|
2/5
|
40%
|
A Royal Scandal (1945) |
"
A Royal Scandal, for all Miss Bankhead's presence, is an oddly dull and generally witless show."
—
New York Times
Posted May 8, 2013
|
|
1.5/5
|
——
|
40 Pounds of Trouble (1963) |
"
The trouble with 40 Pounds of Trouble is that it is just too hackneyed and dull."
—
New York Times
Posted May 6, 2013
|
|
4.5/5
|
80%
|
Breaking the Sound Barrier (The Sound Barrier) (1952) |
"
This must be said about this picture: it soars far above its clumsy tag and it comes pretty close to being the most exalting of contemporary films."
—
New York Times
Posted May 1, 2013
|
|
2/5
|
86%
|
The Blue Gardenia (1953) |
"
The weakness in this case clearly lies in a script by Charles Hoffman, which is hackneyed and tedious from beginning to end."
—
New York Times
Posted Feb 25, 2013
|
|
2/5
|
63%
|
American Guerrilla in the Philippines (I Shall Return) (1950) |
"
There certainly is no accounting for the mechanistic nature of the script, for the lapses in continuity or for the lameness of the professionals in the cast."
—
New York Times
Posted Feb 25, 2013
|
|
—
|
——
|
John F. Kennedy: Years of Lightning, Day of Drums (1966) |
—
New York Times
Posted Jan 22, 2013
|
|
—
|
——
|
Woman's World (1954) |
—
New York Times
Posted Jan 22, 2013
|
|
|
——
|
Lonelyhearts (Miss Lonelyheart) (1958) |
"
Consistently fine performances by an exceptionally well-balanced cast give further cause for regarding this endeavor with appreciation and respect."
—
New York Times
Posted May 8, 2012
|
|
4/5
|
100%
|
Portrait of Jason (1967) |
"
Portrait of Jason is a curious and fascinating example of cinema verité, all the ramifications of which cannot be immediately known."
—
New York Times
Posted Mar 27, 2012
|
|
3/5
|
100%
|
The Cool World (1964) |
"
As we've come to expect of Miss Clarke's pictures, it is boldly and studiously styled as a literal documentation of a particular social scene, and its attack is more that of the reporter than of the interested teller of a tale."
—
New York Times
Posted Mar 27, 2012
|
|
2/5
|
92%
|
The Connection (2007) |
"
There is little about it to warrant the clamorous interest of the average moviegoer or to distinguish it as a significant piece of cinematic art."
—
New York Times
Posted Mar 27, 2012
|
|
2.5/5
|
83%
|
All This, and Heaven Too (1940) |
"
Unfortunately, there are too many words and not enough music."
—
New York Times
Posted Feb 3, 2012
|
|
4.5/5
|
67%
|
America, America (The Anatolian Smile) (1963) |
"
Elia Kazan's Greek uncle, who was the first of his family to emigrate to the United States, is paid a splendid tribute by his nephew in the new film, America, America."
—
New York Times
Posted Feb 3, 2012
|
|
4/5
|
100%
|
Hold Back the Dawn (1941) |
"
You will enjoy it as a straight-away romance, crowded with most engaging characters and smoking with Mr. Boyer's charm."
—
New York Times
Posted Feb 3, 2012
|
|
4.5/5
|
100%
|
One Foot in Heaven (1941) |
"
Out of Hartzell Spence's deeply affectionate biography of his ministerial father, William Spence, the Warners have derived a cheerful and warmly compassionate film, an excellent character study and an adult entertainment on the screen."
—
New York Times
Posted Feb 3, 2012
|
|
2.5/5
|
71%
|
Kitty Foyle (1940) |
"
he sharpness and contemporary significance of Mr. Morley's commentary are missing. His Kitty was of real flesh and blood; this one is persuasive but fictitious."
—
New York Times
Posted Jan 31, 2012
|
|
2.5/5
|
71%
|
Sons and Lovers (1960) |
"
Somehow, this plainly euphemistic attitude toward Lawrence's fierce and fine account runs through the whole handsome picture and hobbles its real potential punch."
—
New York Times
Posted Jan 31, 2012
|
|
4.5/5
|
78%
|
Il Momento della Verita (The Moment of Truth) (1965) |
"
Never have I got such a message of the cruelty of the sport as is conveyed in this film, which owes much of its excitement to superb color photography."
—
New York Times
Posted Jan 23, 2012
|
|
—
|
——
|
Ninety Degrees in the Shade (90 in the Shade) (31 Degrees in the Shade) (1965) |
—
New York Times
Posted Nov 18, 2011
|
|
—
|
——
|
Rob Roy, the Highland Rogue (1953) |
—
New York Times
Posted Nov 16, 2011
|
|
—
|
——
|
The Magic Box (1952) |
—
New York Times
Posted Nov 16, 2011
|
|
—
|
——
|
Shinel (The Overcoat) () |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
To Koritsi me ta mavra (A Girl in Black) (1957) |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Faust and the Devil (La Leggenda di Faust) (1950) |
—
New York Times
Posted Apr 4, 2011
|
|
3/5
|
54%
|
Secret Beyond the Door... (1949) |
"
Mr. Lang is still a director who knows how to turn the obvious, such as locked doors and silent chambers and roving spotlights, into strangely tingling stuff."
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Ruka (The Hand) () |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
100%
|
The Magician (Ansiktet) (The Face) (1958) |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Il Barbiere Di Siviglia (2003) |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Black Tights (1-2-3-4 ou Les Collants noirs) (1962) |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Chushingura (1963) |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Secret of the Black Trunk () |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
Shchedroye Leto (Bountiful Summer) (1950) |
—
New York Times
Posted Apr 4, 2011
|
|
—
|
——
|
La Voglia matta (Crazy Desire) (The Crazy Urge) () |
—
New York Times
Posted Apr 4, 2011
|
|
2.5/5
|
88%
|
Quo Vadis (1951) |
"
It was made, we suspect, for those who like grandeur and noise -- and no punctuation. It will probably be a vast success."
—
New York Times
Posted Mar 23, 2011
|
|
—
|
——
|
Die lustigen Weiber von Windsor (The Merry Wives of Windsor) (1950) |
—
New York Times
Posted Feb 7, 2011
|
|
—
|
——
|
Arise, My Love (1940) |
—
New York Times
Posted Jan 31, 2011
|
|
2/5
|
——
|
Behind the Great Wall () |
"
Check off the novel experience as precisely what we've labeled it -- a stunt. The artistic benefit of it is here demonstrated to be nil."
—
New York Times
Posted Oct 26, 2010
|
|
2/5
|
——
|
Scent of Mystery () |
"
As theatrical exhibitionism, it is gaudy, sprawling and full of sound. But as an attempt at a considerable motion picture it has to be classified as bunk."
—
New York Times
Posted Oct 26, 2010
|
|
—
|
——
|
Françoise ou La Vie Conjugale (Anatomy of a Marriage: My Days with Françoise) (1964) |
—
New York Times
Posted Aug 23, 2010
|
|
—
|
——
|
Warning Shot (1967) |
—
New York Times
Posted Aug 23, 2010
|
|
3/5
|
100%
|
Come Back, Africa () |
"
What it lacks in dramatic structure, it makes up in pictorial urgency."
—
New York Times
Posted Jun 9, 2009
|
|
—
|
——
|
Desert Sands (1955) |
—
New York Times
Posted Oct 18, 2008
|
|
—
|
——
|
The Spiral Road (1962) |
—
New York Times
Posted Oct 18, 2008
|
|
—
|
——
|
Kill a Dragon (1967) |
—
New York Times
Posted Oct 18, 2008
|
|
—
|
——
|
Take the High Ground! () |
—
New York Times
Posted Oct 18, 2008
|
|
—
|
——
|
The Last Sunset (1961) |
—
New York Times
Posted Oct 18, 2008
|
|
—
|
——
|
Walk Like a Dragon (1960) |
—
New York Times
Posted Jul 16, 2008
|
|
—
|
——
|
Mask of the Avenger () |
—
New York Times
Posted Jul 16, 2008
|
|
—
|
——
|
C'era una volta... (Cinderella: Italian Style) (More Than a Miracle) (1967) |
—
New York Times
Posted Jul 16, 2008
|