|
—
|
100%
|
Louie Bluie (1985) |
—
New York Times
Posted May 6, 2006
|
|
—
|
——
|
He-Man and She-Ra: The Secret of the Sword (1985) |
—
New York Times
Posted May 6, 2006
|
|
3/5
|
40%
|
Renaldo and Clara (1978) |
"
The film contains more than its share of dead weight, but it is seldom genuinely dull."
—
New York Times
Posted May 6, 2006
|
|
—
|
——
|
The Killing Time (1987) |
—
New York Times
Posted May 4, 2006
|
|
—
|
——
|
Yama no oto (Sound of the Mountain) (1954) |
—
New York Times
Posted Mar 4, 2006
|
|
—
|
——
|
Il Sole Anche di Notte (Night Sun) (The Sun Also Shines at Night) (1990) |
—
New York Times
Posted Feb 11, 2006
|
|
3/5
|
——
|
O.C. & Stiggs (1987) |
"
Its notion of American artificiality runs so deep that the film begins and ends at a man-made surfing beach in the middle of the desert."
—
New York Times
Posted Feb 11, 2006
|
|
—
|
100%
|
Riding the Rails (2003) |
—
New York Times
Posted Jan 28, 2006
|
|
—
|
86%
|
Red (2004) |
—
New York Times
Posted Jan 28, 2006
|
|
—
|
——
|
An Enemy of the People (Danger Plante Earth) (1978) |
—
New York Times
Posted Oct 29, 2005
|
|
—
|
——
|
Breakin' 2 - Electric Boogaloo (1984) |
—
New York Times
Posted Oct 1, 2005
|
|
—
|
60%
|
Bad Timing (1980) |
—
New York Times
Posted Oct 1, 2005
|
|
—
|
86%
|
Shall We Dance (1937) |
—
New York Times
Posted Sep 3, 2005
|
|
4.5/5
|
——
|
The Troubles We've Seen: A History of Journalism in Wartime (1994) |
"
Working on his usual vast canvas, Mr. Ophuls constructs another brave, enveloping inquiry into a compelling subject, reveling in the investigative process as he presents it imaginatively on screen."
—
New York Times
Posted Aug 7, 2005
|
|
2/5
|
20%
|
Turk 182! (1985) |
"
Everything looks wrong."
—
New York Times
Posted Jun 18, 2005
|
|
—
|
——
|
Mio Dio Come Sono Caduta in Basso! (Till Marriage Do Us Part) (How Long Can You Fall?) () |
—
New York Times
Posted Jun 6, 2005
|
|
—
|
——
|
Ucho () |
—
New York Times
Posted May 21, 2005
|
|
4/5
|
100%
|
28 Up (1985) |
"
The effect of 28 Up is to bring a dimension of wisdom and insight to the earlier footage, and in doing this Mr. Apted has been subtle and selective."
—
New York Times
Posted May 21, 2005
|
|
1.5/5
|
89%
|
The Loveless (Breakdown) (1983) |
"
Its evocation of tough-guy glamour is ridiculously stilted. And it regards the past with absolutely no perspective or wit."
—
New York Times
Posted May 14, 2005
|
|
—
|
——
|
Plot Against Harry (1991) |
—
New York Times
Posted May 14, 2005
|
|
—
|
94%
|
The Warriors (1979) |
—
New York Times
Posted May 9, 2005
|
|
—
|
90%
|
Fingers (1978) |
—
New York Times
Posted May 9, 2005
|
|
—
|
100%
|
My Brilliant Career (1979) |
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
March Or Die (1977) |
—
New York Times
Posted May 9, 2005
|
|
—
|
14%
|
The Swarm (1978) |
—
New York Times
Posted May 9, 2005
|
|
—
|
47%
|
Eyes of Laura Mars (1978) |
—
New York Times
Posted May 9, 2005
|
|
|
42%
|
The Black Hole (1979) |
"
It cost half as much as Star Trek and looks better -- not as lavish, perhaps, but more original. The special effects are fancy, and the design even more so."
—
New York Times
Posted May 9, 2005
|
|
1.5/5
|
15%
|
Sgt. Pepper's Lonely Hearts Club Band (1978) |
"
This isn't a movie, it's a business deal set to music."
—
New York Times
Posted May 9, 2005
|
|
—
|
80%
|
Les Rendez-vous d'Anna (The Meetings of Anna) (1978) |
—
New York Times
Posted May 9, 2005
|
|
2.5/5
|
86%
|
The Black Stallion (1979) |
"
The director, Carroll Ballard, and the cinematographer, Caleb Deschanel, have captured so many lavishly beautiful images that the cumulative effect is one of repetition."
—
New York Times
Posted May 9, 2005
|
|
—
|
8%
|
Meteor (1979) |
—
New York Times
Posted May 9, 2005
|
|
2/5
|
97%
|
Killer of Sheep: The Charles Burnett Collection (2007) |
"
The dialogue, which is read with either insufficient or excessive emphasis by the nonactors, is often buried under a soundtrack of vintage blues, making it doubly hard to follow. Even the slaughter of the sheep is numbingly uneventful."
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
The Boys in Company C (2008) |
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
Remember My Name (1978) |
—
New York Times
Posted May 9, 2005
|
|
—
|
40%
|
Valentino (1977) |
—
New York Times
Posted May 9, 2005
|
|
3/5
|
50%
|
Pete's Dragon (1977) |
"
You don't often see children's musicals as ambitious as this one any more."
—
New York Times
Posted May 9, 2005
|
|
—
|
0%
|
The Villain (Cactus Jack) (1979) |
—
New York Times
Posted May 9, 2005
|
|
—
|
63%
|
Big Wednesday (1978) |
—
New York Times
Posted May 9, 2005
|
|
4/5
|
67%
|
Love at First Bite (1979) |
"
A coarse, delightful little movie with a bang-up cast and no pretensions at all."
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
Meetings with Remarkable Men (1979) |
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
Newsfront (2001) |
—
New York Times
Posted May 9, 2005
|
|
|
84%
|
The Jerk (1979) |
"
The laughs aren't steady, but they're persistent, and the film moves fast enough to compensate for its unevenness."
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
The Betsy (1978) |
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
Wifemistress () |
—
New York Times
Posted May 9, 2005
|
|
4/5
|
88%
|
Real Life (1979) |
"
Mr. Brooks is at his most droll."
—
New York Times
Posted May 9, 2005
|
|
2.5/5
|
79%
|
Dark Star (1973) |
"
There are some funny routines here, though Mr. Carpenter doesn't seem to have cared much about integrating or sustaining them."
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
Firepower (1979) |
—
New York Times
Posted May 9, 2005
|
|
—
|
——
|
Love and Bullets (1979) |
—
New York Times
Posted May 9, 2005
|
|
2/5
|
82%
|
I Wanna Hold Your Hand (1978) |
"
If there's a tray full of food within camera range, rest assured that somebody will knock it over. If a stuck-in-the-elevator-on-the-eve-of-an-important-event routine presents itself, rest assured that its staging will be tried and true."
—
New York Times
Posted May 9, 2005
|
|
—
|
84%
|
Hardcore (1979) |
—
New York Times
Posted May 9, 2005
|
73%
21%
63%
85%
46%
40%
