October 15, 2009
Clive Owen and Catherine Keener Trust David Schwimmer
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Clive Owen and Catherine Keener will star in "Trust," a drama about "a family blindsided when their teenage daughter becomes a victim of an online sexual predator." David Schwimmer is set to direct from a script by Andy Bellin.
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July 3, 2008
Friends: The Movie in Development?
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Does the runaway success of the Sex and the City movie mean that we'll soon be seeing Friends: The Movie on the big screen?
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May 8, 2008
Kim Newman on... Hotel
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RT Obscura, the exclusive column by renowned critic Kim Newman, sees the writer plumbing the depths of the RT archive in search of some forgotten gems. In his 16th column, Kim revisits Mike Figgis' star-studded film-within-a-film vampire flick Hotel.
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August 9, 2006
Like You're Surprised: "Madagascar 2" is Coming
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DreamWorks' "Madagascar" didn't just make $195 million in domestic box office tallies; the flick earned over $528 million worldwide! So please don't act stunned or surprised when you learn that "Madagascar 2" is scheduled to hit the screens in November of 2008.
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July 28, 2006
Weekly Ketchup: Kevin Smith Goes On Offensive, Heath Ledger as the Joker, Simpsons Movie Scenes, And More!
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This week in RT Ketchup: Kevin Smith answers critics in RT's Forums; hunky Heath Ledger may play the Joker in the next "Batman Begins"; another grotesque "Saw 3" poster has been unveiled; you'd better get your "Harry Potter" DVDs fast; and some excellent clips of "The Simpsons Movie" have been released.
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September 15, 2005
DreamWorks Animation Announces "Madagascar 2" (and more!)
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According to a press release that just dropped into my inbox, the trio of David Schwimmer, Jada Pinkett-Smith, and Chris Rock are signed to appear in the recently green-lit "Madagascar 2," courtesy of DreamWorks Animation.
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May 26, 2005
Critical Consensus: Can "Yard," "Madagascar" go the distance?
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The only thing this week?s two big releases have in common is Chris Rock. Scratch that; "Madagascar" and "The Longest Yard" are both about living things behind bars seeking emotional transcendence. Will either of them stage a daring escape from critical derision?
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