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Critics / Authors Reviews and Articles
JESSICA WINTER
PUBLICATION(S)
• City Pages, Minneapolis/St. Paul
• L.A. Weekly
• Slate
• Time Out
• Time Out New York
• Village Voice

STATS
Total Reviews: 309


SECTIONS
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Rotten Films
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Unquoted Reviews/Articles
 
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Rating T-Meter Title | Year Add Date (default)

Rotten
3/6

Fresh
64%

Stop-Loss (2008)

" It’s the film equivalent of a weary shrug – capturing the national mood at a moment when we’d all prefer some mood enhancers." — Time Out

Posted Apr 25, 2008

Rotten

Rotten
27%

Tideland (2006)

" Gilliam’s brash disregard for conventional narrative rhythms and structures is one of the many thrills of his best work, but here his freewheeling navigations veer so far off-road that the passenger is left exhausted and bewildered." — Time Out

Posted Sep 23, 2006

Rotten

Fresh
83%

Akeelah and the Bee (2006)

" Its clichés seem bigger and its characterisations broader than they would on the more forgiving telly." — Time Out

Posted Aug 17, 2006

Rotten

Rotten
22%

Alien vs. Predator (2004)

" The title alone betrays an entire Hollywood mindset of rehash, reheat, recombine. Re-please." — Time Out

Posted Jun 24, 2006

Rotten

Fresh
86%

Thank You For Smoking (2006)

" Aiming at all targets and hitting none of them, the movie is as harmless and inconsequential as a candy cigarette." — Time Out

Posted Jun 24, 2006

Rotten

Rotten
7%

Surviving Christmas (2004)

" The moral is that money can indeed buy happiness." — Time Out

Posted Jun 24, 2006

Rotten

Rotten
26%

Free Zone (2006)

" Per usual, Gitai largely eschews exposition, but his reticence sits awkwardly beside his penchant for saddling his deliberately stereotyped figures with trite, unwieldy speeches and symbolic-ironic biographical data." — Village Voice

Posted Apr 4, 2006

Rotten

Rotten
15%

Stoned (2006)

" The rock hero starts out dead and so does the movie." — Village Voice

Posted Mar 21, 2006

Rotten

Rotten
41%

Winter Passing (2006)

" The film is so grindingly predictable that I was writing out a full plot synopsis in my notebook before it was half over, though the thick grains of Terry Stacey's photography and Deschanel's understated performance add a little kick." — Village Voice

Posted Feb 14, 2006

Rotten

Rotten
0%

Merci Docteur Rey! (2002)

" A limp, smirky lark." — Time Out

Posted Feb 9, 2006

Rotten

Rotten
48%

S.W.A.T. (2003)

" he high definition SWAT training footage resembles a US Army recruitment ad, appropriate since TV journeyman Johnson imagines downtown LA as an unpatrolled Baghdad, swarming with guntotin' mercenaries pursuing their share of the bounty." — Time Out

Posted Feb 9, 2006

Rotten

Rotten
6%

Gigli (2003)

" Mitigating factors: a carefully curated sampling of J-Lo butt cleavage, and an arrhythmic Christopher Walken cameo which momentarily diverts the doomed ship from collision with the iceberg." — Time Out

Posted Feb 9, 2006

Rotten

Rotten
43%

Casanova (2005)

" The clumsy staging might not grate so much if the tone weren't so self-congratulatory." — Village Voice

Posted Dec 21, 2005

Rotten

Rotten
42%

Bee Season (2005)

" Its hieroglyphics are vividly rendered, but Bee Season never manages to spell them out." — Village Voice

Posted Nov 8, 2005

Rotten

Fresh
61%

Shopgirl (2005)

" A wan, world-weary representation of anomie, loneliness, and low expectations, dressed up in the ill-fitting designer duds of the studio rom-com." — Village Voice

Posted Oct 18, 2005

Rotten

Fresh
69%

North Country (2005)

" Given the battle's enormous toll on the women's physical and psychological health, it's a perplexing irony that the movie 'inspired by' the case suffers such a bizarre failure of nerve." — Village Voice

Posted Oct 18, 2005

Rotten

Rotten
18%

Domino (2005)

" Abusively moronic enough to inspire something like pity." — Village Voice

Posted Oct 11, 2005

Rotten

Rotten
37%

Dear Wendy (2005)

" Especially in the climactic, clumsily staged gunfight, the prevailing mode is wide-eyed idiocy -- which might be the point." — Village Voice

Posted Sep 20, 2005

Rotten

Fresh
62%

Lord of War (2005)

" As slick, flashy public-service announcements go, Lord of War is no Constant Gardener." — Village Voice

Posted Sep 13, 2005

Rotten

Fresh
85%

The 40-Year-Old Virgin (2005)

" [Continues the trend] whereby ethnic inclusiveness can write a blank check for ethnic stereotyping and the homo-panic jokes are supposed to be on the hetero lunkheads, not on, y'know, the gays." — Village Voice

Posted Aug 16, 2005

Rotten

Rotten
36%

Asylum (2005)

" Mackenzie and Marber opt for an anonymous viewpoint of clinical detachment, which generates about the same psychodramatic tension as reading the DSM-IV." — Village Voice

Posted Aug 9, 2005

Rotten

Rotten
38%

The Skeleton Key (2005)

" Creaky in its mechanics and numbingly protracted, this is basement B horror that fancies itself a prestige chiller." — Village Voice

Posted Aug 9, 2005

Rotten

Fresh
68%

The Edukators (2005)

" Shot on shoddy, harsh-lit DV, The Edukators casts Hardenberg as the avuncular voice of reason, his fat-cat complacency the destination point of a rational adulthood." — Village Voice

Posted Jul 19, 2005

Rotten

Rotten
12%

Ma Mere (2005)

" Lurching toward its inevitable incestuous showdown, Ma Mère makes a few hilarious attempts at the cerebral." — Village Voice

Posted May 10, 2005

Rotten

Rotten
16%

Monster-in-Law (2005)

" Essentially Meet the Parents redux with Fonda in the scarifying De Niro role." — Village Voice

Posted May 10, 2005

Rotten

Rotten
50%

Writer of O (2005)

" Disappoints in its workmanlike approach to such fragrant material." — Village Voice

Posted May 3, 2005

Rotten

Fresh
60%

Hitchhiker's Guide to the Galaxy (2005)

" Studiously harmless, Disney's long-in-development film rendition pasteurizes the book's renegade verve with typical means: special effects and gooey romance." — Village Voice

Posted Apr 26, 2005

Rotten

Rotten
38%

Sahara (2005)

" Sahara is many things, but it is not a movie. It is the skull-splitting cacophony of 21 producers and four screenwriters (that we know about, anyway) standing in the same room shouting into their cell phones." — Village Voice

Posted Apr 12, 2005

Rotten

Fresh
62%

Lipstick & Dynamite: The First Ladies of Wrestling (2004)

" Director Ruth Leitman's interviews are lax and inconclusive." — Village Voice

Posted Mar 22, 2005

Rotten

Rotten
46%

The Ballad of Jack and Rose (2005)

" [Lewis'] turn as lifestyle extremist Jack carries an authentic scent of tobacco and peat while much of the movie smells of the lamp." — Village Voice

Posted Mar 22, 2005

Rotten

N/A

The Venetian Dilemma (2005)

" Bobs and lists between four main interviewees but barely skims the surface of the vast sociocultural, historical, and scientific issues it raises." — Village Voice

Posted Mar 15, 2005

Rotten

Rotten
23%

In My Country (2005)

" Boorman's bathetic tourism is unconscionable for a subject of this magnitude." — Village Voice

Posted Mar 8, 2005

Rotten

Rotten
35%

Hostage (2005)

" A steaming pile of siege clichés and screaming unlikelihoods." — Village Voice

Posted Mar 7, 2005

Rotten

Fresh
73%

The Upside of Anger (2005)

" The film has exhausted itself with fits of glib hysteria long before its truly stupefying final twist, a stunning betrayal of audience trust." — Village Voice

Posted Mar 7, 2005

Rotten

Fresh
80%

Dear Frankie (2005)

" The pat emotions contradict the lazily inconclusive life-goes-on ending, and the moral seems to be that kids just want to be lied to." — Village Voice

Posted Mar 3, 2005

Rotten

Rotten
49%

Rory O'Shea Was Here (2005)

" A plea for equality of opportunity, a worthy objective somewhat obscured by non-disabled actors occupying the lead roles." — Village Voice

Posted Feb 1, 2005

Rotten

Rotten
13%

Hide and Seek (2005)

" Follows no semblance of internal logic." — Village Voice

Posted Feb 1, 2005

Rotten

Fresh
71%

William Shakespeare's The Merchant of Venice (2004)

" Even notwithstanding this version's inert blocking and awkward camera placements, The Merchant of Venice is one of Shakespeare's more crooked and hollow contraptions in any guise." — Village Voice

Posted Dec 28, 2004

Rotten

Fresh
77%

A Very Long Engagement (2004)

" Narrative thrust has never been the director's strong suit, and the movie gridlocks amid its crowds of characters, backstories, detours, and twists; the squealing gears of heavy plot machinery eventually drown out much else." — Village Voice

Posted Nov 23, 2004

Rotten

Rotten
26%

Bridget Jones: The Edge of Reason (2004)

" All this unaccountable admiration is bestowed upon the ne plus ultra of the regressive rom-com heroine, a thirtysomething who displays the rudimentary motor functions, raging id, and darling pucker of a cuddly infant." — Village Voice

Posted Nov 9, 2004

Rotten

Rotten
49%

Alfie (2004)

" Charles Shyer (who processed the Parent Trap and Father of the Bride updates) plays coy with most matters sexual—an odd and puritanical approach to a character who molds his entire existence around the procurement and enjoyment of sex." — Village Voice

Posted Nov 9, 2004

Rotten

Fresh
97%

The Incredibles (2004)

" The Incredibles announces the studio's arrival in the vast yet overcrowded Hollywood lot of eardrum-bashing, metal-crunching action sludge." — Village Voice

Posted Nov 2, 2004

Rotten

Rotten
39%

The Grudge (2004)

" The soundtrack's Dolby thumps and screaming violins head off any genuine scares." — Village Voice

Posted Oct 19, 2004

Rotten

Rotten
7%

Surviving Christmas (2004)

" This ghastly comedy emits the subliminal whine of a sucking chest wound." — Village Voice

Posted Oct 19, 2004

Rotten

Fresh
65%

Stage Beauty (2004)

" Surely it can't come as news to the filmmakers that a distinction exists between gender and sexuality?" — Village Voice

Posted Oct 6, 2004

Rotten

Rotten
11%

Taxi (2004)

" Throughout this Americanization of the Luc Besson–scripted French hit, Latifah itches to check her watch, Fallon appears mortified, and only Ann-Margret mainlines any comic adrenaline." — Village Voice

Posted Oct 6, 2004

Rotten

Fresh
83%

The Motorcycle Diaries (2004)

" Lovely to look at but insipid, a lavishly illustrated Rough Guide to white liberal self-affirmation." — Village Voice

Posted Sep 21, 2004

Rotten

Fresh
60%

Wimbledon (2004)

" The appealing leads have strong chemistry, but it's the wrong kind: an affectionate big-brother / little-sister rapport that leaves a discomfiting taint on their more amorous clinches." — Village Voice

Posted Sep 14, 2004

Rotten

Rotten
23%

Wicker Park (2004)

" Dippy romantic thriller." — Village Voice

Posted Aug 31, 2004

Rotten

Rotten
52%

The Notebook (2004)

" The minutes of Allie and Noah's magical hysteria tour are duly recorded in the titular ledger-cum– framing device." — Village Voice

Posted Jun 22, 2004

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