This page uses content from the Susan Stroman biography page on the English version of Wikipedia and is licensed under the GNU Free Documentation License. This list of authors can be seen in the page history. Rotten Tomatoes disclaims any and all warranties as to the accuracy or reliability of the content.
Susan Stroman (born October 17, 1954 in Wilmington, Delaware) is a Broadway director, choreographer, film director and performer.
Exposed to show tunes by her piano-playing salesman father, Stroman began studying dance, concentrating on jazz, tap, and ballet at the age of five. She majored in theatre at the University of Delaware; her first professional appearance was in Hit the Deck at the Goodspeed Opera House in 1974. After graduating in 1976, she moved to New York City.
Stroman's first big break came when director Scott Ellis hired her to choreograph his off-Broadway revival of Flora the Red Menace at the Vineyard Theatre in Greenwich Village in 1987. Her work there was seen by Hal Prince, who hired her to work on the dance sequences for his New York City Opera production of Don Giovanni. She earned her first Broadway credit for her collaboration with director (and future husband) Mike Ockrent on Crazy for You in 1992.
Stroman collaborated with Hal Prince on a revival of Show Boat in 1994 where she unleashed some of her most innovative ideas as she added several dance montages to the show, complete with a revolving door, to help guide the audience through the generations that are covered in the show. Stroman heavily researched the period in which the show takes place and learned that African-Americans are credited for inventing the Charleston. She used that piece of information in one of the montages, as the popular dance is introduced by and eventually appropriated from the black characters. Stroman won a Tony for her work as choreographer in 1995. (Grode, Eric. "Susan Stroman-Woman of Steel." ShowMusic The Musical Theatre Magazine Spring, 1997: 37+.)
Suffering two major failures with big, The Musical (1996) and Steel Pier (1997), Stroman was approached by Lincoln Center's artistic director Andre Bishop, who offered her assistance in developing the project of her choice. She and John Weidman, who had written the book for Big, began working on what would become the three-part "dance play" Contact. The show opened at Lincoln Center's Mitzi Newhouse Theater in the fall of 1999, and later transferred upstairs to the larger Vivian Beaumont Theater (where it was reclassified as a musical).
While preparing for Mel Brooks' musical version for The Producers, Stroman's husband Ockrent lost his battle with leukemia, and she assumed the reins of the production. Its huge success - and record twelve Tony Awards - proved to be a bittersweet triumph for the grieving widow. In 2005, she made her directorial debut as a feature filmmaker with a big-screen adaptation of that musical.
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