Critics » Neil Genzlinger » Rotten
Neil Genzlinger

Neil Genzlinger

Agrees with the Tomatometer 74% of the time.

Publications:
New York Times
Total Reviews:
216

Worst Reviewed Films

Showing 1 - 50 of 208
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Rating T-Meter Title | Year Add Date
0/5 —— Art History (2011) " Anyone who sees [the] insufferable "Art History" and doesn't wish for the 74 minutes back has an empty life indeed." — New York Times
Posted Sep 22, 2011
0/5 —— Lucky Days (2010) " Eventually you have to acknowledge that this unpleasant drama set on Coney Island isn't deadpan; it's just dead. " — New York Times
Posted Aug 6, 2010
0/5 17% Eating Out: All You Can Eat (2009) " It needs to be emphasized that Eating Out 3 has nothing to do with the restaurant business, lest any foodies wander into this ineptly written and acted gay sex comedy by accident." — New York Times
Posted Oct 9, 2009
0.5/5 27% Beer League (2006) " Artie Lange, Howard Stern's radio sidekick, somehow manages to make beer-league softball seem no fun at all in this extremely lowbrow comedy." — New York Times
Posted Sep 19, 2006
1/5 0% Reuniting The Rubins (2012) " The script includes little back story and lots of button-pushing shorthand, none of which feels genuine..." — New York Times
Posted Mar 16, 2012
1/5 12% Creature (2011) " Doesn't throw in the kind of wit that can turn a formulaic creature feature into a pleasant diversion along the lines of "Lake Placid."" — New York Times
Posted Sep 10, 2011
1/5 —— Golf In The Kingdom (2011) " Golf may be the world's dullest spectator sport, not counting soccer: it takes a long time for not much to happen. By that standard, "Golf in the Kingdom" captures the game perfectly." — New York Times
Posted Jul 28, 2011
1/5 —— Talentime () " A collision of tones that leaves the film feeling unfocused." — New York Times
Posted May 7, 2010
1/5 67% The Girl Next Door (2007) " The kind of movie that makes you wish you could rinse your brain in bleach, to wash all traces of it from your memory." — New York Times
Posted Oct 5, 2007
1/5 17% Sun Kissed (2006) " When a movie aspires to be gay pornography but can't even manage that, well, you know you've got a bad movie." — New York Times
Posted Nov 23, 2006
1/5 13% Shottas (2006) " Stars from reggae and other musical worlds give acting a try in Shottas, a witless, misogynistic, gratuitously violent, drug-culture-worshiping film." — New York Times
Posted Nov 10, 2006
1/5 67% Justice (2004) " Justice often moves painfully slowly, and so does Justice (Justiça), a documentary by Maria Ramos about low-level criminal courts in Brazil that at times might be mistaken for an unedited video feed from a courthouse security camera." — New York Times
Posted Oct 19, 2006
1/5 0% Kiss Me Again (2006) " [Smith] seems not to realize just how tired the notion of married folk deciding jointly to experiment with other partners is." — New York Times
Posted May 5, 2006
1/5 30% The Sisters (2006) " It's a bit of an oversimplification but still a rule no writer should forget: Insufferable characters make for an insufferable play or movie." — New York Times
Posted Apr 14, 2006
1/5 9% Stay Alive (2006) " The star of Stay Alive is a cutting-edge video game, but the film still has hackneyed horror at its heart." — New York Times
Posted Mar 28, 2006
255 55% The Perfect Game (2010) " So overwhelmed by its own based-on-actual-events tale that it can't find the tone to tell it effectively." — New York Times
Posted Apr 16, 2010
1.5/5 13% After Fall, Winter (2012) " The lovebirds' dialogue has the sophistication of a junior high school romance, and Mr. Schaeffer appears to have pasted his story together from the button-pushing plotlines of other films." — New York Times
Posted Jan 26, 2012
1.5/5 5% Beneath The Darkness (2012) " Someone involved with "Beneath the Darkness" has either watched too many horror movies or not enough." — New York Times
Posted Jan 5, 2012
1.5/5 71% The Dead (2011) " A long, chemistry-free slog through the zombified countryside." — New York Times
Posted Oct 13, 2011
1.5/5 0% A Love Affair of Sorts (2011) " Endlessly fascinated by the idea that some people are endlessly fascinated with themselves? David Guy Levy has made a movie perfectly suited to you." — New York Times
Posted Jun 23, 2011
1.5/5 82% Defamation (2009) " Presumably Mr. Shamir's film plays differently in Israel. In the United States, it feels like just another day on the Op-Ed page." — New York Times
Posted Nov 20, 2009
1.5/5 0% Eulogy for a Vampire (2009) " It's hard to imagine anyone watching this attempt at a horror film without guffawing. (Or maybe it's supposed to be a comedy?)" — New York Times
Posted Oct 23, 2009
1.5/5 17% If One Thing Matters: A Film About Wolfgang Tillmans (2009) " It's like choking down 72 minutes of a stranger's unedited home videos, only without the occasional cute kiddie or pet to lighten the tedium." — New York Times
Posted Sep 18, 2009
1.5/5 0% Talento de Barrio (2008) " The violence-laden story, such as it is, is ineptly stitched together; it's unclear who is shooting at whom and why; and the dialogue seldom advances beyond "Yo, dog" and "Whassup?" The soundtrack is the only draw here." — New York Times
Posted Oct 10, 2008
1.5/5 29% Ripple Effect (2008) " Starts with a not-very-original insight and takes too many shortcuts delivering it." — New York Times
Posted Sep 26, 2008
1.5/5 —— Urchin (2007) " If nothing else, Urchin tells us that certain New York City subway stations need a bit more security." — New York Times
Posted Feb 20, 2007
1.5/5 4% Code Name: The Cleaner (2007) " Cedric the Entertainer's artless performance deadens what could have been a much funnier comedy." — New York Times
Posted Jan 5, 2007
1.5/5 42% When Do We Eat? (2006) " In this distasteful film from Salvador Litvak, a Jewish family tries to race through a Seder, but drug use, possible incest and some jokes at the expense of the autistic slow them down." — New York Times
Posted Apr 7, 2006
1.5/4 38% Robert J. Lifton: Nazi Doctors (2010) " A lazy piece of filmmaking that consists of little more than letting him talk for almost an hour and a half about one of his better-known books." — New York Times
Posted Oct 8, 2010
2/5 0% Nesting (2012) " "Nesting" takes an old idea and tosses in a few today-sounding phrases in hopes of coming up with a fresh-feeling movie. But that isn't enough." — New York Times
Posted May 10, 2012
2/5 55% All In: The Poker Movie (2012) " So padded with cheerleading that it doesn't have time for a serious exploration of poker's place in the broader culture or the consequences of its rapid rise and global reach." — New York Times
Posted Mar 22, 2012
2/5 58% Delicacy (2012) " It's a lightweight romance that occasionally shows a sense of humor but seems afraid to turn it loose." — New York Times
Posted Mar 13, 2012
2/5 42% Silent House (2012) " It's not hard to guess the source of her horror, and so the film's most interesting aspects are its gimmicks rather than its frights." — New York Times
Posted Mar 8, 2012
2/5 40% Patriocracy (2012) " An assortment of reasoned voices - Bob Schieffer, Alan Simpson and others - delineate problems that are already well known." — New York Times
Posted Mar 1, 2012
2/5 42% Journey 2: The Mysterious Island (2012) " The usual escape-before-the-big-blast stuff ensues, augmented by some fairly tedious family dynamics." — New York Times
Posted Feb 9, 2012
2/5 56% The Viral Factor (2012) " "The Viral Factor" wants to be both an action movie and a soap opera. But the merging of the two genres by Dante Lam, a director based in Hong Kong, is clumsy, and so is the film." — New York Times
Posted Jan 19, 2012
2/5 70% The Pill (2011) " This might be more entertaining if any of the three main characters were at all likable." — New York Times
Posted Dec 15, 2011
2/5 —— Catch .44 (2011) " A drug-deal tale featuring top-drawer actors trying to have fun with a medium-strength script. Sometimes they succeed, but not often enough to elevate the film to "Pulp Fiction" territory." — New York Times
Posted Dec 8, 2011
2/5 0% A Novel Romance (2011) " Steve Guttenberg is probably supposed to be a lovable loser in "A Novel Romance," a drab, clumsy film by Allie Dvorin, but he can manage to be merely annoying." — New York Times
Posted Nov 10, 2011
2/5 41% Five Star Day (2011) " A drippy ending erases all the hopes you've built up and forces you to conclude that this wasn't such a well-thought-out film after all." — New York Times
Posted Nov 1, 2011
2/5 7% All's Faire in Love (2011) " Only Ann-Margret, as the fair's reigning queen, retains her dignity." — New York Times
Posted Oct 27, 2011
2/5 55% Hood To Coast (2010) " Christoph Baaden, the director, loses sight of the fact that, for people who don't run, the cult of running is kind of boring." — New York Times
Posted Jul 14, 2011
2/5 —— Two Gates Of Sleep (2011) " The intent is perhaps some kind of dark tone poem, and the cinematography (by Jody Lee Lipes) is lovely. But oh, the tedium." — New York Times
Posted Mar 31, 2011
2/5 7% Immigration Tango (2011) " The stuff of sitcoms. Complications, of course, ensue, but they're exactly the complications you expect, with exactly the results." — New York Times
Posted Feb 18, 2011
2/5 40% Carbon Nation (2011) " This film seems blissfully unaware that political obstructionists are paralyzing the legislative process; that deep-pocketed influence peddlers have a vested interest in maintaining the fossil fuel culture; that, in general, people resist change." — New York Times
Posted Feb 11, 2011
2/5 57% The Red Chapel (2010) " Sloppy even by guerrilla filmmaking standards." — New York Times
Posted Dec 29, 2010
2/5 39% The Taqwacores (2010) " The storytelling is so muddled and the filmmaking so unpolished - and not in a good way - that mostly this movie is just unpleasant." — New York Times
Posted Oct 22, 2010
2/5 —— 3 Billion and Counting (2010) " By the time they switch to no-nonsense advocacy, you're unclear as to their credibility. " — New York Times
Posted Sep 17, 2010
2/5 20% Baghdad Texas (2010) " Quickly disappoints with an inconsistent tone and painful overacting. " — New York Times
Posted Aug 27, 2010
2/5 —— Just Say Love (2010) " The glimmers of originality soon vanish, however, and we're left with a tired gay fantasy that seems as if it came out of a freshman creative-writing class." — New York Times
Posted Mar 26, 2010
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