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Critics / Authors Reviews and Articles
JESSICA WINTER
PUBLICATION(S)
• City Pages, Minneapolis/St. Paul
• L.A. Weekly
• Slate
• Time Out
• Time Out New York
• Village Voice

STATS
Total Reviews: 309


SECTIONS
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Rotten Films
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Unquoted Reviews/Articles
 
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Rating T-Meter Title | Year Add Date (default)

Fresh

Fresh
72%

Monsters vs. Aliens (2009)

" The multilayered picture tends to have a gently immersive effect, akin to a stroll through the world's most expensive diorama." — Slate

Posted Mar 26, 2009

Fresh
3/6

Fresh
94%

Gone Baby Gone (2007)

" Flawed but impressive." — Time Out

Posted Jun 5, 2008

Fresh

Fresh
82%

The Legend of Drunken Master (1994)

" Chan has always seemed like a silent-screen virtuoso self-catapulted into modern times." — Village Voice

Posted Apr 15, 2008

Fresh

Fresh
76%

The Puffy Chair (2006)

" When everyone finally shuts up, the silence is startling." — Time Out

Posted Apr 27, 2007

Fresh
4/6

Fresh
84%

Old Joy (2006)

" Such watchful reticence takes a bold, confident filmmaker." — Time Out

Posted Jan 26, 2007

Fresh

Fresh
87%

Notes on a Scandal (2006)

" Bill Nighy is stunning in the small but pivotal role of Sheba's devastated husband, and Dench locates the desperate pathos in Barbara's malevolence." — Time Out

Posted Jan 25, 2007

Fresh

Fresh
88%

Who Killed The Electric Car? (2006)

" Paine is preaching to the choir, but the sermon should be heard nonetheless." — Time Out

Posted Aug 3, 2006

Fresh

Fresh
78%

Fanfan La Tulipe (1952)

" Cahiers-savvy cinephiles will recognize Fanfan as the type of handsome prestige production that the French New Wave overthrew in the early '60s, but this example of the 'cinéma de qualité' is hardly a musty artifact." — Village Voice

Posted Jul 18, 2006

Fresh

Fresh
92%

Metropolitan (1990)

" None of Stillman’s endearing characters quite fits their prescribed social context, and in its exhilarated final movement, Metropolitan finds an exit out of the stifling UHB salon." — Time Out

Posted Jun 24, 2006

Fresh

Fresh
84%

Mean Girls (2004)

" Happily, Fey and Waters gently tweak the studios’ usual high-gloss caricature of adolescence and aim for acutely hilarious and surprisingly empathic sociology." — Time Out

Posted Jun 24, 2006

Fresh

Fresh
87%

Sophie Scholl: The Final Days (2005)

" The film holds few surprises, though it builds a remarkable level of suspense during the fait-accompli interrogation scenes, and is a well-intended commemoration of a courageous young woman." — Time Out

Posted Jun 24, 2006

Fresh

Fresh
73%

War of the Worlds (2005)

" The film succeeds as pure sensation, an exacting distillation of fear." — Time Out

Posted Jun 24, 2006

Fresh

Fresh
100%

Anatomy of a Murder (1959)

" Coolly absorbing, nonchalantly cynical." — Time Out

Posted Jun 24, 2006

Fresh

N/A

Animals and More Animals (1994)

" Philibert is most enamored of the museum's vast collection of unheimlich mammalian heads and grants them many a haunting close-up." — Village Voice

Posted Jun 6, 2006

Fresh

N/A

Ice/Sea (2005)

" Fun and free-associative, the movie ventures to Rio, Miami, Montpellier, the Dead and Black seas, and elsewhere, keeping a visual diary of lumpy beach bods, boardwalk architecture, and celebrity sightings..." — Village Voice

Posted Jun 6, 2006

Fresh

Fresh
70%

Friends With Money (2006)

" As a creator of characters, Holofcener has strong instincts for emblematic situations and telling habits, yet she takes a reticent approach to development -- she observes her subjects closely, but doesn’t necessarily interpret." — Time Out

Posted May 25, 2006

Fresh

Fresh
92%

Shakespeare Behind Bars (2006)

" Albeit a tad repetitive, Shakespeare Behind Bars succeeds in humanizing men we might too easily label as monsters, and provides a solid argument in favor of prisons that place rehabilitation above retribution." — L.A. Weekly

Posted May 11, 2006

Fresh

Fresh
88%

The Devil and Daniel Johnston (2006)

" The documentary holds no illusions about insanity as a career move; there's a whiff of the freak show in Johnston's latter-day concerts but never in Feuerzeig's approach." — Village Voice

Posted Mar 28, 2006

Fresh

Fresh
87%

The Beauty Academy of Kabul (2006)

" The movie carefully obscures its attitude toward these stunning Samaritans, or so it would seem." — Village Voice

Posted Mar 21, 2006

Fresh

Fresh
68%

Mardi Gras: Made in China (2005)

" This sly, engrossing doc is an expert riposte to smug proponents of the fetterless free market." — Village Voice

Posted Mar 21, 2006

Fresh

Fresh
76%

Joyeux Noël (2006)

" Carion is no Jean Renoir, but he does strike an appealingly low key of tender, faintly goofy affinity between the combatants." — Village Voice

Posted Feb 28, 2006

Fresh

Fresh
81%

Tsotsi (2006)

" That the story can be so easily transposed to the post-apartheid present day is one of the movie's saddest inferences." — Village Voice

Posted Feb 21, 2006

Fresh

Fresh
72%

Primer (2004)

" This film imagines its viewers to be smart, possessed of a decent attention span and game for a challenge. It doesn’t happen all that often." — Time Out

Posted Feb 9, 2006

Fresh

Fresh
96%

Kiss Me Deadly (1955)

" A crucial influence on what would become the French new wave, an irresistibly seedy trip through the Los Angeles underworld, and a valuable artifact of Cold War anxiety." — Time Out

Posted Feb 9, 2006

Fresh

Fresh
88%

X2: X-Men United (2003)

" The emotional spectrum has widened, too, encompassing buoyant mirth and heroic tragedy." — Time Out

Posted Feb 9, 2006

Fresh

Fresh
98%

Raging Bull (1980)

" This film does more than make you think about masculinity, it makes you see it -- in a way that's relevant to all men, not just Bronx boxers." — Time Out

Posted Feb 9, 2006

Fresh

Rotten
38%

A Good Woman (2005)

" This Good Woman is an amiable drama queen, sluggish of gait and reliant on retail therapy." — Village Voice

Posted Jan 31, 2006

Fresh

Fresh
93%

Eternal Sunshine of the Spotless Mind (2004)

" Works marvel after marvel in expressing the bewildering beauty and existential horror of being trapped inside one's own addled mind, and in allegorising the self-preserving amnesia of a broken but hopeful heart." — Time Out

Posted Jan 26, 2006

Fresh

Fresh
85%

Pride and Prejudice (2005)

" Director Joe Wright also coordinates a delightfully cohesive acting ensemble." — Village Voice

Posted Nov 8, 2005

Fresh

Fresh
76%

Occupation: Dreamland (2005)

" Without resorting to the steroid-pumped aggro flash of Gunner Palace, Occupation: Dreamland reinforces the impression that the American rodeo in Iraq was always a murderously pointless self-security op." — L.A. Weekly

Posted Oct 13, 2005

Fresh

Rotten
59%

Oliver Twist (2005)

" The quality of mercy is strained, but by some strange feat it doesn't dissolve entirely." — Village Voice

Posted Sep 20, 2005

Fresh

Fresh
70%

Thumbsucker (2005)

" Endearing and well-acted." — Village Voice

Posted Sep 13, 2005

Fresh

Fresh
66%

Bride and Prejudice (2005)

" Every so often, the unseen managers of the galaxy bestow on us mere mortals a vision of rare incongruous beauty: a solar eclipse, a streaking comet, a shooting star, Bollywood goddess Aishwarya Rai happily riding a tractor." — Village Voice

Posted Aug 19, 2005

Fresh

Fresh
87%

Broken Flowers (2005)

" A Jarmuschian bouquet of episodic structure, desultory road-tripping, and droll dislocation, each comic setup as simple and plywood-dry a contraption as ever." — Village Voice

Posted Aug 2, 2005

Fresh

Fresh
74%

Wedding Crashers (2005)

" Amiable and hollow." — Village Voice

Posted Jul 12, 2005

Fresh

Fresh
83%

Me and You and Everyone We Know (2005)

" The film conjures a heightened reality where characters verbalize their thoughts, desires, and impulses without submitting them to the usual filters first; July takes in their foibles unblinkingly and folds them into an awkward, heartfelt embrace." — Village Voice

Posted Jun 14, 2005

Fresh

Fresh
77%

Or (My Treasure) (2005)

" With a cool head and level gaze, Keren Ye-daya's stark first feature attempts a Bressonian trajectory of tragic inevitability." — Village Voice

Posted May 31, 2005

Fresh

Fresh
95%

The Best of Youth (2005)

" The movie has the addictive episodic intimacy of great TV." — Village Voice

Posted Mar 3, 2005

Fresh

Fresh
90%

Turtles Can Fly (2005)

" The perpetual motion only temporarily staves off a pervading, self-evident despair." — Village Voice

Posted Feb 15, 2005

Fresh

Fresh
87%

The Woodsman (2004)

" An engrossing study of a protagonist who variously inspires pity, clinical interest, fondness, and revulsion -- sometimes all at once." — Village Voice

Posted Dec 21, 2004

Fresh

Fresh
96%

Born Into Brothels (2004)

" The specter of long odds and narrow choices shades every frame of the film, yet the tone is often buoyant and legitimately inspirational." — Village Voice

Posted Dec 7, 2004

Fresh

Fresh
82%

Finding Neverland (2004)

" Finding Neverland practices a tasteful restraint, embodied by Depp's unusually subdued performance." — Village Voice

Posted Nov 9, 2004

Fresh

Fresh
90%

Last Life in the Universe (2004)

" Cheeky and elusive, Last Life in the Universe inhabits a high-lonesome world unto itself, a bright daydream that dissipates in the aching gap of a missed connection." — Village Voice

Posted Aug 3, 2004

Fresh

Fresh
84%

Mean Girls (2004)

" Director Waters and screenwriter Tina Fey ... aim less for the usual high-gloss caricature than acutely hilarious sociology." — Village Voice

Posted Apr 27, 2004

Fresh

Fresh
62%

Young Adam (2004)

" Emily Mortimer ... McGregor, and especially Swinton are as frank and fearless with their NC-17 naked bodies as Mackenzie is uncompromised in conveying Trocchi's sulfurous purview on labor and lust to the screen." — Village Voice

Posted Apr 13, 2004

Fresh

Rotten
55%

Ned Kelly (2004)

" Marks a welcome departure from the usual rah-rah machismo of the semi-nationalist action adventure, but Jordan never escapes the mighty shadow of The Thin Red Line." — Village Voice

Posted Mar 23, 2004

Fresh

Fresh
98%

The Umbrellas of Cherbourg (1964)

" A choreography of the everyday timed to Demy's floating long takes and Michel Legrand's at turns jaunty and lachrymose score." — Village Voice

Posted Feb 10, 2004

Fresh

Fresh
93%

Touching the Void (2004)

" Though matter- of-factly presented, Simpson's endurance test exceeds the imagination, and reanimates every blurbable cliché in the film reviewer's word bank." — Village Voice

Posted Jan 20, 2004

Fresh

Fresh
74%

Calendar Girls (2003)

" A genial lesson in how to both honor and subvert womanly expectations." — Village Voice

Posted Dec 16, 2003

Fresh

Fresh
89%

In America (2003)

" Like a kid playing make-believe, In America is blithely confident of its own contrivances; it only benefits from a certain unselfconscious naivete." — Village Voice

Posted Nov 25, 2003

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