|
|
100%
|
Ordet (The Word) (1954) |
"
With arresting faces but not cluttered with close-ups, attention-getting camera abilities beyond judicious lighting, or mood music, the film builds to a long emotional finale of biblical parallel. "
—
ReelTalk Movie Reviews
Posted Aug 27, 2012
|
|
|
64%
|
Cosmopolis (2012) |
"
Nothing lies behind or within the film's vapid non-personalities, flat acting and dull dialogue, hot-air one-liner aphorisms, mechanical couplings or ice-queen evasions of consummation."
—
ReelTalk Movie Reviews
Posted Aug 17, 2012
|
|
|
95%
|
Marley (2012) |
"
This is as full a picture of Marley as is likely to emerge. "
—
ReelTalk Movie Reviews
Posted Aug 16, 2012
|
|
|
17%
|
This Time (2012) |
"
As with many similar films, there is an excess of clips, with the music left in teasing snippets. "
—
ReelTalk Movie Reviews
Posted Aug 10, 2012
|
|
|
100%
|
The Philadelphia Story (1940) |
"
How well all is pulled together and comes off, is more glaring when 'The Philadelphia Story' is compared to its fluffy but fangless 1956 musical adaptation, 'High Society.'"
—
ReelTalk Movie Reviews
Posted Aug 9, 2012
|
|
|
58%
|
Red Hook Summer (2012) |
"
Reflecting current headlines, a revelation and its root fifteen years before are treated sensitively and from an unusual side, with no finger-wagging righteousness. "
—
ReelTalk Movie Reviews
Posted Aug 6, 2012
|
|
|
——
|
Ace Attorney () |
"
Silliness outstripping broad humor, a ludicrously involuted mystery -- actually two of them -- and visuals far more important than logic, this gamer cinema is geared towards a specific demographic, and on this level it succeeds. "
—
ReelTalk Movie Reviews
Posted Jul 28, 2012
|
|
|
——
|
Waga haha no ki (Chronicle of My Mother) () |
"
Avoiding easy mawkishness, 'Chronicle of My Mother' conveys mother-to-son and son-to-daughters generational torch-passing"
—
ReelTalk Movie Reviews
Posted Jul 26, 2012
|
|
|
——
|
Monsutâzu kurabu (Monsters Club) () |
"
The ending of this seventy-one minutes is a comedown, as though Toyoda cut it short and declined to take a stance. . "
—
ReelTalk Movie Reviews
Posted Jul 25, 2012
|
|
|
100%
|
Tokyo Story (Tôkyô monogatari) (1953) |
"
With its debt to Leo McCarey's 'Make Way for Tomorrow,' Yasujiro Ozu's 'Tokyo Story' is no less true, shattering, and not for viewers fretting about unsympathetic grown-up children."
—
ReelTalk Movie Reviews
Posted Jul 19, 2012
|
|
|
29%
|
Red Lights (2012) |
"
Directing from his own script, Rodrigo Cortés goes downhill in a story that goes limp in what is billed as a "mind-blowing conclusion" confrontation. "
—
ReelTalk Movie Reviews
Posted Jul 13, 2012
|
|
|
67%
|
Trishna (2012) |
"
Deodorized and sanitized but memorably filmed and scored, 'Trishna' is less fully satisfactory in capturing the clutching crush and implication of the subcontinent's megacities. "
—
ReelTalk Movie Reviews
Posted Jul 12, 2012
|
|
|
86%
|
Easy Money (2012) |
"
Those who can rise above the convoluted confusion will probably enjoy this 'gritty thriller of intrigue and self-delusion.' "
—
ReelTalk Movie Reviews
Posted Jul 11, 2012
|
|
|
94%
|
I Wish (2012) |
"
At eight minutes over two hours, the story goes on too long, with an excess of intercuts and brief scenes that do not contribute enough to warrant inclusion. "
—
ReelTalk Movie Reviews
Posted May 11, 2012
|
|
|
52%
|
Where Do We Go Now? (2012) |
"
'Real people in real situations,' the cast is sprinkled with non-professionals enlisted on the spot who contribute to the film's seriocomic authenticity."
—
ReelTalk Movie Reviews
Posted May 10, 2012
|
|
|
94%
|
First Position (2012) |
"
Director Bess Kargman does an excellent job here with this initial plunge into filmmaking, for her choice of participants could not have been better."
—
ReelTalk Movie Reviews
Posted May 3, 2012
|
|
|
86%
|
Last Call at the Oasis (2012) |
"
Presents one side of the question and assumes it is incontrovertible. In reality, this is preaching to the choir, and it is doubtful that unbelievers are proselytized. "
—
ReelTalk Movie Reviews
Posted May 3, 2012
|
|
|
49%
|
La Terza Madre (Mother of Tears: The Third Mother) (2007) |
"
Super35 nudity and graphic sadism substitute for suggestiveness, and technology ups the gore but makes it cinematic common."
—
ReelTalk Movie Reviews
Posted Apr 30, 2012
|
|
|
95%
|
Suspiria (1977) |
"
There is little logic in 'Suspiria,' just the exuberance of individual scenes."
—
ReelTalk Movie Reviews
Posted Apr 29, 2012
|
|
|
22%
|
Elles (2012) |
"
What it says about society, hypocrisy and gender rôles is not wide of the mark but is semi-dramatized so blatantly as to be allegorical. "
—
ReelTalk Movie Reviews
Posted Apr 27, 2012
|
|
|
——
|
Don't Change the Subject () |
"
Confronts suicide by bringing it out into the open in service to the dead and the living. "
—
ReelTalk Movie Reviews
Posted Apr 21, 2012
|
|
|
73%
|
Cat O'Nine Tails (1971) |
"
A tall and slimmer Karl Malden stands out, but even with a rooftop chase, the conclusion and revelation are abrupt."
—
ReelTalk Movie Reviews
Posted Apr 18, 2012
|
|
|
91%
|
L'uccello dalle piume di cristallo (The Bird With the Crystal Plumage) (1970) |
"
A watchable serial murderer-search movie, even if not the stuff of cult status. "
—
ReelTalk Movie Reviews
Posted Apr 15, 2012
|
|
|
33%
|
The Lady (2012) |
"
This 'based on a true story' omits unpleasant facts and is unfreckled hagiography set into a background of marital perfection."
—
ReelTalk Movie Reviews
Posted Apr 10, 2012
|
|
|
100%
|
I Travel Because I Have to, I Come Back Because I Love You (2011) |
"
Dramatized as narrative by its narration, this drama is able to free-associate just as the human mind does. The journey is pilgrimage which circles inwards to the heart of love and failure"
—
ReelTalk Movie Reviews
Posted Apr 5, 2012
|
|
|
85%
|
Diary of a Chambermaid (Le Journal d'une femme de chambre) (2000) |
"
Second-tier compared to Buñuel's masterworks, this film is worth seeing because it is his. "
—
ReelTalk Movie Reviews
Posted Apr 3, 2012
|
|
|
98%
|
The Island President (2012) |
"
Void of graphics and animation, focus is on Nasheed in 'this David and Goliath tale for the literal survival of his country.' "
—
ReelTalk Movie Reviews
Posted Mar 28, 2012
|
|
|
84%
|
In the Realm of the Senses (1976) |
"
This particular consideration of mutual possession which approaches and then transcends death is well-paced and, within story possibilities, -acted as well."
—
ReelTalk Movie Reviews
Posted Mar 22, 2012
|
|
|
90%
|
Fear and Desire (1953) |
"
Although some visuals are striking chiaroscuro, the film still comes across as tyro self-conscious, a belaboring of theme by one not yet sure of his art. "
—
ReelTalk Movie Reviews
Posted Mar 22, 2012
|
|
|
84%
|
The Raid: Redemption (2012) |
"
The fighting seems the same, repeated endlessly and unimaginatively and not different from what scores of such films offer. Without humor or originality, this is straight video game. "
—
ReelTalk Movie Reviews
Posted Mar 16, 2012
|
|
|
83%
|
The Story of Lovers Rock () |
"
Long on people speaking and comedic reminiscence, 'The Story of Lover's Rock' is short on sustained complete performance-examples."
—
ReelTalk Movie Reviews
Posted Mar 16, 2012
|
|
|
——
|
Romance Joe (Lo-maen-seu Jo) () |
"
Remember that the relativity of the 'real' is a theme in this film and, by implication, in film in general and in life. You are if you and others think you are. "
—
ReelTalk Movie Reviews
Posted Mar 16, 2012
|
|
|
41%
|
Silent House (2012) |
"
'Silent House' sinks in the school of mere staccato scare. "
—
ReelTalk Movie Reviews
Posted Mar 9, 2012
|
|
|
53%
|
Being Flynn (2012) |
"
Reactions to this film will depend on acceptance of the two men's performances, which are good despite some contrivances in circumstances that surround them. "
—
ReelTalk Movie Reviews
Posted Mar 3, 2012
|
|
|
88%
|
Boy (2012) |
"
Humor, obscenity, drugs, sadness and an uncommon take lift 'Boy' above its advertised 'coming-of-age tale about heroes, magic and Michael Jackson.' "
—
ReelTalk Movie Reviews
Posted Feb 25, 2012
|
|
|
86%
|
The Snowtown Murders (2012) |
"
A cast of mostly local, mostly first-time film actors is chillingly convincing. "
—
ReelTalk Movie Reviews
Posted Feb 25, 2012
|
|
|
80%
|
Putin's Kiss (2012) |
"
Offers a sobering portrait of the world's troubled resurgent largest country, in particular of its pliable rising generation that has come up after the fall of Communism. "
—
ReelTalk Movie Reviews
Posted Feb 19, 2012
|
|
|
——
|
Lost in the Stars (1974) |
"
The individual drama, the human cost laid at the doorstep of social policies, saves 'Lost in the Stars.' "
—
ReelTalk Movie Reviews
Posted Feb 16, 2012
|
|
|
100%
|
Woodstock - 3 Days of Peace & Music (1970) |
"
Those who do appear are good, with some for the ages."
—
ReelTalk Movie Reviews
Posted Feb 16, 2012
|
|
|
92%
|
El Sicario, Room 164 (2011) |
"
This one-man dramatization is not a film, but surely an indictment. Rosi's 'grey zone where good and evil meet' is wide of the mark; this is pure evil. "
—
ReelTalk Movie Reviews
Posted Feb 6, 2012
|
|
|
100%
|
Queen Kelly (1929) |
"
A compelling curiosity deserving recognition beyond trivia value as the 'Sunset Boulevard' clip projected by Gloria Swanson's faded Norma Desmond. "
—
ReelTalk Movie Reviews
Posted Feb 3, 2012
|
|
|
——
|
Detroit, ville sauvage (Detroit Wild City) () |
"
Points no fingers in its chilling but fascinating images of a moribund metropolis. Causes for the fall are hinted but neither pinpointed nor really the focus here. "
—
ReelTalk Movie Reviews
Posted Jan 30, 2012
|
|
|
93%
|
Nothing But a Man (1963) |
"
It is difficult to fathom the long obscurity of this sincere, compassionate film. "
—
ReelTalk Movie Reviews
Posted Jan 29, 2012
|
|
|
79%
|
The Grey (2012) |
"
The stripped core story is a good watch: man against the elements and against himself -- primordial antagonists without and within, Mother Nature and human nature. "
—
ReelTalk Movie Reviews
Posted Jan 28, 2012
|
|
|
89%
|
The Pruitt-igoe Myth: An Urban History (2012) |
"
The drugs, fear and violence cannot be shown but are palpable in the speakers' memories. "
—
ReelTalk Movie Reviews
Posted Jan 23, 2012
|
|
|
41%
|
The Flowers of War (2011) |
"
Fiction arising in, mirroring but distinct from, truth as we conceive it, page and screen are freed to play fast and loose with hard data and reality here. "
—
ReelTalk Movie Reviews
Posted Jan 20, 2012
|
|
|
——
|
Foreign Parts (2011) |
"
These are good people, rough-edged but pleasant, depicted while not romanticized."
—
ReelTalk Movie Reviews
Posted Jan 19, 2012
|
|
|
76%
|
We Need to Talk About Kevin (2012) |
"
After the fact, story outline can be pieced together, but beyond essential motivation, there also remain a number of unintentional loose ends."
—
ReelTalk Movie Reviews
Posted Jan 15, 2012
|
|
|
33%
|
Lula, the Son of Brazil (2012) |
"
Only half-way through, the film loses momentum. Emotion gives way to stagey conventional pseudo-populism, with the human disappeared. "
—
ReelTalk Movie Reviews
Posted Jan 13, 2012
|
|
|
79%
|
Battle for Brooklyn (2011) |
"
'A movie with a narrative' woven along a personal thread, Battle for Brooklyn squeezes drama even out of that person's repeatedly clicking a monitor 'refresh.' "
—
ReelTalk Movie Reviews
Posted Jan 9, 2012
|
|
|
85%
|
Jack Smith and the Destruction Of Atlantis (2006) |
"
Eccentric and pure like its hero, JSDA may appall or bore the many but should delight devotees of the real reel underground. "
—
ReelTalk Movie Reviews
Posted Jan 8, 2012
|
|
|
83%
|
Avatar (2009) |
"
Planet Pandora's plant and animal life is done with a wonder that has been often absent from fiction screens. "
—
ReelTalk Movie Reviews
Posted Jan 6, 2012
|
|
|
97%
|
Diabolique (Les Diaboliques) (1955) |
"
So dependent on visuals, many horror films do not wear well except as kitsch. But crafted fright films like Diabolique maintain their power by creating atmosphere through what is not seen. "
—
ReelTalk Movie Reviews
Posted Jan 5, 2012
|
|
|
100%
|
Rashômon (Rashomon) (In the Woods) (1951) |
"
With fast tracking shots, b&w chiaroscuro camerawork and a pessimistic intimation that what exactly was done is not essential, the result hit the bull's-eye with foreign filmgoers and critics."
—
ReelTalk Movie Reviews
Posted Jan 4, 2012
|
|
|
97%
|
Sing Your Song (2012) |
"
The life of Harry Belafonte is so rich, truthful and hopeful that admirable 'Sing Your Song' can only give some idea of it. "
—
ReelTalk Movie Reviews
Posted Jan 2, 2012
|
|
|
52%
|
The Iron Lady (2012) |
"
A story of love's informing the seldom-explored struggle for personal dignity and freedom in the face of ageing and conventional "wisdom" about seniors. "
—
ReelTalk Movie Reviews
Posted Dec 29, 2011
|
|
|
95%
|
Pariah (2011) |
"
Young people's mumbling and slang will be a stumbling block for mainstream audiences, but the lives and dilemmas of the mostly black and some Hispanic teens go beyond racial-cultural lines. "
—
ReelTalk Movie Reviews
Posted Dec 27, 2011
|
|
|
95%
|
Pina (2011) |
"
A welcome departure from the by-the-numbers fossilization in today's documentary deluge. "
—
ReelTalk Movie Reviews
Posted Dec 26, 2011
|
|
|
76%
|
The Help (2011) |
"
Aimed at heart and conscience, novel and film have their overdone moments but remain worthy of close attention. "
—
ReelTalk Movie Reviews
Posted Dec 24, 2011
|
|
|
91%
|
Corman's World: Exploits Of A Hollywood Rebel (2011) |
"
This bio-documentary about Roger Corman is a treat for buffs -- who might complain that the zillion clips are too few and short. "
—
ReelTalk Movie Reviews
Posted Dec 22, 2011
|
|
|
75%
|
The Adventures of Tintin (2011) |
"
While the live performers are credited and their real voices heard, there is none of the degrading with-it wisecracking so puzzingly popular nowadays. "
—
ReelTalk Movie Reviews
Posted Dec 22, 2011
|
|
|
83%
|
Tinker Tailor Soldier Spy (2011) |
"
Swedish Tomas Alfredson's first English-language try comes up short against the spy novel's 1979 U.K. Alec Guinness miniseries."
—
ReelTalk Movie Reviews
Posted Dec 9, 2011
|
|
|
49%
|
Sleeping Beauty (2011) |
"
Some may see a commentary on the plight of women here. However, such 'radical passivity' is beyond the reach of empathy. "
—
ReelTalk Movie Reviews
Posted Dec 2, 2011
|
|
|
90%
|
Love Exposure (2011) |
"
Manga-indebted but without lens trickery, this is exhilarating cinema experience. "
—
ReelTalk Movie Reviews
Posted Dec 1, 2011
|
|
|
98%
|
The Artist (2011) |
"
A bonbon to movies as they used to be, 'The Artist' is a treat. "
—
ReelTalk Movie Reviews
Posted Nov 23, 2011
|
|
|
75%
|
El Topo (1970) |
"
... the story of 'El Topo' proves too scattered and weak to bear its digressions and vague symbols that suggest everything, anything and nothing."
—
ReelTalk Movie Reviews
Posted Nov 20, 2011
|
|
|
89%
|
The Descendants (2011) |
"
Clooney's understated modern man is not filled with self-importance, as he learns to appreciate what is truly important in life. 'The Descendants' is pleasant if easy cinema. "
—
ReelTalk Movie Reviews
Posted Nov 15, 2011
|
|
|
77%
|
Melancholia (2011) |
"
There is not much reason for anything in 'Melancholia.' When others fall apart and break down, madness is the only preservative. "
—
ReelTalk Movie Reviews
Posted Nov 11, 2011
|
|
|
80%
|
The Love We Make (2011) |
"
Running counter-style to the flood of cookie-cutter non-fictions, 'The Love We Make' is a reminder of love and fellow-feeling in a time of tragedy. "
—
ReelTalk Movie Reviews
Posted Nov 8, 2011
|
|
|
——
|
Ekusute (Exte: Hair Extensions) (2007) |
"
With fewer possible resolutions than recent J-horror ringtones and video cassettes, 'Exte: Hair Extensions' goes nowhere surprising."
—
ReelTalk Movie Reviews
Posted Oct 31, 2011
|
|
|
20%
|
The Double (2011) |
"
'The Double' is a good return "to the classic spy thriller" of another time and another world that itself is making a comeback. "
—
ReelTalk Movie Reviews
Posted Oct 28, 2011
|
|
|
33%
|
London Boulevard (2011) |
"
By far too stylized, the film loses itself in this would-be "dynamic visual" style over content and coherence."
—
ReelTalk Movie Reviews
Posted Oct 23, 2011
|
|
|
81%
|
The Skin I Live In (2011) |
"
Neither horror film, spoof, nor social commentary, 'The Skin I Live In' wanders in limbo, unsure of what its own essence is. "
—
ReelTalk Movie Reviews
Posted Oct 14, 2011
|
|
|
84%
|
My Week with Marilyn (2011) |
"
'My Week with Marilyn' is serious but at the same time a funny comedy of stars' manners."
—
ReelTalk Movie Reviews
Posted Oct 13, 2011
|
|
|
94%
|
Once Upon a Time in Anatolia (2012) |
"
An unhurried rumination on men's lives and loves and, though they appear but briefly, on women's. "
—
ReelTalk Movie Reviews
Posted Oct 8, 2011
|
|
|
87%
|
Miss Bala (2012) |
"
Shootouts are sharp cracklings and deaths indiscriminate but without sensationalizing the gore. "
—
ReelTalk Movie Reviews
Posted Oct 8, 2011
|
|
|
82%
|
The Way (2011) |
"
Fathers and sons, wives and children, reconciliation and uplift for the soul -- undemanding schmaltz but most comfortable for its type. "
—
ReelTalk Movie Reviews
Posted Oct 6, 2011
|
|
|
85%
|
George Harrison: Living In The Material World () |
"
The streamlining of George Harrison's life's wants and needs does not warrant the length lavished on it here."
—
ReelTalk Movie Reviews
Posted Oct 1, 2011
|
|
|
76%
|
Rejoice & Shout (2011) |
"
'Rejoice and Shout' treats a long century and could have been more incisive and included fuller performance clips by dispensing with head interviews that interrupt often and at length. "
—
ReelTalk Movie Reviews
Posted Sep 30, 2011
|
|
|
98%
|
Rosemary's Baby (1968) |
"
'Rosemary's Baby' presents the dark and the light and allows for choice: does she or doesn't she? "
—
ReelTalk Movie Reviews
Posted Sep 29, 2011
|
|
|
——
|
A Woman with Red Hair (1979) |
"
Neither amoral nihilistic nor misogynistic, 'WRH' is less degrading and banal in philosophy than 'Last Tango in Paris.' "
—
ReelTalk Movie Reviews
Posted Sep 23, 2011
|
|
|
78%
|
The Mill and the Cross (2011) |
"
Renaissance man composer-librettist-painter-poet-novelist-cameraman-screenwriter-filmmaker Lech Majewski ingeniously melds several of his fields in 'The Mill and the Cross.'"
—
ReelTalk Movie Reviews
Posted Sep 15, 2011
|
|
|
91%
|
The Black Power Mixtape 1967-1975 (2011) |
"
...stirring in footage of long-unseen faces iconic or villainous, this documentary brings its subjects to the attention of younger generations unfamiliar with them. "
—
ReelTalk Movie Reviews
Posted Sep 9, 2011
|
|
|
83%
|
Warrior (2011) |
"
Story, character, development and outcome are hackneyed, done elsewhere, sometimes worse, often better, but you can't keep a good story down for the count."
—
ReelTalk Movie Reviews
Posted Sep 8, 2011
|
|
|
100%
|
Ivan Groznyy (Ivan the Terrible, Part One) (1944) |
"
Eisenstein's 'Ivan' is a magnificence of parts, four-fifths of it a visual wonder beyond the man himself. "
—
ReelTalk Movie Reviews
Posted Sep 3, 2011
|
|
|
97%
|
Les Enfants du Paradis (Children of Paradise) (1945) |
"
The triumph here is the art-direction realization of 1840 Paris, where the grand monde mingled with the demimonde and the flat-out criminal. "
—
ReelTalk Movie Reviews
Posted Sep 2, 2011
|
|
|
73%
|
Gainsbourg: A Heroic Life (2011) |
"
Film and director-writer have won awards at home and abroad, as has Eric Elmosnino for his portrayal of the insolent yet winsome title hero, who also displays unheroic traits. "
—
ReelTalk Movie Reviews
Posted Aug 31, 2011
|
|
|
86%
|
Circumstance (2011) |
"
Too much in too many scenes is worked in, even though a thematic relationship may be gleaned among the parts in repressive, fearful, corrupt, Morality Policed Tehrān. "
—
ReelTalk Movie Reviews
Posted Aug 26, 2011
|
|
|
53%
|
Brighton Rock (2011) |
"
As antihero with no redeeming qualities, Riley is slick-haired shallow but unfortunately also one-note, an expressionless DiCaprio."
—
ReelTalk Movie Reviews
Posted Aug 26, 2011
|
|
|
77%
|
The Last Circus (2011) |
"
The emotional aberration and physical disfigurement, the violence different in feel from the US crew-cut variety, the revenge, the bursts of sick humor, do not meld well here."
—
ReelTalk Movie Reviews
Posted Aug 19, 2011
|
|
|
33%
|
5 Days Of War (2011) |
"
A finely realized depiction of war today and of the civilians who suffer the not always 'collateral' consequences. "
—
ReelTalk Movie Reviews
Posted Aug 19, 2011
|
|
|
92%
|
Senna (2011) |
"
A compelling story still to be told, but political maneuvering within the sport and the one-upsmanship, technological tinkering, corner-cutting, negligence or cheating that possibly caused Senna's death, are hinted at but given short shrift. "
—
ReelTalk Movie Reviews
Posted Aug 12, 2011
|
|
|
98%
|
Hoop Dreams (1994) |
"
It slam-dunks documentaries that are so close-up to their subjects they cannot note the irony of adult commercialism and hard-sell hoopla overwhelming barely literate kids. "
—
ReelTalk Movie Reviews
Posted Aug 7, 2011
|
|
|
73%
|
The Whistleblower (2011) |
"
The cardboard characters have no shadings between good and nasty here; and Rachel Weisz' face is often unsuccessfully framed to indicate thought or something. "
—
ReelTalk Movie Reviews
Posted Aug 5, 2011
|
|
|
90%
|
Attack the Block (2011) |
"
Reprises scores of films, but despite an unusual combination of story with setting and characters, adds nothing in the re-doing and sports hokey creature effects."
—
ReelTalk Movie Reviews
Posted Jul 29, 2011
|
|
|
100%
|
The Interrupters (2011) |
"
An original three hundred hours of shooting trimmed to just shy of two-and-a-half, the film is still long, but who is to say where this eye-opener could have been cut. "
—
ReelTalk Movie Reviews
Posted Jul 28, 2011
|
|
|
100%
|
Burden of Dreams (1982) |
"
Gramophone music soothes the savage breast, and operatic human excess defines director and obsession as well as his lead character."
—
ReelTalk Movie Reviews
Posted Jul 18, 2011
|
|
|
91%
|
Tabloid (2011) |
"
'Tabloid' never rises above -- in fact, it becomes -- the absurdity it depicts. "
—
ReelTalk Movie Reviews
Posted Jul 14, 2011
|
|
|
100%
|
Day of Wrath (Vredens Dag)(Day of Anger) (2008) |
"
This masterwork is as modern as Euripides, timeless as O'Neill and Arthur Miller, militant as Friedan or Steinem, and empathetically devastating as Hawthorne. "
—
ReelTalk Movie Reviews
Posted Jul 14, 2011
|
87%
24%
91%
85%
45%
40%
