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Birthday:
Aug 25, 1911
Birthplace:
Not Available

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Nancy O'Neil Biography

This page uses content from the Nancy O'Neil biography page on the English version of Wikipedia and is licensed under the GNU Free Documentation License. This list of authors can be seen in the page history. Rotten Tomatoes disclaims any and all warranties as to the accuracy or reliability of the content.

Nance O'Neil (also Nancy O'Neil) (1874-1965) was an American stage and silent movie actress of the early 20th century. She was married to actor Alfred Hickman, but was perhaps best known for her association and rumoured romantic affair with the notorious Lizzie Borden.


Early life


O'Neil was born in Oakland, Alameda County, California as Gertrude Lamson, on October 8 1874. When she decided to become an actress, her religious father, an auctioneer, denounced his daughter in church for going on the stage and asked the congregation to pray for her.

Early in her acting career, she drifted away from the United States under the management of McKee Rankin, who made her a star in Australia. She also received acclaim in London before returning to the United States and beginning her acting career anew.


Stage roles


As well as working in Hollywood, the statuesque (she was nearly six feet tall) O'Neil acted in Louisville, Kentucky with actors such as Wilton Lackaye, Edmund Breese, William Faversham, Tom Wise and Harriet E. MacGibbon. There were regular productions, including Ned McCobb's Daughter, The Front Page, The Big Fight, and a "transcontinental tour" of The Big Fight, which began in Boston, took in New Haven and Hartford, and ended at Caine's storehouse. Jack Dempsey was also in the cast. O'Neil also acted in plays by both Shakespeare and Ibsen in Boston in the late 1920s. She specialised in playing On November 29, 1922, Nance O'Neil featured at the opening of the Columbia Theatre in Pittsburgh.

In her role as Leah in the 1906 adaptation of Leah, the Forsaken, she recreated the role made famous by distinguished Italian actress Adelaide Ristori, and was even permitted to wear the jewels of the great tragedienne. Her performances in Leah (an adaptation of a translation of Salomon Hermann von Mosenthal's Deborah) were described as 'genius' by Fremont Older.

O'Neil was described as 'one of the great Shakespearean actresses of the time'.


Hollywood


In Hollywood, O'Neil began by working in silent movies, including, in 1915, Kreutzer Sonata . She successfully made the transition to 'talkies', appearing in movies such as Cimarron (the first western to win an Oscar for Best Picture), Royal Bed and The Rogue Song (all in 1930), and played Honora Maury in Transgression in 1931. While it has been erroneously reported that Nance O'Neil was in the 1935 version of Brewster's Millions, this was in fact another actress named
Nancy O'Neil.


Sexuality and relationship with Borden


In 1904, O'Neil met Lizzie Borden in Boston. In the early stages of the 20th century, it was still considered socially unacceptable for women to become actresses. O'Neil was a notorious spendthrift, always in financial trouble, and Borden came from a wealthy background. The two had an intense relationship, despite Borden's notoriety at the time for her trial - and subsequent acquittal - for the brutal axe murders of her father and stepmother.

While it has never been definitively proven that the two were intimate - O'Neil was married at the time - the termination of the relationship some two years later in 1906 was a significant loss to Borden. O'Neil was later a character in the musical about Lizzie Borden, entitled Lizzie Borden: A Musical Tragedy in Two Axe, where she was played by Suellen Vance. Feminist Carolyn Gage refers to O'Neil as an overt lesbian.

The book Lizzie by Evan Hunter is the chief source of this conjecture. John Corrado described it as being because of 'the assumption that any woman not married by thirty must be gay'. O'Neil's actual sexuality remains unclear.


Death


Nance O'Neil died in Englewood, New Jersey on February 7, 1965.


Further reading


  • John Herbert Gill - Detecting Gertrude Stein And Other Suspects on the Shadow Side of Modernism (ISBN 0-9727091-0-X)

External links





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