Biography
This page uses content from the Ron Clements biography page on the English version of Wikipedia and is licensed under the GNU Free Documentation License. This list of authors can be seen in the page history. Rotten Tomatoes disclaims any and all warranties as to the accuracy or reliability of the content.
Ron Clements (born April 25, 1953 in Sioux City, Iowa) is an American animation Director.
He is one half of America's leading contemporary animation team with John Musker. Clements began his career as an animator for Hanna-Barbera. After a few months there, he was accepted into Disney's Talent Development Program, an animator training ground and workshop. After that, he served a two year apprenticeship with famed animator Frank Thomas, a supervising animator in classic Disney films such as Peter Pan (1953), Lady and the Tramp (1955) and The Aristocats (1970).
Clements made his feature debut as a character animator on The Rescuers (1977) and Pete's Dragon (1977). In 1981, he became the animation supervisor on The Fox and the Hound. Future partner John Musker worked as a character animator under him. Clements later teamed up with Musker on the ambitious animated flop The Black Cauldron (1985). In 1986, Clements made his directorial debut alongside Musker and two other collaborators on the feature The Great Mouse Detective. This feature was based on a pre-Disney short made by Clements.
Together, Clements and Musker wrote and directed The Little Mermaid (1989), a touching retelling of the Hans Christian Andersen tale. With dazzling animation and Oscar-winning music by Alan Menken and Howard Ashman, it brought back critical and commercial clout for feature animation. Later on, the two wrote, directed and produced Aladdin (1992), which was an even larger success. They also directed Hercules (1997), which was not as successful as the previous two films but was still quite profitable.
Their next directorial collaboration would be the sci-fi Treasure Planet (2002), which was unfortunately both a critical and commercial failure. The film lacked the songs and colorful characters which were crucial to the success of Aladdin and The Little Mermaid. Another reason to the failure was that the public had favored 3-D computer animation more than traditional 2-D animation.
However, after Disney's acquisition of Pixar in early 2006, the studio has rekindled interest towards 2-D animation thanks to new leaders John Lasseter and Ed Catmull. A new upcoming 2-D animated feature, The Frog Princess, is currently in development, with Musker and Clements directing and Alan Menken handling the music. The film promises to return to the Broadway-style musical which Aladdin, The Little Mermaid and other successful Disney animated films of the late '80s and early '90s were.
Family
- Father: Joseph Clements
- Mother: Gertrude Clements
- Wife: Tami Clements
- Step-son: Marc Wilhite
Education
Art Center College of Design Pasadena, California
Awards & Nominations
- Annie Outstanding Directing in an Animated Feature Production (Nomination) Treasure Planet 2002
- Annie Best Individual Achievement: Directing in a Feature Production (Awarded) Hercules 1997
- Annie Best Individual Achievement: Producing in a Feature Production (Awarded) Hercules 1997
- Los Angeles Film Critics Association Award Best Animation (Awarded) Hercules 1997
- Annie Outstanding Individual Achievement in the Field of Animation (Awarded) 1993
- Los Angeles Film Critics Association Award Best Animation (Awarded) Aladdin 1992
- Edgar Allen Poe Award Best Motion Picture The Great Mouse Detective (Nomination) 1987
Milestones
- 1997 Co-produced, co-directed and co-wrote Hercules
- 1992 Co-wrote, co-directed and co-produced Aladdin
- 1989 Co-wrote and co-directed The Little Mermaid with partner John Musker
- 1986 Made directorial debut with The Great Mouse Detective
- 1985 Credited as story contributor on The Black Cauldron
- 1981 Credited as animation supervisor on The Fox and the Hound
- 1977 Feature debut as a character animator with The Rescuers
- Worked at Hanna-Barbera for several months as an animator
- Accepted into Disney's Talent Development Program
- Served a two-year apprenticeship under Frank Thomas (animation director of Cinderella 1950, Alice in Wonderland 1951 and other Disney favorites)
External link
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