Bob Satuloff

Bob Satuloff

Agrees with the Tomatometer 90% of the time.

Publications:
Film Journal International
Total Reviews:
23

Listing Of All Reviews & Articles

Showing 1 - 23 of 23
Rating T-Meter Title | Year Add Date
—— Parallel Sons (2005) " Simply too adolescently overwrought to sit well with late '90s audiences, gay or otherwise." — Film Journal International
Posted Jul 11, 2007
—— Other Voices Other Rooms (1997) " Literal to a fault, enervatingly paced, and lacking the novel's poetic vitality, the movie seems stilted and stultifying." — Film Journal International
Posted Nov 13, 2001
83% Gonin (The Five) (1995) " [A] dark, pounding exercise in mayhem, revenge, nihilism and despair in contemporary Tokyo." — Film Journal International
Posted Apr 20, 2001
7% An American Werewolf in Paris (1997) " Lacks the style, wit and suspense that marked Waller's debut feature, Mute Witness." — Film Journal International
Posted Jan 1, 2000
33% The Real Blonde (1998) " Strains to build up a head of comic steam, but there's nowhere very interesting to go." — Film Journal International
Posted Jan 1, 2000
40% I Love You Don't Touch Me (1997) " Seems longer than the rough cut of Titanic." — Film Journal International
Posted Jan 1, 2000
73% Cop Land (1997) " The way in which Mangold's writing and direction redistribute the weight of Stallone's screen persona is bound to impress." — Film Journal International
Posted Jan 1, 2000
52% The Matchmaker (1997) " Perfectly affable, and there are some good laughs." — Film Journal International
Posted Jan 1, 2000
74% Eye Of God (1997) " Impresses with its ambitious theme, complex structure, well-sustained tension and strong, heartfelt performances." — Film Journal International
Posted Jan 1, 2000
7% A Smile Like Yours (1997) " A shallow, empty-headed rehash of cliches about the perils of contemporary marriage and baby-making." — Film Journal International
Posted Jan 1, 2000
64% Winter Guest (1997) " Acted with depth and acuity by its ensemble cast." — Film Journal International
Posted Jan 1, 2000
82% Washington Square (1997) " Painstakingly produced, dramatically compelling, and acted with skill and intensity." — Film Journal International
Posted Jan 1, 2000
73% In & Out (1997) " Sets the comic Richter Scale jumping." — Film Journal International
Posted Jan 1, 2000
55% G.I. Jane (1997) " A simplistic, succeed-against-the-odds fantasy in Simpson-Bruckheimer mode." — Film Journal International
Posted Jan 1, 2000
15% For Richer or Poorer (1997) " A culture-clash comedy that's less a movie than an overproduced, four-times-too-long sitcom." — Film Journal International
Posted Jan 1, 2000
100% Lilies (1996) " Greyson deserves much credit for realizing an outrageous theatrical conceit with clarity, consistency, and an arsenal of cinematic ideas." — Film Journal International
Posted Jan 1, 2000
—— Twisted (1998) " Donsky, whose background is in the theatre, gives the film a solid structure, reveals a stylist's eye, and draws lively performances from a uniformly colorful cast." — Film Journal International
Posted Jan 1, 2000
41% Fallen (1997) " Too creepy for mainstream moviegoers and too tame for genre audiences." — Film Journal International
Posted Jan 1, 2000
71% Going All the Way (1997) " That rare '50s piece capable of attracting a young '90s audience." — Film Journal International
Posted Jan 1, 2000
63% Starship Troopers (1997) " If Showgirls represented Verhoeven's bid to become Hollywood's most shameless vulgarian, that sound you hear in Starship Troopers is the other shoe dropping." — Film Journal International
Posted Jan 1, 2000
67% Bent (1997) " Remains more a theatrical work than a cinematic one--but its dramatic story, powerful theme and historical importance are undeniable." — Film Journal International
Posted Jan 1, 2000
85% Wag the Dog (1997) " Breezily entertaining, cannily crafted, sociopolitical satire that brandishes razor-sharp teeth." — Film Journal International
Posted Jan 1, 2000
47% Midnight in the Garden of Good and Evil (1997) " The film's effect is that of a fictional travelogue that offers amusement, but lacks substance." — Film Journal International
Posted Jan 1, 2000
Showing 1 - 23 of 23
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