Ken Tucker

Ken Tucker

Agrees with the Tomatometer 88% of the time.

Biography:
New York Magazine film critic.
Publications:
Entertainment Weekly , New York Magazine , NPR.org
Total Reviews:
63

Listing Of All Reviews & Articles

Showing 1 - 50 of 63
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Rating T-Meter Title | Year Add Date
B+ 67% Bad Blood: The Hatfields and McCoys (2012) " Hatfields & McCoys is engrossing, and enlightening about a feud that proves to be a lot more than the bumpkin brawl of pop legend." — Entertainment Weekly
Posted Mar 1, 2013
33% Liz & Dick (2013) " Taylor and Burton deserved better, and Lohan should have shed her protective shell and made an effort to try and understand a psyche other than her own." — Entertainment Weekly
Posted Nov 26, 2012
47% The Girl () " There's little forward momentum in The Girl. It's just the dramatization of one humiliation after another." — Entertainment Weekly
Posted Oct 22, 2012
A- 63% Game Change (2013) " Game Change does stress a theme that applies to both sides of the aisle." — Entertainment Weekly
Posted Aug 3, 2012
C+ 30% Screamers (1996) " Based on a short story by the great nutball sci-fi writer Philip K. Dick, Screamers is more like a high-pitched rip-off of Alien." — Entertainment Weekly
Posted Jul 6, 2010
B- 100% Road House (1948) Entertainment Weekly
Posted Oct 24, 2008
43% From the Earth to the Moon () NPR.org
Posted Oct 18, 2008
25% Bewitched (2005) " What the hell is Will Ferrell doing to his career?" — New York Magazine
Posted May 12, 2006
80% Star Wars: Episode III - Revenge of the Sith 3D (2013) " Lucas is a brilliant technician but a poor philosopher, and his lurchingly thought-out rendering of futuristic politics prevents the entire series from achieving the greatness to which it aspires." — New York Magazine
Posted May 12, 2006
41% Where the Truth Lies (2005) New York Magazine
Posted May 12, 2006
35% Imaginary Heroes (2004) New York Magazine
Posted May 12, 2006
83% Rize (2005) New York Magazine
Posted May 12, 2006
30% Be Cool (2005) New York Magazine
Posted May 12, 2006
82% Walk the Line (2005) New York Magazine
Posted May 12, 2006
97% Enron: The Smartest Guys in the Room (2005) New York Magazine
Posted May 12, 2006
90% Kung Fu Hustle (2005) " Chow's movie may seem nutty on the surface, but its slyness, its dreamy unfolding of so many moods and genres, becomes intoxicating." — New York Magazine
Posted May 12, 2006
59% Mr. & Mrs. Smith (2005) " Mr. & Mrs. Smith works on almost every level and against all odds." — New York Magazine
Posted May 12, 2006
74% War of the Worlds (2005) " Steven Spielberg's War of the Worlds is huge and scary, moving and funny-another capper to a career that seems like an unending succession of captivations." — New York Magazine
Posted May 12, 2006
46% Constantine (2005) " Reeves, meanwhile, has confidently entered his self-parodic period." — New York Magazine
Posted May 12, 2006
88% Cache (Hidden) (2005) New York Magazine
Posted May 12, 2006
85% Gunner Palace (2005) New York Magazine
Posted May 12, 2006
43% Palindromes (2004) New York Magazine
Posted May 12, 2006
81% The President's Last Bang (2005) New York Magazine
Posted May 12, 2006
53% Melinda and Melinda (2005) " Neither version of Melinda, despite Mitchellâ(TM)s game try at making them distinctive beyond their different hairdos, is funny or tragic enough to fully engage us; thereâ(TM)s no opportunity for an audience to be moved." — New York Magazine
Posted May 12, 2006
57% The Interpreter (2005) " Penn is terrific in his low-key doggedness." — New York Magazine
Posted May 12, 2006
85% Batman Begins (2005) " A nonstarter." — New York Magazine
Posted May 12, 2006
78% Sin City (2005) " If Raymond Chandler and Daffy Duck could have produced a child, Sin City would be their baby." — New York Magazine
Posted May 12, 2006
82% Serenity (2005) " Go out and see Joss Whedon's witty whizbang of an action movie, or we will kill a kitten." — New York Magazine
Posted May 12, 2006
87% A History of Violence (2005) " A remarkably convincing examination of heroism, hero worship, and the seductive allure of villainy." — New York Magazine
Posted May 12, 2006
82% Charlie and the Chocolate Factory (2005) " As the star who's framed in the center of nearly every shot he's in, Depp is a constantly surprising Willy Wonka." — New York Magazine
Posted May 12, 2006
74% Sympathy for Lady Vengeance (2005) " South Korean director Park Chan-wook's tremendous conclusion to his Vengeance trilogy is a modern classic." — New York Magazine
Posted May 5, 2006
88% Broken Flowers (2005) " Murray manages, almost impossibly, to come up with still another rich variation on his Depleted Man persona, and his performance is at once enormously generous and fiercely, concisely witty." — New York Magazine
Posted Dec 9, 2005
93% Paths of Glory (1957) " Paths of Glory is all about that greatest of all movie subjects: power." — New York Magazine
Posted Dec 9, 2005
85% Pride and Prejudice (2005) " Keira's cat-smile suggests such supernal all-knowingness that, with Austen's adapted dialogue (via Deborah Moggach) tripping off her tongue, she comes off as an eighteenth-century Maureen Dowd." — New York Magazine
Posted Dec 9, 2005
72% Syriana (2005) " As he did in Traffic, Gaghan intertwines his disparate subplots with impeccable pacing -- his screenplay is a model of how to arrange scenes so that each one ends leaving you wanting to know more." — New York Magazine
Posted Dec 9, 2005
77% The Sisterhood of the Traveling Pants (2005) " The film is filled with positive messages ..." — New York Magazine
Posted Dec 9, 2005
75% In Her Shoes (2005) " I think one reason this movie is so appealing is that it's the anti-Sex and the City-its earnestness and relative lack of rank bawdiness or cynicism seem novel in the present pop-culture atmosphere." — New York Magazine
Posted Dec 9, 2005
87% Brokeback Mountain (2005) " Ang Lee conveys maddening delirium rendered in the way one man's eyes gaze at another's, and then look away, and the looking-away amounts to the murder of two souls as surely as if they'd drawn guns and hit each other in the heart." — New York Magazine
Posted Dec 9, 2005
93% Good Night, And Good Luck (2005) " ... it telescopes -- with no loss of accuracy -- Murrow's last few fifties hurrahs as the hardest diamond in Bill Paley's 'Tiffany network.'" — New York Magazine
Posted Dec 9, 2005
71% Thumbsucker (2005) " Unlike so many movies in which a character changes in order to propel the plot forward, this one stops to follow up on the consequences of those changes." — New York Magazine
Posted Dec 9, 2005
83% The Constant Gardener (2005) " ... Ralph Fiennes gives one of the year's subtlest, yet most exciting, screen performances ..." — New York Magazine
Posted Dec 9, 2005
86% Howl's Moving Castle (2005) " There is giggling, belly-laughing, and gasping to be done watching Howl's Moving Castle." — New York Magazine
Posted Dec 9, 2005
75% Crash (2004) " It's smart, therefore, that Haggis has written such novel, precisely observed, often unpleasant characters as the ones Bullock, Dillon, and Cheadle inhabit." — New York Magazine
Posted Dec 9, 2005
61% Jarhead (2005) " Jarhead is utterly predictable (boys endure tough training; boys encounter another culture and are baffled), studded with first-rate performances." — New York Magazine
Posted Dec 9, 2005
80% The Aristocrats (2005) " ... The Aristocrats proves that sometimes you don't have to be a great filmmaker to make a great documentary." — New York Magazine
Posted Dec 9, 2005
89% Paradise Now (2005) " ... remarkable ..." — New York Magazine
Posted Dec 9, 2005
61% Shopgirl (2005) " A slim, charming, romantic story, full of intentionally mild humor about strong themes -- passion, commitment, loneliness." — New York Magazine
Posted Nov 18, 2005
88% Tell Them Who You Are (2005) " [A] tremendously moving documentary." — New York Magazine
Posted Oct 13, 2005
83% Inside Deep Throat (2005) " [A] valuable document of a cultural shift." — New York Magazine
Posted Jul 18, 2005
Showing 1 - 50 of 63
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