Critics » Saul Austerlitz
Saul Austerlitz

Saul Austerlitz

Agrees with the Tomatometer 67% of the time.

Publications:
Boxoffice Magazine , Film Threat , Senses of Cinema
Total Reviews:
13

Listing Of All Reviews & Articles

Showing 1 - 13 of 13
Rating T-Meter Title | Year Add Date
3/5 84% Mongolian Ping Pong (Lu Cao di) (2006) " Less concerned with its plot, which is gossamer-thin and not terribly involving, than with describing the nature of the lives these inhabitants of the remote steppe lead." — Boxoffice Magazine
Posted Aug 1, 2006
1/5 24% Autumn (2006) " An unsavory pastiche of the familiar and the overdone, flavored with faux-pungent, existential, interminable dialogue." — Boxoffice Magazine
Posted Jun 9, 2006
3/5 73% Cavite (2006) " The film is a tender, unflinching look at the brutal conditions of life in the Philippines, its sympathy for its accidental subjects intertwined with a flexible, on-the-fly mode of filmmaking." — Boxoffice Magazine
Posted Jun 3, 2006
2/5 89% Sir! No Sir! (2006) " In seeking to express its outrage over the Vietnam War, Sir! No Sir! loses its moral compass, conflating dissidence and traitorousness, and confusing friends with the enemies of their enemies." — Boxoffice Magazine
Posted May 20, 2006
3/5 91% Te doy mis ojos (Take My Eyes) (2006) " We emerge worn but wiser, having stepped, if only momentarily, and secondarily, into the shoes of the brutalized." — Boxoffice Magazine
Posted Mar 23, 2006
2/5 50% Blossoms of Fire (2006) " ... Gosling's film borrows Herzog's taste for the unfamiliar and exotic without its concomitant saving grace: his wry cynicism." — Boxoffice Magazine
Posted Jan 22, 2006
2/5 60% little man (2005) " The film leaves viewers with the odd sensation of having peered into the most intimate details of other people's lives, without acquiring much beyond surface impressions." — Boxoffice Magazine
Posted Dec 6, 2005
2/5 63% The Swenkas (2005) " Ronde has clearly stumbled onto a terrific subject for a documentary, but having done that, he has little idea what to do with it." — Boxoffice Magazine
Posted Nov 11, 2005
— 94% Los Olvidados (The Young and the Damned) (1952) — Senses of Cinema
Posted Apr 1, 2003
1/5 51% In Praise Of Love (Éloge de l'amour) (2002) " Gives the impression of a man who has lost his will to make movies, and even to go on living, a sentiment difficult to empathize with without likewise giving up on life." — Film Threat
Posted Dec 8, 2002
3/5 86% The Way We Laughed (1998) " It's a damn impressive trick to build a film around narrative frustration and not cause your audience to run out screaming." — Film Threat
Posted Dec 8, 2002
2/5 81% The Man Who Wasn't There (2001) " The resulting hodgepodge is a medley of the brothers' favorite verbal and visual tics, making much noise and signifying nothing." — Film Threat
Posted Dec 8, 2002
Showing 1 - 13 of 13
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