithlessness is betrayed by largely rote directorship and its own occasional knee-jerk reflexes of horror cinema. |
|
| Shanghai Noon (2000) | Looked as thought it might be another chop-suey salad toss ... yet Shanghai Noon manages to stir this into a repast audiences won't be able to keep themselves from eating up. |
|
| The Watcher (2000) | The sledgehammer soundtrack editing is also baffling, considering that Charbanic's background is in music videos. |
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