|
|
100%
|
The Godfather (1972) |
"
Traces the arc of this doomed idealism with a beauty that is still fresh. "
—
L.A. Weekly
Posted Feb 23, 2011
|
|
|
59%
|
Centurion (2010) |
"
[A] highly enjoyable action-adventure."
—
Village Voice
Posted Aug 24, 2010
|
|
6.5/10
|
69%
|
The Girl Who Played with Fire (Flickan som lekte med elden) (2010) |
"
Because the movie is long, colorless, uncompromising and, well, Swedish, it's got to be better than any future American version, right?"
—
Movieline
Posted Jul 8, 2010
|
|
|
84%
|
Casino Jack And The United States Of Money (2010) |
"
Casino Jack and the United States of Money is indispensable viewing."
—
Village Voice
Posted May 4, 2010
|
|
|
——
|
Punctured Hope: A Story About Trokosi and the Young Girls' Slavery in Today's West Africa (2009) |
"
Despite near-fatal drawbacks, Punctured Hope fulfills the stated ambitions of Pischiutta and producer Daria Trifu to teach and inspire discussion."
—
L.A. Weekly
Posted Dec 17, 2009
|
|
|
——
|
Under the Eightball (2009) |
"
Angry passion and visual energy define this extraordinary muckraking documentary."
—
Village Voice
Posted Dec 16, 2009
|
|
|
——
|
Mr. Sadman (2009) |
"
The film is impeccably cast; it's shot and cut well. Unfortunately, the secret of comedy is that it's the highest form of suspense, and Mr. Sadman is just too bleakly episodic."
—
L.A. Weekly
Posted Nov 19, 2009
|
|
|
——
|
Victory Day (2009) |
"
Nearly ever word out of the characters' mouths is either an arch piece of exposition or a clanging, nail-on-the-head expulsion of emotion."
—
L.A. Weekly
Posted Nov 5, 2009
|
|
|
——
|
From Mexico with Love (2009) |
"
Whatever its surface predictabilities, From Mexico With Love has the virtue of coaxing you to care about its people."
—
L.A. Weekly
Posted Oct 22, 2009
|
|
|
——
|
Janky Promoters (2009) |
"
Everything builds to a fairly careless climax."
—
L.A. Weekly
Posted Oct 22, 2009
|
|
|
34%
|
Adam Resurrected (2008) |
"
One cannot recommend this film strongly enough."
—
L.A. Weekly
Posted Dec 18, 2008
|
|
|
72%
|
Eden (2008) |
"
This portrait of an imploding marriage is remarkable for every reason that counts in a good film."
—
L.A. Weekly
Posted Nov 20, 2008
|
|
—
|
20%
|
Eden (1999) |
—
Village Voice
Posted Nov 12, 2008
|
|
|
76%
|
Captain Abu Raed (2007) |
"
Such a subtle yet global view of human struggle -- the whole world viewed through the prism of a single poor neighborhood -- is a mark of extraordinary promise from this remarkable new filmmaker."
—
Village Voice
Posted Nov 6, 2008
|
|
|
40%
|
Vice (2008) |
"
Writer-director Raul Sanchez Inglis tries to do several ambitious, honorable things with Vice, but for much of the action, they cancel each other out."
—
L.A. Weekly
Posted May 8, 2008
|
|
|
69%
|
Last Stop for Paul (2006) |
"
Mandt directs and acts with great zest and contagious, unpretentious good cheer."
—
L.A. Weekly
Posted Mar 6, 2008
|
|
|
39%
|
Full Grown Men (2008) |
"
Lyrical and funny, Full Grown Men is a tough-minded film about the need to grow up."
—
L.A. Weekly
Posted Nov 7, 2007
|
|
|
36%
|
Park (2006) |
"
[Makes] the most of thrifty means to highly entertaining effect."
—
L.A. Weekly
Posted Nov 1, 2007
|
|
|
33%
|
Berkeley (2007) |
"
Roth's gift for unlocking the best in each of his actors does bring those long-ago times to life."
—
L.A. Weekly
Posted Oct 11, 2007
|
|
|
50%
|
G.I. Jesús (2007) |
"
... Colpaert has so vividly seized the contemporary moment, and explored it with his own eyes and conscience."
—
L.A. Weekly
Posted Jan 25, 2007
|
|
|
2%
|
Baby Geniuses (1999) |
"
There are ticklish moments, but no real laughs."
—
L.A. Weekly
Posted Jan 5, 2007
|
|
|
95%
|
Commune (2006) |
"
It's good to hear people talking about openheartedness without irony."
—
L.A. Weekly
Posted Nov 9, 2006
|
|
|
33%
|
Color of the Cross (2006) |
"
A too-specific tale of historic injustice rather than one of divinely benevolent sacrifice on everybody's behalf."
—
L.A. Weekly
Posted Nov 9, 2006
|
|
|
73%
|
The Great New Wonderful (2006) |
"
Writer Sam Catlin and director Danny Leiner have fashioned an alert, shrewdly observed portrait of a moment in time."
—
L.A. Weekly
Posted Jul 20, 2006
|
|
|
——
|
Boffo! Tinseltown's Bombs & Blockbusters (2006) |
"
A feel-good movie about failure."
—
Variety
Posted May 19, 2006
|
|
|
51%
|
Down in the Valley (2005) |
"
Jacobson has an excitingly clear-eyed, unsentimental feel for the intensity of adolescent passion."
—
L.A. Weekly
Posted May 11, 2006
|
|
|
87%
|
The Proposition (2005) |
"
The Proposition is a very hard and harsh movie, but it also has a hypnotic, lyrical velocity."
—
L.A. Weekly
Posted May 4, 2006
|
|
|
31%
|
The Promise (Master of Crimson Armor) (Wu ji) (2005) |
"
The story it tells, measured strictly in terms of emotional power and overall fun, is as moving and pleasurable as any matinee item by Ford, Hawks or Raoul Walsh."
—
L.A. Weekly
Posted Jan 3, 2006
|
|
|
76%
|
Little Manhattan (2005) |
"
[It's] as if the filmmakers (maybe without even realizing it) are mocking his emotions, implying that kids are just kids, and only think they feel what they're feeling."
—
L.A. Weekly
Posted Dec 1, 2005
|
|
|
90%
|
New York Doll (2005) |
"
Whitely, to his great credit, unfolds this tale simply, just as it was lived."
—
L.A. Weekly
Posted Oct 27, 2005
|
|
|
71%
|
Voces inocentes, (Innocent Voices) (2005) |
"
A howl of grief and outrage that all middle paths were torched in this tragic war."
—
L.A. Weekly
Posted Oct 13, 2005
|
|
|
6%
|
A Sound of Thunder (2005) |
"
The barometer of the film's undoing is Burns's super low-key performance, which starts out as a poker-faced spoof on heroic cool, but takes a misstep more fatal than mere time-travel can undo."
—
L.A. Weekly
Posted Sep 8, 2005
|
|
|
88%
|
Touch The Sound (2004) |
"
We're led to experience her life as she does -- as an adventure in which setbacks are not challenges, but illuminations of untracked paths."
—
L.A. Weekly
Posted Sep 8, 2005
|
|
3.5/5
|
31%
|
November (2005) |
"
A one-woman Rashomon that plays and replays the same traumatic incident, with shifts in nuance."
—
L.A. Weekly
Posted Jul 21, 2005
|
|
|
72%
|
Crónicas (2005) |
"
Leguizamo's strengths and limitations fit snug with the reporter's own -- the comedic sizzle the actor brings to his best work translates smoothly into hardhearted aggression."
—
L.A. Weekly
Posted Jul 7, 2005
|
|
|
——
|
The Unwanted Woman (2005) |
"
The film does disintegrate into big speeches as it rounds to its climax - but through these characters, Milani hauntingly maps the souls of men and women at odds in a theocracy."
—
L.A. Weekly
Posted Jun 24, 2005
|
|
|
21%
|
The Deal (2005) |
"
A riveting thriller full of good scares and learned, muckraking insight into the global labyrinth of oil and politics."
—
L.A. Weekly
Posted Jun 16, 2005
|
|
|
64%
|
We Don't Live Here Anymore (2004) |
"
Originally written in the 1970s. That figures, in the best sense: It is worthy of comparison to the lifelike, character-rich films we cherish from that era, and is certainly one of the finest films to come out this year."
—
L.A. Weekly
Posted Aug 12, 2004
|
|
|
60%
|
The Dreamers (2004) |
"
A wise, high-energy conjuring of 1968."
—
L.A. Weekly
Posted Feb 5, 2004
|
|
|
91%
|
Dinner Rush (2001) |
"
Fiery energy, swift, character-driven chitchat and a tough, upbeat sense of how the world works."
—
L.A. Weekly
Posted Jan 20, 2003
|
|
|
82%
|
Innocence (2001) |
"
Cox's own directorial style is innocent, in the sense of being original without ever straining for effect."
—
L.A. Weekly
Posted Dec 9, 2002
|
|
|
85%
|
Faithless (2001) |
"
Bergman has reached for a woman's insight his whole career. Ullmann completes this for him."
—
L.A. Weekly
Posted Oct 21, 2002
|
|
|
96%
|
Amadeus (1984) |
"
This dark, exuberant epic is nearly 18 years old, yet remains the most popularly successful film ever to render the inner life of an artist."
—
L.A. Weekly
Posted Oct 3, 2002
|
|
—
|
74%
|
Afterglow (1997) |
—
L.A. Weekly
Posted Oct 2, 2002
|
|
|
87%
|
Aberdeen (2001) |
"
Moland ... has a fine eye for landscapes, but an even surer touch with actors."
—
L.A. Weekly
Posted Oct 1, 2002
|
|
|
89%
|
101 Reykjavík (2001) |
"
Kormakur ... balances tones with a smooth, mature confidence."
—
L.A. Weekly
Posted Sep 30, 2002
|
|
|
50%
|
Scarlet Diva (2000) |
"
This is such a dazzlingly self-assured directorial debut that it's hard to know what to praise first."
—
L.A. Weekly
Posted Sep 19, 2002
|
|
|
95%
|
Lagaan - Once Upon a Time in India (2001) |
"
It works its magic with such exuberance and passion that the film's length becomes a part of its fun."
—
L.A. Weekly
Posted Jul 19, 2002
|
|
|
44%
|
Divine Secrets of the Ya-Ya Sisterhood (2002) |
"
Khouri manages, with terrific flair, to keep the extremes of screwball farce and blood-curdling family intensity on one continuum."
—
L.A. Weekly
Posted Jun 10, 2002
|
