|
0/4
|
15%
|
The Hillside Strangler (2004) |
"
Another repulsive, fetishistic trawl through the life and crimes of a serial killer."
—
New York Post
Posted Oct 12, 2004
|
|
0/4
|
5%
|
The Cookout (2004) |
"
A feeble mess."
—
New York Post
Posted Sep 7, 2004
|
|
0/4
|
5%
|
Yu-Gi-Oh! - The Movie (Yûgiô: Gekijô-ban) (2004) |
"
Would be hilarious if it weren't so dreadfully cynical."
—
New York Post
Posted Aug 13, 2004
|
|
0/4
|
11%
|
Dr. Seuss - The Cat in the Hat (2003) |
"
Even at an embarrassingly short 82 minutes, Cat is stuffed with inane filler."
—
New York Post
Posted Nov 21, 2003
|
|
.5/4
|
10%
|
Taxi (2004) |
"
The most embarrassing SNL vehicle since Pootie Tang."
—
New York Post
Posted Oct 6, 2004
|
|
0.5/4
|
11%
|
Catch That Kid (2004) |
"
Freundlich ... directs his first big studio film on autopilot, trudging through the motions and displaying little understanding of what appeals to young 'uns."
—
New York Post
Posted Feb 7, 2004
|
|
.5/4
|
0%
|
Singing Forest (2003) |
"
Amateurish."
—
New York Post
Posted Dec 18, 2003
|
|
0.5/4
|
29%
|
Mail Order Bride (2003) |
"
It took a committee of directors and scriptwriters to assemble this oafish farce, brimming with creaky jokes, frenzied overacting and 'madcap' moments such as an ineptly staged pie-in- the-face bar brawl."
—
New York Post
Posted Nov 21, 2003
|
|
.5/4
|
17%
|
The League of Extraordinary Gentlemen (2003) |
"
Suspension of disbelief is as necessary as popcorn when approaching a summer comic-book movie, but LXG is too preposterous even for this fantastical genre."
—
New York Post
Posted Jul 11, 2003
|
|
.5/4
|
18%
|
Confusion of Genders (2000) |
"
The central character in the cynical French sex farce Confusion of Genders is such an odious piece of work -- weak, indecisive and shallow -- that it's hard to follow his carnal misadventures with anything approaching interest."
—
New York Post
Posted Jul 9, 2003
|
|
0.5/4
|
17%
|
House of 1000 Corpses (2003) |
"
Neither scary, perversely funny nor suspenseful, this demented dung heap is not even inventively gory."
—
New York Post
Posted Apr 14, 2003
|
|
0.5/4
|
38%
|
Agent Cody Banks (2003) |
"
Illogical, thrown-together claptrap."
—
New York Post
Posted Mar 14, 2003
|
|
|
61%
|
Newcastle (2008) |
"
Cinematographer Richard Michalak's gorgeous water-based action shots guarantee the young target audience will want to head straight out for surf lessons, but there's even less dramatic heft here than in the superior Blue Crush."
—
Hollywood Reporter
Posted Jul 2, 2008
|
|
|
51%
|
30 Days of Night (2007) |
"
A terrific horror premise goes begging in the garbled Halloween offering 30 Days of Night."
—
Hollywood Reporter
Posted Oct 24, 2007
|
|
|
——
|
Caterpillar Wish () |
"
While intelligent performances from the luminous Porter (Better Than Sex) and newcomer Thaine make their unconventional mother-daughter relationship feel thoroughly organic, the script finally collapses under the weight of a narrative pile-up."
—
Hollywood Reporter
Posted Jun 8, 2006
|
|
1/4
|
41%
|
Ladder 49 (2004) |
"
Plays as if the filmmakers compiled a list of every smoke-eater cliché imaginable and then resolutely set about crossing them off."
—
New York Post
Posted Oct 1, 2004
|
|
1/4
|
54%
|
Raspberry Reich (2004) |
"
The humorless Reich makes for one dull and repetitive skin flick."
—
New York Post
Posted Sep 24, 2004
|
|
|
18%
|
Paparazzi (2004) |
"
A cheeseball revenge thriller with an alarmingly twisted moral."
—
New York Post
Posted Sep 6, 2004
|
|
1/4
|
73%
|
Almost Peaceful (2004) |
"
Handsomely shot but almost bewilderingly bland."
—
New York Post
Posted Aug 23, 2004
|
|
1/4
|
85%
|
Outfoxed - Rupert Murdoch's War on Journalism (2004) |
"
A rush job, and it shows."
—
New York Post
Posted Aug 6, 2004
|
|
1/4
|
0%
|
Nola (2003) |
"
A dubious script that detonates into a full-blown disaster midway through."
—
New York Post
Posted Jul 23, 2004
|
|
1/4
|
29%
|
The Chronicles of Riddick (2004) |
"
Writer-director David Twohy has a much bigger budget than he did for Pitch Black, but he makes the all-too-common mistake of believing money can substitute for imagination."
—
New York Post
Posted Jun 11, 2004
|
|
1/4
|
24%
|
Stateside (2004) |
"
Writer-director Reverge Anselmo handles sensitive issues not with kid gloves, but with a metaphorical baseball mitt, fumbling with tone and obviously laboring to force quirks upon characters and situations."
—
New York Post
Posted May 21, 2004
|
|
1/4
|
21%
|
The 24th Day (2004) |
"
Boasts one of the most ludicrous plots ever committed to digital video."
—
New York Post
Posted May 14, 2004
|
|
1/4
|
53%
|
Bulgarian Lovers (2003) |
"
As Daniel is drawn deeper into Kyril's web of shady business dealings, the film completely loses its way."
—
New York Post
Posted Apr 30, 2004
|
|
1/4
|
33%
|
Klezmer on Fish Street (2004) |
"
An undercooked concept, ineptly executed."
—
New York Post
Posted Apr 16, 2004
|
|
1/4
|
4%
|
My Baby's Daddy (2004) |
"
The finished product looks like it was thrown together during a lunch break -- by a drunk person."
—
New York Post
Posted Jan 12, 2004
|
|
1/4
|
21%
|
Dust (2003) |
"
The bloodthirsty Dust lurches so wildly and meaninglessly between genres and time frames that all it creates is motion sickness."
—
New York Post
Posted Aug 21, 2003
|
|
1/4
|
38%
|
On_Line (2003) |
"
It's really just about a bunch of pathetic losers whiling away the hours with their hands jammed down their pants."
—
New York Post
Posted Jun 26, 2003
|
|
1/4
|
30%
|
Hollywood Homicide (2003) |
"
There's little action in this snail-paced bore, you'll need a high-powered magnifying glass to spot the comedy and the 'buddies' have about as much chemistry as a pair of wet socks."
—
New York Post
Posted Jun 13, 2003
|
|
1/4
|
28%
|
It Runs in the Family (2003) |
"
An exercise in drudgery."
—
New York Post
Posted Apr 25, 2003
|
|
1/4
|
44%
|
XX/XY (2003) |
"
Awkward, listless and fails to reach any sort of climax."
—
New York Post
Posted Apr 11, 2003
|
|
1/4
|
29%
|
Dischord (2003) |
"
A hackneyed, by-the-numbers race against the clock to stop a serial killer from striking again."
—
New York Post
Posted Feb 28, 2003
|
|
1/4
|
73%
|
He Loves Me, He Loves Me Not (À la folie... pas du tout) (2002) |
"
It's a sugar cube laced with arsenic, a nasty little film whose mean-spiritedness is surpassed only by its mediocrity."
—
New York Post
Posted Feb 14, 2003
|
|
1.5/4
|
49%
|
Alfie (2004) |
"
Law tries hard to make his Alfie likable, but he's working against the orchestrations of the narrative and merely comes off as feeble, a one-dimensional Eurotrash jerk with outmoded ideas about women and troubles that don't amount to a hill of beans."
—
New York Post
Posted Nov 5, 2004
|
|
1.5/4
|
17%
|
Hair Show (2004) |
"
The story is so slight, a low-wattage hair dryer could blow it away."
—
New York Post
Posted Oct 15, 2004
|
|
1.5/4
|
30%
|
The Forgotten (2004) |
"
Devolves into a best-forgotten clone of an utterly illogical X-Files episode."
—
New York Post
Posted Sep 24, 2004
|
|
1.5/4
|
23%
|
Wicker Park (2004) |
"
One of the silliest, most sieve-like screenplays of the year."
—
New York Post
Posted Sep 3, 2004
|
|
1.5/4
|
27%
|
Anacondas - The Hunt for the Blood Orchid (2004) |
"
The supersize snakes don't even make an appearance until the movie's midway point -- and when they do, appalling special effects render them merely risible."
—
New York Post
Posted Aug 27, 2004
|
|
1.5/4
|
20%
|
Thunderbirds (2004) |
"
A lackluster Spy Kids wannabe."
—
New York Post
Posted Jul 30, 2004
|
|
1.5/4
|
11%
|
A Cinderella Story (2004) |
"
An instantly forgettable wisp of marshmallow that revisits the same teen-crush cliches that have surely been in play since the days of the classic fairy tale it ransacks for inspiration."
—
New York Post
Posted Jul 16, 2004
|
|
1.5/4
|
54%
|
Let's Get Frank (2003) |
"
Frank is a worthy subject, but this treatment amounts to not much more than a somewhat extraneous sidebar to last month's The Hunting of the President."
—
New York Post
Posted Jul 15, 2004
|
|
1.5/4
|
70%
|
Dodgeball - A True Underdog Story (2004) |
"
Reeks of desperation from the start, resorting way too often to the Funniest Home Videos-style spectacle of people getting hit in the crotch with red rubber balls."
—
New York Post
Posted Jun 18, 2004
|
|
1.5/4
|
67%
|
Frankie And Johnny Are Married (2004) |
"
There's little that's particularly dramatic or funny for the outsider in this autobiographical vanity project."
—
New York Post
Posted Jun 11, 2004
|
|
1.5/4
|
18%
|
Soul Plane (2004) |
"
This one-joke comedy vehicle is flying through a laugh-free zone."
—
New York Post
Posted May 28, 2004
|
|
1.5/4
|
26%
|
Slipping Down Life (1999) |
"
The disorderly film merely chases its tail for the second half, going nowhere fast."
—
New York Post
Posted May 14, 2004
|
|
1.5/4
|
39%
|
Seeing Other People (2004) |
"
A premise that is equal parts silly and cynical is stretched over 90 uncomfortable minutes, hitting just about every relationship cliché imaginable with incongruous spurts of graphic sex talk spiking the mostly ho-hum dialogue."
—
New York Post
Posted May 7, 2004
|
|
1.5/4
|
11%
|
New York Minute (2004) |
"
In trying to straddle both the grown-up and kiddie worlds with this inappropriately sexualized effort ... the Olsens have lost their footing."
—
New York Post
Posted May 7, 2004
|
|
1.5/4
|
25%
|
Bobby Jones: Stroke of Genius (2004) |
"
A sluggish meander through the life of the man considered by many to be a deity of golfing."
—
New York Post
Posted Apr 30, 2004
|
|
1.5/4
|
30%
|
Confessions of a Burning Man (2003) |
"
It's more like a routine home video with arty pretensions."
—
New York Post
Posted Feb 27, 2004
|
68%
——
98%
