|
0/5
|
1%
|
The Master of Disguise (2002) |
"
It doesn't matter that the film is less than 90 minutes. It still feels like a prison stretch."
—
New York Times
Posted Aug 1, 2002
|
|
0/5
|
2%
|
Battlefield Earth (2000) |
"
And after about 20 minutes of this amateurish picture, extinction doesn't seem like such a bad idea."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/10
|
4%
|
The Roommate (2011) |
"
In the theater where I saw it, the tedium was broken only by the sound of Angry Birds being played on iPhones."
—
Movieline
Posted Feb 4, 2011
|
|
0.5/5
|
22%
|
Dirty Dancing - Havana Nights (2004) |
"
This reimagining of the recklessly melodramatic 1987 original is packed with flashy, taffeta silliness."
—
New York Times
Posted Feb 26, 2004
|
|
0.5/5
|
12%
|
The Girl (2001) |
"
Has the dreary one-track banality of a feature-length version of an episode of Red Shoe Diaries."
—
New York Times
Posted Apr 20, 2001
|
|
0.5/5
|
53%
|
Josie and the Pussycats (2001) |
"
Gruelingly self-referential, substituting sarcasm for irony."
—
New York Times
Posted Apr 11, 2001
|
|
0.5/5
|
8%
|
Valentine (2001) |
"
When it's hard to hear the dialogue because the audience is laughing, it's clear that Valentine doesn't even succeed on its own limited terms."
—
New York Times
Posted Feb 5, 2001
|
|
0.5/5
|
29%
|
Drowning Mona (2000) |
"
Mona is a dreary crash of malapropisms and slapstick maimings wrapped very loosely around a murder mystery."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/5
|
42%
|
What Planet Are You From? (2000) |
"
This movie wants to be sweet and dark at the same time, but it is as distant as a planet's satellite."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/5
|
40%
|
The Replacements (2000) |
"
This negligible comedy might as well come with a bouncing ball so members of the audience can recite the dialogue along with the actors."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/5
|
2%
|
The In Crowd (2000) |
"
The only people who could be surprised at this movie will be those who wandered into the wrong multiplex theater by mistake."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/5
|
15%
|
Pokemon - The Movie 2000 (2000) |
"
Probably about as good as cut-rate animation that seems to consist of screen savers can be."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/5
|
22%
|
Coyote Ugly (2000) |
"
It looks like a big-budget version of a Miller's Genuine Draft commercial."
—
New York Times
Posted Jan 1, 2000
|
|
0.5/5
|
12%
|
Get Carter (2000) |
"
The stylish murk seems to signal that everyone on the technical crew had his own agenda, each trying to outdo the others."
—
New York Times
Posted Jan 1, 2000
|
|
1/5
|
46%
|
Hidalgo (2004) |
"
This primitively plotted family action adventure is one of the few movies that seem to be making up their plots as they go along."
—
New York Times
Posted Mar 4, 2004
|
|
1/5
|
23%
|
Torque (2004) |
"
This monotonously macho action-adventure film wears testosterone as if it were a new fragrance."
—
New York Times
Posted Jan 15, 2004
|
|
1/5
|
13%
|
The Haunted Mansion (2003) |
"
The film equivalent of the dark, boring period on a haunted house ride before the gondola crashes into another room filled with dirty mirrors."
—
New York Times
Posted Nov 26, 2003
|
|
1/5
|
34%
|
Returner (Ritana) (2002) |
"
Returner is a smorgasbord that seems to have been picked out of a Dumpster."
—
New York Times
Posted Oct 16, 2003
|
|
1/5
|
79%
|
Bubba Ho-Tep (2003) |
"
Ho-Tep is a punch line in search of a setup."
—
New York Times
Posted Sep 25, 2003
|
|
1/5
|
9%
|
My Boss's Daughter (2003) |
"
This muddled comedy of confusion feels as if it were a Farrelly brothers' comedy that has sat exposed to the elements long past its expiration date."
—
New York Times
Posted Aug 25, 2003
|
|
1/5
|
41%
|
Freddy vs. Jason (2003) |
"
This grunge match is far more horrible than horrifying."
—
New York Times
Posted Aug 14, 2003
|
|
1/5
|
55%
|
American Wedding (2003) |
"
The makers of Wedding have so effectively managed to make offensiveness seem tame that this could be subversion financed by the religious right."
—
New York Times
Posted Jul 31, 2003
|
|
1/5
|
11%
|
Alex & Emma (2003) |
"
The picture is desperate to be a Date Night event, but it feels more like a Last Date movie."
—
New York Times
Posted Jun 19, 2003
|
|
1/5
|
28%
|
Daddy Day Care (2003) |
"
The most astonishing thing about Daddy Day Care, a comedy that would have to work harder even to justify the appellation uninspired, is that a kick in the groin is now a joke for toddlers."
—
New York Times
Posted May 9, 2003
|
|
1/5
|
21%
|
Basic (2003) |
"
Someone decided to put Rashomon in a Cuisinart along with A Few Good Men, The Usual Suspects and A Soldier's Story, and hit the pulverize button while forgetting to replace the top."
—
New York Times
Posted Mar 27, 2003
|
|
1/5
|
7%
|
Boat Trip (2003) |
"
Boat Trip goes down faster than the Titanic and is far more deserving of its fate."
—
New York Times
Posted Mar 20, 2003
|
|
1/5
|
0%
|
Pinocchio (2002) |
"
A movie so bad that it quickly enters the pantheon of wreckage that includes Battlefield Earth and Showgirls."
—
New York Times
Posted Dec 26, 2002
|
|
1/5
|
37%
|
Equilibrium (2002) |
"
A movie that could be stupider only if it were longer."
—
New York Times
Posted Dec 6, 2002
|
|
1/5
|
12%
|
Adam Sandler's Eight Crazy Nights (2002) |
"
Nights is festooned with yards of gross-out jokes, sniggering allusions and, astonishingly, a sentimental climax that's more repellent than any of the crude effluvia the film is drenched with."
—
New York Times
Posted Nov 27, 2002
|
|
1/5
|
0%
|
Ballistic: Ecks vs. Sever (2002) |
"
It's loud and boring; watching it is like being trapped at a bad rock concert."
—
New York Times
Posted Sep 19, 2002
|
|
1/5
|
5%
|
The Adventures of Pluto Nash (2002) |
"
Sadly, though many of the actors throw off a spark or two when they first appear, they can't generate enough heat in this cold vacuum of a comedy to start a reaction."
—
New York Times
Posted Aug 17, 2002
|
|
1/5
|
23%
|
Who is Cletis Tout? (2002) |
"
This mistaken-identity picture is so film-culture referential that the final product is a ghost."
—
New York Times
Posted Jul 25, 2002
|
|
1/5
|
48%
|
Eight Legged Freaks (2002) |
"
Eight-Legged Freaks runs out of gas scarily fast -- its one-joke premise lends itself more to a short than a feature."
—
New York Times
Posted Jul 17, 2002
|
|
1/5
|
22%
|
Mr. Deeds (2002) |
"
Mostly terrible, a shambles of a comedy that looks as if it was shot by a tabloid news crew."
—
New York Times
Posted Jun 27, 2002
|
|
1/5
|
10%
|
Bad Company (2002) |
"
Bad Company, like many of the nonpolitical terrorist-as-villain spectaculars that have been held back after Sept. 11, has the whiff of something gone stale."
—
New York Times
Posted Jun 6, 2002
|
|
1/5
|
26%
|
The Sweetest Thing (2002) |
"
For those who think that movies by the Farrelly brothers or Todd Solondz are the Mount Kilimanjaro of bad taste, it's time to grab your parka and goggles -- there's a new peak to climb."
—
New York Times
Posted Apr 11, 2002
|
|
1/5
|
48%
|
Big Trouble (2002) |
"
Contradicts itself because it's a ramshackle comedy that's both rowdy and neatly pressed."
—
New York Times
Posted Apr 4, 2002
|
|
1/5
|
49%
|
Harrison's Flowers (2002) |
"
A stupefying mix of action, politics and melodrama that is as vaguely condescending as the inept but well-meaning pictures about apartheid from the 1980's."
—
New York Times
Posted Mar 14, 2002
|
|
1/5
|
55%
|
Dead or Alive: Hanzaisha (1999) |
"
A soulless compilation of thrills."
—
New York Times
Posted Mar 11, 2002
|
|
1/5
|
17%
|
Queen of the Damned (2002) |
"
... the movie is just a plain old monster."
—
New York Times
Posted Feb 21, 2002
|
|
1/5
|
23%
|
John Q (2002) |
"
So ham-fisted that it sabotages its own worthwhile arguments."
—
New York Times
Posted Feb 14, 2002
|
|
1/5
|
3%
|
Rollerball (2002) |
"
McTiernan's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious."
—
New York Times
Posted Feb 7, 2002
|
|
1/5
|
18%
|
Collateral Damage (2002) |
"
An exhausted rehash of Mr. Schwarzenegger breaking through red tape to struggle against his nemesis of the moment."
—
New York Times
Posted Feb 7, 2002
|
|
1/5
|
33%
|
Eban and Charley (2000) |
"
Might best be described as preaching to a sparse congregation, or else Mr. Bolton is simply out to bore people into submission."
—
New York Times
Posted Jan 11, 2002
|
|
1/5
|
14%
|
Thirteen Ghosts (13 Ghosts) (2001) |
"
A production so mammoth in its stupidity that it took two studios, Warner Brothers and Columbia Pictures, to wrestle it to the screen."
—
New York Times
Posted Oct 25, 2001
|
|
1/5
|
44%
|
Rat Race (2001) |
"
Rat Race chooses to rehash the worst aspect of Mad, Mad World, downgrading the experience from mindless to dreadful."
—
New York Times
Posted Aug 16, 2001
|
|
1/5
|
12%
|
Original Sin (2001) |
"
It's hard to keep a straight face just thinking of Mr. Banderas and Ms. Jolie in the same shot, but Original Sin will bore the giggles right out of you."
—
New York Times
Posted Aug 3, 2001
|
|
1/5
|
——
|
Everything Moves Alone (2001) |
—
New York Times
Posted Jul 19, 2001
|
|
1/5
|
48%
|
Russian Doll (2001) |
"
The predictable plot unfolds in such slow motion that Russian Doll loiters, as if someone had slowed down the film speed."
—
New York Times
Posted Jun 15, 2001
|
|
1/5
|
47%
|
Fast Food Fast Women (2001) |
"
Almost creates a sense of dread as you sit watching its raft of aimless, self-absorbed neurotics clang into one another."
—
New York Times
Posted May 18, 2001
|
74%
78%
61%
52%
26%
4%
