|
0/4
|
8%
|
Furry Vengeance (2010) |
"
an experience in collective embarrassment %u2014 embarrassment for yourself, your fellow audience and the actors onscreen forced to take part in the movie's wildly inept, bottom-of-the-barrel shenanigans."
—
Moving Pictures Magazine
Posted May 5, 2010
|
|
.5/4
|
87%
|
Millions (2005) |
"
if you're a sucker for adorable, freckle-faced kids, you may not be able to resist the infantile wiles of this movie"
—
Cinema Writer
Posted Aug 20, 2010
|
|
.5/4
|
26%
|
Anatomy of Hell (2004) |
"
A waste of cinema, and of precious time."
—
Cinema Writer
Posted Aug 19, 2006
|
|
.5/4
|
18%
|
Shadowboxer (2005) |
"
After 90-odd minutes of bludgeoning us into open-jawed bafflement, Shadowboxer is best aborted, and flushed away as one of 2006's more unpleasant memories."
—
Slant Magazine
Posted Jul 20, 2006
|
|
1/5
|
52%
|
Shuttle (2009) |
"
a pile of stinking turpitude"
—
Filmcritic.com
Posted Mar 11, 2009
|
|
1/5
|
61%
|
Bug (2006) |
"
A staggering miscalculation."
—
Filmcritic.com
Posted May 24, 2007
|
|
1/5
|
36%
|
The Tripper (2007) |
"
Ineptly written by Arquette and Joe Harris, The Tripper is a carnival of cretins doing and saying one ass-headed thing after another."
—
Boxoffice Magazine
Posted Apr 21, 2007
|
|
1/5
|
50%
|
Race You to the Bottom (2005) |
"
While clocking in at a relatively painless 75 minutes, Brown fails to come up with anything so fresh and bold in his approach as to make a single one of those worth watching."
—
Boxoffice Magazine
Posted Mar 30, 2007
|
|
1/5
|
20%
|
The Marine (2006) |
"
It's as fast and loud as you'd expect, but where it catches you off-guard is in its breathtaking stupidity."
—
Boxoffice Magazine
Posted Oct 13, 2006
|
|
1/5
|
63%
|
Mail Order Wife (2005) |
"
a simple-minded circle jerk about exploitation, peopled by characters without the least bit of originality, vitality or appeal"
—
Los Angeles Alternative
Posted Mar 8, 2005
|
|
1/5
|
80%
|
21 Grams (2003) |
"
21 Grams thrashes wildly...exhorting us to feel something. Apart from the fleeting satisfaction of its structural parlor game, I felt little...save exhausted boredom."
—
Los Angeles Alternative
Posted Sep 30, 2004
|
|
1/5
|
81%
|
The Barbarian Invasions (Les Invasions barbares) (2003) |
"
...jerkily paced, dramatically obvious, and seems penned by a self-serious 16-year-old"
—
Los Angeles Alternative
Posted Sep 30, 2004
|
|
1/4
|
40%
|
Tonight You're Mine (2012) |
"
A prime example of a movie whose setting must compensate for an absence of any actual merit."
—
Paste Magazine
Posted May 9, 2012
|
|
1/4
|
32%
|
How Do You Know (2010) |
"
What happened to James L. Brooks? "
—
Cinema Writer
Posted Jan 30, 2012
|
|
1/4
|
43%
|
Twentynine Palms (2004) |
"
A movie full of surfaces but with exasperatingly little to say"
—
Cinema Writer
Posted Sep 6, 2010
|
|
1/4
|
75%
|
Wedding Crashers (2005) |
"
What should've been an absolutely raucous and no-holds-barred lusty farce is nothing but lame-ass, safe, predictable, lowest common denominator, no-laffs garbage"
—
Cinema Writer
Posted Aug 17, 2010
|
|
1/4
|
50%
|
The Living Wake (2010) |
"
we get the sense that O'Connell is having all the fun, leaving the rest of us to suffer through the indulgences of this aggressively awful comedy"
—
Moving Pictures Magazine
Posted May 14, 2010
|
|
1/4
|
21%
|
The Lodger (2009) |
"
Ondaatje's lack of certainty seeps from the dialogue and characterizations to his choice of an overwrought aria-heavy score and a shoddy sense of style that recalls episodic television and myriad Silence of the Lambs rip-offs."
—
Slant Magazine
Posted Jan 22, 2009
|
|
|
17%
|
Badland (2007) |
"
Offensive to all and on every level, Badland tops the landfill of this year's worst."
—
Boxoffice Magazine
Posted Nov 30, 2007
|
|
1/4
|
31%
|
Unaccompanied Minors (2006) |
"
a 90-minute succession of jokes, set pieces and false sentiment that, unless you're extremely young or undiscerning, has a distinctly been-there-done-that whiff about it."
—
Boxoffice Magazine
Posted Dec 9, 2006
|
|
1/4
|
85%
|
The Decline of the American Empire (Le Déclin de l'Empire Américain) (1986) |
"
instead of being wickedly funny, it's repellent before becoming a total snore"
—
Cinema Writer
Posted Aug 20, 2006
|
|
1/4
|
74%
|
Cars (2006) |
"
a steep step downwards for all and everything concerned, unless you're a Caucasian sports car"
—
Cinema Writer
Posted Aug 20, 2006
|
|
1/4
|
38%
|
Happy Hour (2004) |
"
Happy Hour is strictly college-level compost, content with its mediocrity, if not wholly unaware of it."
—
Los Angeles Alternative
Posted Oct 29, 2004
|
|
|
66%
|
Bright Young Things (2003) |
"
Bright Young Things lacks free-spiritedness and bite."
—
Los Angeles Alternative
Posted Sep 29, 2004
|
|
1.5/5
|
48%
|
Towelhead (2007) |
"
A clumsy, witless, tedious trudge."
—
Jaman
Posted Jan 30, 2008
|
|
1.5/5
|
36%
|
Eleven Men Out (Strakarnir okkar) (2007) |
"
If you detect anything fresh or original in terms of character or story development, you're probably not watching this movie."
—
Boxoffice Magazine
Posted Nov 16, 2007
|
|
1.5/5
|
38%
|
Itty Bitty Titty Committee (2007) |
"
trades in platitudes and cliches, for lack of anything distinctive or bold to say"
—
Boxoffice Magazine
Posted Oct 16, 2007
|
|
1.5/5
|
67%
|
Noriko no shokutaku (Noriko's Dinner Table) (2005) |
"
Growing up has never felt so god-awful tedious."
—
Boxoffice Magazine
Posted Jul 9, 2007
|
|
1.5/5
|
72%
|
Bubble (2006) |
"
staggeringly clueless"
—
Filmcritic.com
Posted Jan 26, 2006
|
|
1.5/5
|
12%
|
Ma Mere,(Meine Mutter),(My Mother) (2005) |
"
...a dispirited affair and often feels like a parody - a decidedly self-serious one - of one of Bertolucci or Pasolini's boundary-pushing offerings from the '70s"
—
Los Angeles Alternative
Posted May 14, 2005
|
|
1.5/5
|
70%
|
Monsieur N. (2004) |
"
a disaster"
—
Filmcritic.com
Posted Mar 8, 2005
|
|
1.5/5
|
46%
|
The Other Side of the Bed (El Otro Lado de la Cama) (2003) |
"
it's impossible for me to completely dismiss a movie that features not one but two Spanish women....The rest of [this] sex romp/romantic comedy...can't be so summarily praised"
—
Los Angeles Alternative
Posted Sep 30, 2004
|
|
1.5/5
|
70%
|
Dogville (2003) |
"
never manages to be more than a belabored shaggy dog story"
—
Los Angeles Alternative
Posted Sep 30, 2004
|
|
1.5/5
|
51%
|
Code 46 (2004) |
"
a noir snore with no moral desperation, no clear-cut point-of-view and a love story whose eroticism feels about as urgent as yardwork"
—
Los Angeles Alternative
Posted Sep 30, 2004
|
|
1.5/5
|
45%
|
Nicotina (2004) |
"
Nicotina feels so comfortably middle-of-the-road...that it makes us ponder the purpose of its very existence and makes the task of reviewing it an absolute redundancy."
—
Los Angeles Alternative
Posted Sep 30, 2004
|
|
1.5/4
|
86%
|
Le refuge (Hideaway (Le refuge)) (2010) |
"
Ozon masks his lack of sensitivity to the material with his characteristic cerebral detachment and pretense to subtlety."
—
Cinema Writer
Posted Jan 30, 2012
|
|
1.5/4
|
57%
|
Film socialisme (2011) |
"
likely to be an unbearable experience for anyone other than for Godard himself and his most hardcore adherents"
—
Cinema Writer
Posted Jan 27, 2012
|
|
1.5/4
|
59%
|
Twin Peaks - Fire Walk with Me (1992) |
"
This fire dampens fast, and the results are rather dreary, and nonsensical."
—
Cinema Writer
Posted Sep 7, 2010
|
|
1.5/4
|
72%
|
Machete (2010) |
"
hack-and-slash nonsense"
—
Moving Pictures Magazine
Posted Sep 3, 2010
|
|
1.5/4
|
78%
|
Sin City (2005) |
"
My own trajectory while watching Sin City--excited, bored, offended...back to bored...roll credits"
—
Cinema Writer
Posted Sep 3, 2010
|
|
1.5/4
|
73%
|
Primer (2004) |
"
ridiculous, confusing, vaguely noir-ish nonsense"
—
Cinema Writer
Posted Aug 24, 2010
|
|
1.5/4
|
51%
|
The Switch (2010) |
"
so unimaginative and formula-driven...that it seems entirely to have been hashed out by executives over a long lunch. "
—
Moving Pictures Magazine
Posted Aug 19, 2010
|
|
1.5/4
|
81%
|
The Manchurian Candidate (2004) |
"
This humorless and nonsensical update of The Manchurian Candidate - a total misread of Frankenheimer's classic original - never quite engages, devolving the original's camp and satire into self-serious melodrama. "
—
Cinema Writer
Posted Aug 19, 2010
|
|
1.5/4
|
72%
|
Soul Kitchen (2010) |
"
hasn't a clue how to take its characters through the requisite beats of what is allegedly a story about a man's search for self - just as Soul Kitchen is allegedly an attempt at bright, witty comedy"
—
Moving Pictures Magazine
Posted Aug 18, 2010
|
|
1.5/4
|
90%
|
Hotel Rwanda (2004) |
"
potentially fantastic material...unfortunately, [Terry] George's attempt is too mired in movie-of-the-week sensibilities...to do any justice to its subject matter"
—
Cinema Writer
Posted Aug 17, 2010
|
|
1.5/4
|
52%
|
The Family Stone (2005) |
"
a gob of yuletide Play-Doh"
—
Cinema Writer
Posted Aug 17, 2010
|
|
1.5/4
|
97%
|
Animal Kingdom (2010) |
"
more a trip to the petting zoo than a foray into the treacherous savannah of high and low crime"
—
Moving Pictures Magazine
Posted Aug 9, 2010
|
|
1.5/4
|
14%
|
Cats & Dogs: The Revenge of Kitty Galore (2010) |
"
not the plot nor the action nor most of the jokes offer the joy or delight to make Kitty Galore worth the trip to the multiplex"
—
Moving Pictures Magazine
Posted Jul 27, 2010
|
|
1.5/4
|
34%
|
Miracle at St. Anna (2008) |
"
A dollop of Saving Private Ryan, a dash of Letters from Iwo Jima, and a sprinkle of Italian neorealism characterize the style and sentiment of Miracle at St. Anna."
—
Slant Magazine
Posted Sep 24, 2008
|
|
1.5/4
|
14%
|
It's All About Love (2004) |
"
while watching it you might be hit with the urge to grab the Danish writer-director by the collar and shout 'No, it's all about story!'"
—
Los Angeles Alternative
Posted Oct 29, 2004
|
74%
79%
62%
52%
26%
4%
