Celebrities » Alain Cuny

Alain Cuny

Birthday:: Jul 12, 1908
Birthplace:: Not Available
Bio:: A former medical student, Alain Cuny briefly pursued a painting career, entering the French film industry in the early '30s as a set and costume designer. In 1941 he turned to acting, at first playing leading roles but later specializing in character parts as priests and aesthetes. Most American…

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Range of Movie T-meters: 56% - 100%

Number of Movies: 24

Box Office Since 2001: --

Year	Rating	Title	Credit	Box Office
2011		La chanson de Roland (The Song of Roland)	Actor	--
1992		Le Retour de Casanova (Casanova's Return)	Marquis	--
1988	100%	Camille Claudel	Louis-Prosper Claudel	--
1987		Cronaca di una morte annunciata	Widower	--
1984	100%	D�tective	Old Mafioso	--
1982		Il Quartetto Basileus (Basileus Quartet)	Finkel	--
1979		Cristo si � Fermato a Eboli (Christ Stopped at Eboli)	Baron Rotundo	--
1976		Cadaveri eccellenti (The Context) (Illustrious Corpses)	Rasto	--
1975		E il Casanova di Fellini?	Actor	--
1974	56%	Emmanuelle (Edited Version)	Mario	--
1974		Touche pas � la femme blanche (Don't Touch the White Woman!)	Sitting Bull	--
1973		The Red Rose (La rosa rossa)	Paolo Balzeri	--
1972		Master and Margarita	Actor	--
1972		The Master And Margaret	Voland	--
1971		L'Udienza (The Audience) (Papal Audience)	Jesuit Prelate	--
1970		Uomini contro (Many Wars Ago)	Leone	--
1969	77%	Fellini - Satyricon (The Degenerates)	Lichas	--
1969	93%	La Voie lact�e (The Milky Way)	Man with Cape	--
1963		Banana Peel	Actor	--
1960	98%	La Dolce Vita	Steiner	--
1958	100%	Les Amants (The Lovers)	Henri Tournier	--
1957		Notre Dame de Paris (The Hunchback of Notre Dame)	Claude Frollo	--
1950		Il Cristo Proibito (The Forbidden Christ) (Strange Deception)	Mastro Antonio	--
1942	100%	Les Visiteurs du Soir (The Devil's Envoys)	Giles	--

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1. Steiner: Sometimes at night the darkness and silence weigh upon me. Peace frightens me; perhaps I fear it most of all. I feel it is only a façade hiding the face of hell. I think, 'What is in store for my children tomorrow?' 'The world will be wonderful', they say. But from whose viewpoint? If one phone call could announce the end of everything? We need to live in a state of suspended animation like a work of art, in a state of enchantment. We have to succeed in loving so greatly that we live outside of time, detached.
From La Dolce Vita. Submitted by Lacey H (6 months ago)