This page uses content from the Al Stewart biography page on the English version of Wikipedia and is licensed under the GNU Free Documentation License. This list of authors can be seen in the page history. Rotten Tomatoes disclaims any and all warranties as to the accuracy or reliability of the content.
Alastair Ian Stewart, commonly known as Al Stewart (born in Glasgow, Scotland on September 5, 1945) is a British singer-songwriter and musician. He is best known for his 1976 single "Year of the Cat" and its 1978 follow-up "Time Passages" (both produced by Alan Parsons). Many of Stewart's songs are inspired by history; indeed, he is credited with creating his own genre, "historical folk rock".
Stewart was born in Glasgow, Scotland but grew up in the coastal resort town of Bournemouth, Dorset, England.
He emigrated to the United States as his career took off in the mid 1970s, and still lives in California. While studio albums are now few and far between, he still tours extensively in the United States, and, most years in Europe. Recordings of concerts are often made available through his fan clubs.
Stewart's first record was a single, "The Elf/"Turn Into Earth", which was released in 1966 on Decca Records. He then signed to CBS, with whom he released six albums. The first four of these attracted only minor interest within the British music scene, although they contain some of Stewart's most incisive songwriting. The songs on Stewart's debut album, Bedsitter Images (1967), were somewhat stifled by the dramatic string orchestration (Stewart premiered the album with an orchestra at the Royal Festival Hall in London). Love Chronicles (1969) was a distinct improvement, and was notable for the 18-minute title track, an anguished autobiographical tale of sexual encounters which was the first mainstream release ever to include the word "fucking". It was voted "Folk Album of the Year" by the UK music weekly Melody Maker. Orange (1972) was very much a transitional album, combining songs in Stewart's confessional style with early examples of the historical songwriting that he would increasingly come to adopt.
The fifth release, Past, Present and Future, was a substantial step forward. It contained the song "Nostradamus," a long (9:43) track in which Stewart tied into the re-discovery of the claimed seer's writings by noting selected possible predictions about twentieth century people and events. While too long for major-market radio airplay at that time, the song became a hit on many US college/university radio stations, which had formats that allowed for such songs.
Stewart followed Past, Present and Future with Modern Times, whose songs were lighter on the historical references and more like short stories set to music.
Stewart's contract with CBS expired at this point and he signed to RCA Records. This move coincided with his music becoming less like folk-rock and more in the realm of "adult orientated rock". His first two albums for RCA, Year of the Cat and Time Passages, set the style for his later work, which many feel is less incisive than his early 1970s work with CBS.
Stewart himself claims to have never really cared for "Time Passages". In an interview with Acoustic Storm, he stated the following:
The overwhelming success of the songs "Year Of The Cat" and "Time Passages" — both of which still receive substantial radio airplay on classic-rock/pop format stations — overshadows the depth and range of Stewart's songwriting work. Stewart managed to take the old folk-song tradition, of singing about real events, and produced very contemporary songs in that style.
Stewart's work includes songs such as:
One entire album, Between The Wars, covers major historical and cultural events from 1918 to 1939, such as the Versailles Treaty, Prohibition, the Spanish Civil War, and the Great Depression.
On occasions Stewart has set poems to music, as was the case of "My Enemies Have Sweet Voices" (lyrics by the poet Pete Morgan) on the 1970 album Zero She Flies. During his 1999 UK tour, Stewart invited Morgan to read the lyrics as he performed this song in the City Varieties Theatre show at Leeds on 7 November 1999.
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