Mark Freeman

Agrees with the Tomatometer 79% of the time.

Publications:
Critical Eye , Senses of Cinema
Total Reviews:
115
Location:
Melbourne, VIC Australia

Listing Of All Reviews & Articles

Showing 1 - 50 of 115
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Rating T-Meter Title | Year Add Date
—— Hundred Steps Critical Eye
Posted Jan 24, 2004
—— Beneath Clouds Critical Eye
Posted Jan 24, 2004
10% The Watcher (2000) Critical Eye
Posted Jan 24, 2004
88% Tracker (2003) Critical Eye
Posted Jan 24, 2004
61% Return to Me (2000) Critical Eye
Posted Jan 24, 2004
82% The Deep End (2001) Critical Eye
Posted Jan 24, 2004
96% Raise the Red Lantern (Da hong deng long gao gao gua) (1991) Critical Eye
Posted Jan 24, 2004
61% The Bank (2002) Critical Eye
Posted Jan 24, 2004
88% Felicia's Journey (1999) Critical Eye
Posted Jan 24, 2004
74% Heaven (2002) Critical Eye
Posted Jan 24, 2004
36% Rules of Engagement (2000) Senses of Cinema
Posted Jan 24, 2004
67% The Happiness of the Katakuris (2001) Critical Eye
Posted Jan 24, 2004
62% Cube (1998) Critical Eye
Posted Jan 24, 2004
90% Lantana (2002) Senses of Cinema
Posted Jan 24, 2004
100% Tokyo Story (Tôkyô monogatari) (1953) Critical Eye
Posted Jan 24, 2004
77% Tape (2001) Critical Eye
Posted Jan 24, 2004
86% Equinox Flower (1958) Critical Eye
Posted Jan 24, 2004
98% Croupier (2000) Critical Eye
Posted Jan 24, 2004
68% Dancer in the Dark (2000) Critical Eye
Posted Jan 24, 2004
68% Shaft (2000) Critical Eye
Posted Jan 24, 2004
55% Malena (2000) Critical Eye
Posted Jan 24, 2004
95% Best in Show (2000) Critical Eye
Posted Jan 24, 2004
96% The Dish (2001) Senses of Cinema
Posted Jan 24, 2004
76% Tigerland (2000) Critical Eye
Posted Jan 24, 2004
21% Baise-Moi (2000) Critical Eye
Posted Jan 24, 2004
71% Phone Booth (2003) Critical Eye
Posted May 30, 2003
100% French Cancan (Only the French Can) (1956) Critical Eye
Posted May 7, 2003
56% Ned Kelly (2003) Critical Eye
Posted Apr 4, 2003
90% Act of Violence (1948) " A complex, fascinating noir that exposes the grim truths behind the shiny, fragile façade of post-war America." — Senses of Cinema
Posted Mar 31, 2003
85% About Schmidt (2002) Critical Eye
Posted Feb 14, 2003
81% Pollock (2000) Critical Eye
Posted Dec 27, 2002
72% Le Pacte des loups (Brotherhood of the Wolf) (2001) Critical Eye
Posted Dec 6, 2002
100% Samsara (2002) Critical Eye
Posted Nov 29, 2002
85% Rain (2001) Critical Eye
Posted Oct 26, 2002
43% Garage Days (2003) Critical Eye
Posted Oct 4, 2002
91% Y Tu Mamá También (2001) " A tremendous example of what is possible when you take a simple premise, and imbue it with intelligence and dignity" — Critical Eye
Posted Sep 20, 2002
74% Signs (2002) " Its attempts to merge popcorn mentalities and issues of theology means there is not enough of either approach to really work." — Critical Eye
Posted Sep 9, 2002
80% The Business of Strangers (2001) Critical Eye
Posted Jul 5, 2002
95% Lagaan - Once Upon a Time in India (2001) " '...a great, participatory spectator sport.'" — Critical Eye
Posted Jul 3, 2002
91% Minority Report (2002) " the most interesting, successful, and basically honest work this director has done for a long, long time." — Critical Eye
Posted Jun 28, 2002
58% The Importance of Being Earnest (2002) " 'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'" — Critical Eye
Posted Jun 28, 2002
—— The Beaver Trilogy (2001) " '...toys with issues of spectatorship so brilliantly, that you emerge having learnt a lot about fiction, documentary, and yourself.'" — Critical Eye
Posted Jun 13, 2002
73% The Last Kiss (L'Ultimo bacio) (2002) " "its successes are also tempered with elements which prove the direct antithesis of what it gets right."" — Critical Eye
Posted Jun 4, 2002
—— Puppetry of the Penis - Tackle Happy (2002) " "It's such a weird and demented world these men choose to inhabit, but Molloy doesn't take us any further than the surface."" — Critical Eye
Posted Jun 4, 2002
53% Storytelling (2002) Critical Eye
Posted May 31, 2002
81% The Royal Tenenbaums (2002) " '...like the lives of the geniuses it centres on, The Royal Tenenbaums is a good looking, angst ridden example of squandered potential.'" — Critical Eye
Posted May 17, 2002
41% The Scorpion King (2002) " a return of the action hero as self-parody" — Critical Eye
Posted Apr 19, 2002
89% Kandahar (2001) " '...doesn't quite have the cohesion and power of the sublime Gabbeh... but still remains strong and compelling'" — Critical Eye
Posted Apr 5, 2002
76% A Beautiful Mind (2001) " It may be a film which salutes intelligence and the power of love, but it's also a symbol of cinematic cowardice and fear." — Critical Eye
Posted Apr 5, 2002
80% Waking Life (2001) " It has taken a decade for Linklater to move from Slacker to Waking Life, and a comparison between the two brilliantly exposes the changes that have occurred over this time." — Critical Eye
Posted Mar 29, 2002
Showing 1 - 50 of 115
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