|
|
95%
|
West of Memphis (2012) |
"
Together with the rich material comprising interviews with family and friends, the footage shot in the various court rooms and at the crime scene is riveting"
—
Urban Cinefile
Posted Feb 8, 2013
|
|
|
89%
|
Lincoln (2012) |
"
A literally and metaphorically towering performance by Daniel Day Lewis as the 1.93cm Abraham Lincoln drives this historically riveting and personally impassioned ... riveting ... film"
—
Urban Cinefile
Posted Feb 1, 2013
|
|
|
22%
|
Elles (2012) |
"
I can't tell what Elles has to say and I rather think the filmmakers don't either"
—
Urban Cinefile
Posted Feb 1, 2013
|
|
|
92%
|
Silver Linings Playbook (2012) |
"
It starts to fray about halfway through as it shifts into a more conventional mode, taking on the usual trappings of the genre and making its way to a predictable resolution"
—
Urban Cinefile
Posted Jan 26, 2013
|
|
|
88%
|
Django Unchained (2012) |
"
Exciting, entertaining, funny, dramatic and edgy, Django Unchained is also intelligent and sometimes touching, often bloody and yet - in the end - a romantic softie, too"
—
Urban Cinefile
Posted Jan 18, 2013
|
|
|
38%
|
The Guilt Trip (2012) |
"
Likeable and entertaining, The Guilt Trip isn't quite the blast it could have been, but it uses the tools of commercial filmmaking to give audiences a lift at the end"
—
Urban Cinefile
Posted Jan 17, 2013
|
|
|
81%
|
The Impossible (2012) |
"
The most challenging aspect of disaster movies to make the disaster believable. But performances aren't all about screaming, and this cast does a remarkable job of convincing us of their complexities and humanity"
—
Urban Cinefile
Posted Jan 17, 2013
|
|
|
93%
|
Zero Dark Thirty (2013) |
"
It's ambitious to cover a decade of such a complex manhunt, but the screenplay manages to gives us a sense of the ups and downs, the mistakes and good fortunes of those involved"
—
Urban Cinefile
Posted Jan 17, 2013
|
|
|
89%
|
Compliance (2012) |
"
It's a creepy and frightening demonstration of the risks society faces when accepting authority without question. And it's made visceral by the astonishing performances"
—
Urban Cinefile
Posted Jan 12, 2013
|
|
|
52%
|
This is 40 (2012) |
"
A tour de force of tastelessness wrestling with profoundly serious issues it cannot hope to contain"
—
Urban Cinefile
Posted Jan 12, 2013
|
|
|
45%
|
You Will Meet a Tall Dark Stranger (2010) |
"
Like a second hand clothes shop, it is comfortable rather than exciting, predictable rather than refreshing, even though it boasts a great cast who believe in their master, Woody Allen"
—
Urban Cinefile
Posted Jan 12, 2013
|
|
|
32%
|
Gangster Squad (2013) |
"
To a very large extent, Gangster Squad achieves its objectives as a patriotic flag waving for the honest men and women of the police force who face death every day as part of their job to secure the community"
—
Urban Cinefile
Posted Jan 8, 2013
|
|
|
63%
|
Hitchcock (2012) |
"
For anyone with even a passing interest in cinema, Hitchcock is a legendary figure and a story that purports to take us inside his private world and public life is irresistible"
—
Urban Cinefile
Posted Jan 6, 2013
|
|
|
65%
|
The Hobbit: An Unexpected Journey (2012) |
"
I have a reservation about the tone of pantomime that is established at the start of the film, but the much anticipated 48 frames per second 3D presentation seems glorious to me"
—
Urban Cinefile
Posted Dec 17, 2012
|
|
|
50%
|
Seal Team 6: The Raid on Osama Bin Laden (2013) |
"
If you want a proficient, dramatized re-enactment of the May 1 - 2, 2011 mission to kill Osama bin Laden, Seal Team Six meets the bill"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
61%
|
Jack Reacher (2012) |
"
In genre terms it's a police procedural, but director Christopher McQuarrie (of The Usual Suspects fame) shows how to make even a creaky genre turn into a powerful action thriller"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
88%
|
Life of Pi (2012) |
"
The close up, the eyes, the emotions, the enormity of the angry sea .... Ang Lee's vision for adapting the novel to the screen is extraordinary in its ambition and wondrous in its execution"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
18%
|
Parental Guidance (2012) |
"
Billy Crystal and Bette Midler playing grandpa and grandma is in itself a funny picture, although only as a comic sketch. "
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
82%
|
Sightseers (2013) |
"
The sheer and utter Englishness of the characters and the circumstances in which they become serial killers has a certain understated Gothic appeal in this story of two new lovers on the road, not only black in a comedic way, also grounded in bleak drama"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
77%
|
Samsara (2012) |
"
Beauty and brutality in nature and in humanity are juxtaposed with visual artistry that is a result of both the images themselves and how they are edited together"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
79%
|
Quartet (2013) |
"
The humour is wry, the drama is intimate and the rhythm of the editing carries us through to a satisfying ending"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
69%
|
Les Misérables (2012) |
"
Having a cast of superb actors was more important to Hooper than casting a team of great singers; but make no mistake, there isn't a second grade singer among them"
—
Urban Cinefile
Posted Dec 16, 2012
|
|
|
21%
|
360 (2012) |
"
It often feels forced and inauthentic. Perhaps it's a weakness of the direction, but ultimately the film fails to fire up all its many cylinders"
—
Urban Cinefile
Posted Dec 6, 2012
|
|
|
42%
|
Paris Manhattan (2013) |
"
The cinematic equivalent of a lite & easy meal"
—
Urban Cinefile
Posted Dec 6, 2012
|
|
|
72%
|
Love Is All You Need (2013) |
"
Not that the film is bad, but it's rather banal, although a female audience will howl me down"
—
Urban Cinefile
Posted Dec 6, 2012
|
|
|
69%
|
Liberal Arts (2012) |
"
Has the hallmark of slow burning classic, starting deceptively uninvolving but gradually increasing in both interest and dramatic tension, with a tender emotional payoff that ripples across all the main characters"
—
Urban Cinefile
Posted Dec 6, 2012
|
|
|
51%
|
Trouble with the Curve (2012) |
"
Trouble with the film, if you'll excuse the cheap wordplay, is that it's not a Clint Eastwood film. He's in it as the star, but he's not in it with his heart and his filmmaking soul"
—
Urban Cinefile
Posted Dec 1, 2012
|
|
|
49%
|
The Man With the Iron Fists (2012) |
"
Slo-mo and blood fountains, choreographed and synchronised fight scenes inside and outside the brothel (where much of the action takes place) are all treated with genre-loving enthusiasm"
—
Urban Cinefile
Posted Dec 1, 2012
|
|
|
68%
|
Step Up To The Plate (2012) |
"
The film attempts to tell the story of father Michel handing over his restaurant business to son Sébastien, but it makes a botch of it"
—
Urban Cinefile
Posted Nov 24, 2012
|
|
|
85%
|
The Perks of Being a Wallflower (2012) |
"
Chbosky's adaptation from his semi-autobiographical best selling novel is a zinger of a screenplay, and he directs it with verve and sensitivity. Charlie's journey is beautifully conveyed and it's done without sentimen"
—
Urban Cinefile
Posted Nov 24, 2012
|
|
|
40%
|
Back to 1942 (2012) |
"
Disaster movie and war movie in one dramatic realisation of a dark chapter in China's history, Back to 1942 is epic in its intentions and its scope"
—
Urban Cinefile
Posted Nov 24, 2012
|
|
|
65%
|
2 Days in New York (2012) |
"
A meandering, spineless set of comedic sketches. Much is made of things like the name Mingus rhyming with cunnilingus, part of the general tone of candid sexual referencing that jars - not because it's shocking but because it is pointless"
—
Urban Cinefile
Posted Nov 18, 2012
|
|
|
70%
|
American Mary (2013) |
"
More a fusion film than a horror movie, American Mary is an unexpected blend of bod-mod horror, revenge thriller and psycho drama, distinguished by a wonderfully still and riveting performance by Katharine Isabelle as Mary, the emerging surgery student"
—
Urban Cinefile
Posted Nov 18, 2012
|
|
|
92%
|
Skyfall (2012) |
"
Mendes does a superb job maintaining tension - and releasing it from time to time so we can take a breath, have a laugh, sit back from the edge of our seat - as he shows how seriously the James Bond character can be taken, without breaking it"
—
Urban Cinefile
Posted Nov 18, 2012
|
|
|
67%
|
God Bless America (2012) |
"
A sobering comedy, a darkly comic tragedy and a socially valuable scream that demands our attention (and that of the Americans). He shows that deep down, for all the whoops of God Bless America across the nation, it's actually 'godless America'"
—
Urban Cinefile
Posted Nov 11, 2012
|
|
|
——
|
The First Fagin () |
"
Feeding our curiosity with its potential as the source material for the Fagin character in Oliver Twist, the film has a deeper resonance with its Australian connection. As for our sympathies, unlike the Fagin of Dickens' world, they tend to favour Ikey"
—
Urban Cinefile
Posted Nov 11, 2012
|
|
|
67%
|
Dead Europe () |
"
Dense and intense, Dead Europe is cinematically alive, with director Tony Krawitz sure of his footing as he takes us in close to his characters, prying, probing, pricking ... and involving us at a deep emotional level"
—
Urban Cinefile
Posted Nov 11, 2012
|
|
|
88%
|
The Angels' Share (2013) |
"
Ken Loach does hope' could be the headline a Fleet Street sub might slap on a review of The Angels' Share, in which a young Scot accidentally finds salvation and a way out of his trapped life of crime and misery"
—
Urban Cinefile
Posted Nov 11, 2012
|
|
|
87%
|
Robot & Frank (2012) |
"
More concerned with the heart than the robotics, Robot & Frank is a buddy movie in which memory is a prized thing. And it's certainly memorable"
—
Urban Cinefile
Posted Nov 11, 2012
|
|
|
12%
|
Alex Cross (2012) |
"
The screenplay and direction deliver several scenes that are unintentionally funny, being either too leaden or too ridiculous"
—
Urban Cinefile
Posted Nov 3, 2012
|
|
|
82%
|
Seven Psychopaths (2012) |
"
It's a film you don't read about; you don't try to analyse; you don't ask what it's about; it's a film you go and you surrender your cinematic ass"
—
Urban Cinefile
Posted Nov 3, 2012
|
|
|
94%
|
The Sessions (2012) |
"
We are engaged by the compelling characters and a man's discovery of sexuality in a short span of time and in a unique way. And we are touched by the relationship that develops"
—
Urban Cinefile
Posted Nov 3, 2012
|
|
|
86%
|
The Master (2012) |
"
The Master is not so much a class on cults and their leaders, nor a psychological drama; it seems more like a cinematic rumination about the search for direction and reason in 1950s America, wrapped in an odd sort of buddy movie"
—
Urban Cinefile
Posted Nov 3, 2012
|
|
|
67%
|
Fanny, Annie & Danny (2011) |
"
A superbly orchestrated screenplay, astonishing performances and riveting direction from San Francisco filmmaker Chris Brown deliver a family drama with darkly humorous riffs"
—
Urban Cinefile
Posted Oct 28, 2012
|
|
|
100%
|
Les géants (The Giants) (2011) |
"
It is for discerning movie palates, prepared to go with the flow of the leisurely pace that contrasts with the intensity"
—
Urban Cinefile
Posted Oct 28, 2012
|
|
|
100%
|
You Will Be My Son (2013) |
"
Father v son or father & son? A theme frequented by filmmakers, the father/son relationship is powerful terrain for drama and Gilles Legrand explores it with a fearless sensibility"
—
Urban Cinefile
Posted Oct 28, 2012
|
|
|
40%
|
Mental (2013) |
"
The humour is sometimes used to hide the pain, while at other times the drama takes precedence and asks us to switch modes. This ambivalent approach is also evident in the differing styles of performance"
—
Urban Cinefile
Posted Oct 28, 2012
|
|
|
87%
|
Frankenweenie (2012) |
"
Entertaining and with something to say, Frankenweenie is an ideal family film: it treats children with respect and its extraordinary attention to detail in the stop motion animation, painstakingly done, gives adults as much to enjoy"
—
Urban Cinefile
Posted Oct 22, 2012
|
|
|
78%
|
Dredd (2012) |
"
Karl Urban (he hates it when I call him little bro) sneers and growls his way through this noir comic book movie as the almost faceless Dredd "
—
Urban Cinefile
Posted Oct 20, 2012
|
|
|
96%
|
Argo (2012) |
"
The film has heart and brains as well as balls, the screenplay delivering a clear and strong story without sacrificing either political or personal context"
—
Urban Cinefile
Posted Oct 20, 2012
|
|
|
43%
|
To Rome with Love (2012) |
"
To Rome With Love invites comparisons with Midnight in Paris - to the former's detriment. Opening and closing with Volare, one of the corniest in the Italian pop song repertoire, Allen wears the corny badge with pride throughout"
—
Urban Cinefile
Posted Oct 13, 2012
|
|
|
75%
|
The Intouchables (2012) |
"
Buddy movies don't come more moving, funnier and more successful than The Intouchables, based on a true story"
—
Urban Cinefile
Posted Oct 13, 2012
|
|
|
51%
|
Savages (2012) |
"
Bloody violent, bloody savage and bloody wonderful, Oliver Stone's Savages shows how well a talented filmmaker can transform a novel into a movie"
—
Urban Cinefile
Posted Oct 13, 2012
|
|
|
91%
|
Safety Not Guaranteed (2012) |
"
Comedy, romance, sci-fi ... and wonderful whimsy, come together in this surprising film. We love surprises in our cinema, especially ones made with such heart"
—
Urban Cinefile
Posted Oct 13, 2012
|
|
|
55%
|
Starry Starry Night (2012) |
"
Beautifully photographed and tenderly scored, Starry Starry Night is a coming of age story with fantasy elements that appeal to all pre-teens, whatever their culture"
—
Urban Cinefile
Posted Oct 7, 2012
|
|
|
68%
|
Wuthering Heights (2012) |
"
The worst things a filmmaker can be accused of is making a boring film, or a film that takes the audience for a fool - or a film that ignores the cinematic needs of the audience. Arnold's Wuthering Heights seems to do all of these"
—
Urban Cinefile
Posted Oct 7, 2012
|
|
|
43%
|
The Wedding Party () |
"
All is well if you accept as plausible the central premise of the screenplay ... For me ... is just too far fetche"
—
Urban Cinefile
Posted Oct 7, 2012
|
|
|
43%
|
Shadows In The Sun (The Shadow Dancer) (2005) |
"
The filmmakers go to great lengths to create a sense of authenticity, to a fault. We are left to assume a lot about who is what and where they fit in"
—
Urban Cinefile
Posted Oct 7, 2012
|
|
|
22%
|
The Words (2012) |
"
A fable and a lesson, but it is a thoroughly enjoyable one, delivered with masterful performances and a great sense of storytelling tradition"
—
Urban Cinefile
Posted Oct 7, 2012
|
|
|
75%
|
Killing Them Softly (2012) |
"
A movie about crooks and the Mob which presents itself as a hard hitting crime drama, yet it quickly evolves into something of an art movie with dark comedic undercurrent"
—
Urban Cinefile
Posted Oct 7, 2012
|
|
|
94%
|
I Wish (2012) |
"
Natural performances from the two real life Maeda brothers carry the film and the way Kore-eda immerses us in provincial Japanese life is exceptional"
—
Urban Cinefile
Posted Sep 29, 2012
|
|
|
67%
|
Dangerous Liaisons (2012) |
"
This reset version from the original 18th century Paris to early 20th century Shanghai certainly looks fabulous, and the cast are all great. But maybe they're not quite the right cast for the characters"
—
Urban Cinefile
Posted Sep 29, 2012
|
|
|
21%
|
Taken 2 (2012) |
"
The script often feels perfunctory as if written by a template"
—
Urban Cinefile
Posted Sep 29, 2012
|
|
|
85%
|
End of Watch (2012) |
"
David Ayer's tribute to the LAPD and all who work in it, a buddy movie driven by a crime-fighting hero worship ethos with genetic links all the way back to The Lone Ran"
—
Urban Cinefile
Posted Sep 28, 2012
|
|
|
93%
|
Looper (2012) |
"
It's a thriller with fantasy elements and if you disregard (or don't care about) the internal confusion of its world, you may find it works for you"
—
Urban Cinefile
Posted Sep 23, 2012
|
|
|
45%
|
On the Road (2012) |
"
Plays much like a piece of modern poetry; it doesn't rhyme, it doesn't scan, it has a jagged dynamic, makes beautiful sense one scene, confusing the next"
—
Urban Cinefile
Posted Sep 23, 2012
|
|
|
87%
|
Arbitrage (2012) |
"
His moral guidelines are just as complicated and self contradictory as our own"
—
Urban Cinefile
Posted Sep 23, 2012
|
|
|
43%
|
Hotel Transylvania (2012) |
"
It's us humans who are the monsters in this flipped world, which only goes to show - once more - how everything is relative. The comedic premise stands up well..."
—
Urban Cinefile
Posted Sep 17, 2012
|
|
|
86%
|
Nobel's Last Will () |
"
For all its strengths, it feels like a B movie or a telemovie with cinematic hopes, thanks to its weaknesses"
—
Urban Cinefile
Posted Sep 15, 2012
|
|
|
79%
|
Ruby Sparks (2012) |
"
The problem in the screenplay is its lack of imagination, oddly enough, which is demonstrated by repetition of the central idea - instead of a satisfactory development of it"
—
Urban Cinefile
Posted Sep 15, 2012
|
|
|
47%
|
Bait (2012) |
"
A clever idea effectively executed, Bait 3D sets the shark horror story within the confined space of a supermarket"
—
Urban Cinefile
Posted Sep 15, 2012
|
|
|
93%
|
Lore (2013) |
"
Shortland's film is nuanced, careful to avoid the potential traps of cliché or caricature, and to speak in images as much as possible"
—
Urban Cinefile
Posted Sep 15, 2012
|
|
|
16%
|
The Watch (2012) |
"
Four likeable guys and fine screen actors make a meal of this loony, gross-out sci-fi comedy, but you wonder if it isn't time for them to leave behind juvenile alley"
—
Urban Cinefile
Posted Sep 10, 2012
|
|
|
47%
|
96 Minutes (2012) |
"
Poignant and powerful, 96 Minutes gives us an insight into not just what happens but why it happens, in the belly of urban America when young men drift into bad company"
—
Urban Cinefile
Posted Sep 9, 2012
|
|
|
98%
|
Marwencol (2010) |
"
Extraordinary, astonishing, revealing, unique "
—
Urban Cinefile
Posted Sep 9, 2012
|
|
|
86%
|
Beasts of the Southern Wild (2012) |
"
Allegorical, wild and sometimes unfathomable ... a perfect festival film in that it experiments with cinema in its exploration of man's universe - from a rather doomed point of view"
—
Urban Cinefile
Posted Sep 9, 2012
|
|
|
——
|
Wunderkinder () |
"
Although there are a few stilted scenes and some clunky dialogue (as subtitled) the film stands up well as a wartime drama with familiar elements - but also with a slightly different approach"
—
Urban Cinefile
Posted Sep 1, 2012
|
|
|
97%
|
Monsieur Lazhar (2012) |
"
Beautifully performed by all the actors, not least the youngsters"
—
Urban Cinefile
Posted Sep 1, 2012
|
|
|
48%
|
Hit & Run (2012) |
"
Constantly catching us by surprise and endlessly tickling our sense of humour, Hit and Run is one of this year's hits - so run and see it"
—
Urban Cinefile
Posted Sep 1, 2012
|
|
|
26%
|
Kath & Kimderella () |
"
The preview audience loved it, but it's strictly for the fans, of whom there are millions. It isn't my kind of humour, but I appreciate the teamwork"
—
Urban Cinefile
Posted Aug 31, 2012
|
|
|
65%
|
The Expendables 2 (2012) |
"
The pleasure of seeing Arnie back with a (large) gun in his hand, cracking the odd joke at his own and his team's expense, and all the collected weight of a thousand years of action hero experience to call on. Van Damme it, it's a blast"
—
Urban Cinefile
Posted Aug 27, 2012
|
|
|
89%
|
Chinese Take-Away (Un Cuento Chino) () |
"
If it weren't based on a true story it would still be a great yarn, but real life often manages to outperform our imaginations when it comes to the human condition"
—
Urban Cinefile
Posted Aug 26, 2012
|
|
|
94%
|
Moonrise Kingdom (2012) |
"
A complex set of cinematic pleasures, ranging from its vibrant, eccentric visual presentation to its deadpan humour and superb performances. Oh, and the music!"
—
Urban Cinefile
Posted Aug 26, 2012
|
|
|
31%
|
Total Recall (2012) |
"
Relentless in its use of camera, editing and music to keep our engines revving in top gear, so much so we tend to flood our carburettors"
—
Urban Cinefile
Posted Aug 20, 2012
|
|
|
67%
|
Barrymore (2012) |
"
In the hands of an actor of such calibre as Plummer, it is riveting stuff. And often hilarious, risqué, even coarse on occasion"
—
Urban Cinefile
Posted Aug 18, 2012
|
|
|
90%
|
Holy Motors (2012) |
"
Full of references that are vaguely aligned (at least in his mind) with the ethereal fantasy of the afterlife as a place to borrow ghosts for re-enactment of certain scenes, usually dramatic or deadly"
—
Urban Cinefile
Posted Aug 18, 2012
|
|
|
——
|
Bad Karma (2012) |
"
A gutsy, edgy and taut thriller, Bad Karma knows its genre chops and uses them effectively for a tense 84 minutes with not a moment wasted"
—
Urban Cinefile
Posted Aug 18, 2012
|
|
|
74%
|
Hope Springs (2012) |
"
The premise is built on such solid and serious drama - and is so sharply observed - that it can take quite a heavy battering of humour, which it does, thanks to Vanessa Taylor's fine screenplay and David Frankel's adroit direction"
—
Urban Cinefile
Posted Aug 18, 2012
|
|
|
90%
|
Bernie (2012) |
"
A unique work, a special film, a wonderful story, amazing characters; you'll watch the end credits with a big smile on your face"
—
Urban Cinefile
Posted Aug 11, 2012
|
|
|
56%
|
The Bourne Legacy (2012) |
"
Gilroy has a strong sense of drama and he mostly directs with a sense of urgency suitable to the genre"
—
Urban Cinefile
Posted Aug 11, 2012
|
|
|
93%
|
The Sapphires (2013) |
"
The film's theatrical origins are sometimes evident in the tone, but it's not a major flaw. For me, there is an awkwardness..."
—
Urban Cinefile
Posted Aug 5, 2012
|
|
|
67%
|
Jackpot (Arme Riddere) () |
"
The outrageous nature of the story is balanced by the matter of fact naturalistic performances and the smart directing, which makes the most of the genre's edgiest tools"
—
Urban Cinefile
Posted Jul 29, 2012
|
|
|
35%
|
Abraham Lincoln: Vampire Hunter (2012) |
"
There is just not enough substance to it. Lots of graphic, slo-mo blood spills, big battle scenes and gunfire, axe-wielding Abe chopping down the vampires, albeit often in a blur of action we can't really relish"
—
Urban Cinefile
Posted Jul 29, 2012
|
|
|
64%
|
Cosmopolis (2012) |
"
I had hoped the film would engage me more and turn into something fascinating, intriguing and magical - it is not quite any of those things"
—
Urban Cinefile
Posted Jul 29, 2012
|
|
|
65%
|
All Together (2012) |
"
Finding an alternative to the dreaded retirement home is the basic trigger point for this film, much as it was for the fabulously successful Best Exotic Marigold Hotel. But that's where similarities end. "
—
Urban Cinefile
Posted Jul 21, 2012
|
|
|
89%
|
In Darkness (2012) |
"
Emotionally demanding and cinematically challenging, In Darkness tells us - repeats for us - what we must always remember about human nature: everyone can redeem themselves"
—
Urban Cinefile
Posted Jul 21, 2012
|
|
|
80%
|
Magic Mike (2012) |
"
On the scale of chick flicks, Magic Mike is probably a 10, combining large quantities of male stripping action in a nightclub setting and a soppy romantic tale"
—
Urban Cinefile
Posted Jul 21, 2012
|
|
|
87%
|
The Dark Knight Rises (2012) |
"
.. it's a ticking bomb story, but a bloated one, full of the bling of blockbuster superhero filmmaking, from the giant stunts to the choreographed fight sequences and the large scale destruction of bridges, streets, and entire fleets of police vehicles."
—
Urban Cinefile
Posted Jul 17, 2012
|
|
|
100%
|
I Am Eleven () |
"
More than a dozen 11 year olds make up the cast of this simple and sincere doco put together by young Melbourne journalist Genevieve Bailey during a world trip"
—
Urban Cinefile
Posted Jul 14, 2012
|
74%
21%
63%
85%
46%
40%
