|
—
|
——
|
Bloodknot (1996) |
—
Variety
Posted Jan 22, 2013
|
|
|
32%
|
The Oranges (2012) |
"
There's not enough tension for the humor to diffuse. What we're left with is a bland dramedy featuring a strong cast."
—
ReelTalk Movie Reviews
Posted Oct 5, 2012
|
|
—
|
——
|
Phillip The Fossil (2011) |
—
Boxoffice Magazine
Posted Apr 4, 2012
|
|
—
|
——
|
Sideshow: Alive on the Inside (2005) |
—
Variety
Posted Feb 23, 2012
|
|
—
|
——
|
Gulliver's Travels (1996) |
—
Variety
Posted Feb 23, 2012
|
|
—
|
——
|
Frank and Jesse (1995) |
—
Variety
Posted Feb 23, 2012
|
|
—
|
——
|
In Pursuit of Honor (1995) |
—
Variety
Posted Feb 23, 2012
|
|
—
|
——
|
SugarTime (1995) |
—
Variety
Posted Feb 23, 2012
|
|
—
|
——
|
Triplecross (2006) |
—
Variety
Posted Feb 23, 2012
|
|
—
|
——
|
Liz: The Elizabeth Taylor Story (1995) |
—
Variety
Posted Feb 23, 2012
|
|
3/5
|
60%
|
El Bulli: Cooking In Progress (2011) |
"
You can't help but appreciate the food's visual beauty -- and the physical, mental and emotional energy that went into creating it -- but you don't come away feeling you have to taste any of Adrià 's food before you die."
—
Boxoffice Magazine
Posted Jul 29, 2011
|
|
—
|
——
|
MacGyver: Trail to Doomsday (1994) |
—
Variety
Posted Jun 29, 2011
|
|
1.5/5
|
26%
|
The Best and the Brightest (2011) |
"
Strictly bush league, save for a few bravura performances."
—
Boxoffice Magazine
Posted Jun 21, 2011
|
|
—
|
96%
|
One Lucky Elephant (2011) |
—
Boxoffice Magazine
Posted Jun 10, 2011
|
|
—
|
55%
|
Mr. Nice (2011) |
—
Boxoffice Magazine
Posted Jun 7, 2011
|
|
2/5
|
19%
|
Judy Moody and the NOT Bummer Summer (2011) |
"
This ho-hum offshoot of Megan McDonald's book series earns negative "thrill points" as it chronicles the mirthless backyard shenanigans of a suburban Pippi Longstocking."
—
Boxoffice Magazine
Posted Jun 7, 2011
|
|
—
|
86%
|
Breaking the Waves (1996) |
—
Boxoffice Magazine
Posted May 28, 2011
|
|
2.5/5
|
34%
|
The Hangover Part II (2011) |
"
Its sense of fun-loving camaraderie feels forced and tinged with buzz-killing danger."
—
Boxoffice Magazine
Posted May 24, 2011
|
|
—
|
——
|
The Computer Wore Tennis Shoes (1995) |
—
Variety
Posted May 19, 2011
|
|
2.5/5
|
59%
|
The First Grader (2011) |
"
Guilt and glossiness form the foundation of the slick production, which, despite the best intentions of all those working under director Justin Chadwick, exudes a mildly patronizing vapor that dampens the emotional affect and any historical incisiveness."
—
Boxoffice Magazine
Posted May 14, 2011
|
|
3.5/5
|
96%
|
Cave of Forgotten Dreams (2011) |
"
Is any filmmaker more comfortable moving between the didactic and the lyrical, between quotidian facts and profound speculation?"
—
Boxoffice Magazine
Posted Apr 26, 2011
|
|
0.5/5
|
41%
|
Footprints (2011) |
"
The barely coherent Footprints seems bent on erasing any nostalgia one might have for Hollywood's heyday."
—
Boxoffice Magazine
Posted Apr 12, 2011
|
|
—
|
——
|
Trapped in Space (1994) |
—
Variety
Posted Apr 4, 2011
|
|
—
|
——
|
The Sound of Insects: Record of a Mummy (2010) |
—
Boxoffice Magazine
Posted Apr 4, 2011
|
|
—
|
——
|
Wrecked (2009) |
—
Boxoffice Magazine
Posted Apr 2, 2011
|
|
3.5/5
|
84%
|
Jane Eyre (2011) |
"
Cary Joji Fukunaga's romantic thriller Jane Eyre is to19th-century literature what Black Swan is to ballet: a thoroughly cinematic, occasionally exhilarating reimagining of a repertoire standard."
—
Boxoffice Magazine
Posted Mar 10, 2011
|
|
—
|
90%
|
Public Speaking (2011) |
—
Boxoffice Magazine
Posted Feb 25, 2011
|
|
2/5
|
72%
|
We Are What We Are (2011) |
"
We Are What We Are is a superficially provocative movie that tries way too hard to be memorable."
—
Boxoffice Magazine
Posted Feb 19, 2011
|
|
0.5/5
|
5%
|
Big Mommas: Like Father, Like Son (2011) |
"
Big Momma has laid a gigantic egg."
—
Boxoffice Magazine
Posted Feb 19, 2011
|
|
3/5
|
86%
|
Carancho (2011) |
"
Without resorting to sensationalism, gratuitous gore, false spirituality, or any extraneous artificiality, Trapero has fashioned an emotionally involving picture."
—
Boxoffice Magazine
Posted Feb 15, 2011
|
|
1.5/5
|
4%
|
The Roommate (2011) |
"
What's most memorable about this plodding thriller are the copious amounts of foundation and lip gloss."
—
Boxoffice Magazine
Posted Feb 4, 2011
|
|
3/5
|
80%
|
Ward No. 6 (2011) |
"
The movie's profundity shines through because it gestures at something that might counter its aura of futility and despair."
—
Boxoffice Magazine
Posted Dec 22, 2010
|
|
3/5
|
100%
|
Con Artist (2010) |
"
[Director Michael Sladek] lets Kostabi hang himself and the auto-execution is fully effected about halfway through."
—
Boxoffice Magazine
Posted Nov 19, 2010
|
|
2/5
|
81%
|
Today's Special (2010) |
"
Those with even modestly adventuresome cinematic palates will have their appetites whetted before exiting unsatisfied."
—
Boxoffice Magazine
Posted Nov 19, 2010
|
|
2.5/5
|
39%
|
Due Date (2010) |
"
With its premise so easily established, Due Date is able to be modestly raucous as well as character-driven, which is how it goes astray since it tries to evoke complex moods and feelings that are beyond its ken."
—
Boxoffice Magazine
Posted Nov 5, 2010
|
|
2.5/5
|
29%
|
The Tempest (2010) |
"
The result is cacophonous."
—
Boxoffice Magazine
Posted Nov 2, 2010
|
|
4/5
|
61%
|
The Kids Grow Up (2010) |
"
Ranks as one of the best non-fiction films of the year."
—
Boxoffice Magazine
Posted Oct 29, 2010
|
|
3/5
|
59%
|
Paranormal Activity 2 (2010) |
"
As semi-spooky and splatter-free as its predecessor."
—
Boxoffice Magazine
Posted Oct 23, 2010
|
|
1/5
|
0%
|
Kalamity (2010) |
"
Kalamity is a real klunker."
—
Boxoffice Magazine
Posted Oct 22, 2010
|
|
3.5/5
|
83%
|
Vision: From the Life of Hildegard von Bingen (2010) |
"
Although its claims about Hildegard's modernity and relevancy should be taken with a grain of salt, one readily imagines Vision attracting a cross-section of the curious, not limited to feminist cinephiles and true believers."
—
Boxoffice Magazine
Posted Oct 16, 2010
|
|
3/5
|
52%
|
Devil (2010) |
"
A Sunday school parable wrapped in an adequately nail-biting supernatural thriller, Devil uses its triteness to its advantage."
—
Boxoffice Magazine
Posted Sep 18, 2010
|
|
2/5
|
58%
|
The Freebie (2010) |
—
Boxoffice Magazine
Posted Sep 18, 2010
|
|
2/5
|
83%
|
Our Beloved Month of August (2010) |
"
Elliptical and episodic, the hybrid blends music, documentary and narrative elements into an intriguing but frustratingly vague whole."
—
Boxoffice Magazine
Posted Sep 10, 2010
|
|
3.5/5
|
——
|
Honeymoons (Medeni mesec) (2010) |
"
You don't want Honeymoons to be over quite so soon, but you know it must end at some point."
—
Boxoffice Magazine
Posted Sep 10, 2010
|
|
3.5/5
|
72%
|
Machete (2010) |
"
How often can you see Cheech Marin nailed to a cross or Lindsay Lohan in a threesome with Trejo and the actress playing her mother?"
—
Boxoffice Magazine
Posted Sep 1, 2010
|
|
3/5
|
——
|
The Living Wake () |
—
Boxoffice Magazine
Posted Aug 27, 2010
|
|
2.5/5
|
79%
|
Smash His Camera (2010) |
—
Boxoffice Magazine
Posted Aug 27, 2010
|
|
3/5
|
100%
|
DDR/DDR (2010) |
—
Boxoffice Magazine
Posted Aug 27, 2010
|
|
4/5
|
100%
|
Enemies of the People (2010) |
"
As if the subject matter weren't disconcerting enough, Daniel Pemberton's music is positively eerie."
—
Boxoffice Magazine
Posted Jul 30, 2010
|