Critics » Mark Keizer
Mark Keizer

Mark Keizer

Agrees with the Tomatometer 80% of the time.

Publications:
Boxoffice Magazine , Los Angeles CityBeat
Critics' Group:
Los Angeles Film Critics Association
Total Reviews:
270

Listing Of All Reviews & Articles

Showing 1 - 50 of 270
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Rating T-Meter Title | Year Add Date
4/5 95% Undefeated (2012) " Awards recognition should only boost the coffers of a doc that features echoes of the popular, based-on-a-true-story gridiron movies The Blind Side and Friday Night Lights." — Boxoffice Magazine
Posted Feb 7, 2012
3/5 86% Chico & Rita (2012) " Its failings aside, Chico & Rita is a work of warmth and affection, a colorful evocation of a time and a musical environment redolent of artistic sophistication and the prospects of post-war recovery." — Boxoffice Magazine
Posted Jan 31, 2012
4/5 90% In Darkness (2012) " Whereas too many Holocaust dramas rely on built-in sympathies and long-settled historical assumptions...Holland is not afraid to trade a barely-earned tear for a surprising tweak of our expectations." — Boxoffice Magazine
Posted Jan 22, 2012
1.5/5 25% Autoerotic (2011) " If only (Swanberg) explored his characters as much as his characters explore themselves." — Boxoffice Magazine
Posted Jul 25, 2011
1/5 0% The Undefeated (2011) " The Undefeated says less about Sarah Palin than about the political and cultural environment that made her big screen beatification possible." — Boxoffice Magazine
Posted Jul 18, 2011
3.5/5 79% Conan O'Brien Can't Stop (2011) " Conan O'Brien is one of the funniest men to ever host a television program. It was his downfall." — Boxoffice Magazine
Posted Jun 18, 2011
2.5/5 43% The Perfect Host (2011) " As it unfolds, one dreams of Sidney Lumet's Deathtrap and wonders how David Mamet would have handled these two A-types as they jockey for supremacy in a closed environment." — Boxoffice Magazine
Posted Jun 17, 2011
3/5 85% Make Believe (2011) " Watching even the most tossed-off gag is worth whatever shortcomings Make Believe has." — Boxoffice Magazine
Posted May 17, 2011
3/5 71% The People vs. George Lucas (2011) " It catalogues and recalls events so vividly that it will become a communal experience for those with conflicted feelings about Luke, Han and those stupid, furry things from Episode VI." — Boxoffice Magazine
Posted May 7, 2011
3/5 71% Dumbstruck (2011) " Instead of shooting for real insight, the smoothly-edited doc maintains a pleasant course, as troubled artists continually navigate between compromise and concession. " — Boxoffice Magazine
Posted Apr 25, 2011
1/5 15% Cat Run (2011) " A loud, ugly and terrible movie that doesn't skillfully juggle its various elements; it throws them violently at your face and calls it edge." — Boxoffice Magazine
Posted Apr 4, 2011
3.5/5 88% Honey (2011) " A gorgeously shot, deeply interior portrait of the artist as a young introvert." — Boxoffice Magazine
Posted Mar 29, 2011
3/5 68% Rubber (2011) " Pleasure is derived strictly from bearing witness to such devilish and well-executed nonsense." — Boxoffice Magazine
Posted Mar 29, 2011
2/5 29% Elektra Luxx (2011) " Gugino and the rest of the mostly female cast clearly savor the chance to strip and swear in a free-play environment, which is a nice way of saying the film is hopelessly flabby and lacks coherence." — Boxoffice Magazine
Posted Mar 11, 2011
2/5 29% Take Me Home Tonight (2011) " It's only sporadically amusing and it's certainly not original, unless the definition of original has been broadened to include copies of things that were original twenty-five years ago." — Boxoffice Magazine
Posted Mar 3, 2011
2.5/5 47% Super (2011) " Super is not wanting for good ideas; it's wanting for direction." — Boxoffice Magazine
Posted Feb 23, 2011
2/5 54% Brotherhood (2011) " Brotherhood moves fast, but it can't outrun its superficiality." — Boxoffice Magazine
Posted Feb 20, 2011
3/5 83% Zero Bridge (2011) " A winning example of modesty in front of the camera and intelligence behind it." — Boxoffice Magazine
Posted Feb 18, 2011
2.5/5 43% Cracks (2011) " Scott excels in maintaining a low, persistent hum of eroticism whose purpose is not titillation or camp." — Boxoffice Magazine
Posted Feb 12, 2011
2/5 39% The Other Woman (2011) " What happens when a film director falls for a novel crammed with Incredible Moments of Heartbreaking Emotion and turns it into a movie crammed with Incredible Moments of Heartbreaking Emotion" — Boxoffice Magazine
Posted Feb 3, 2011
3/5 87% Lemmy (2011) " For the most part, Olliver and Orshoski are smart enough to allow Lemmy's unique personality to come to them, as opposed to pushing a case for it." — Boxoffice Magazine
Posted Jan 28, 2011
2/5 53% The Mechanic (2011) " A mechanic seems like a thinking man's occupation. The Mechanic, though, barely has a thought in its head." — Boxoffice Magazine
Posted Jan 26, 2011
2.5/5 24% The Dilemma (2011) " Even though The Dilemma fails as a whole, there's enough ethical brain teasing and character-based conflict to warrant an unenthusiastic recommendation." — Boxoffice Magazine
Posted Jan 12, 2011
3/5 60% Plastic Planet (2011) " Boote's strong film will make you look at the floating plastic bag from American Beauty in a new, wholly suspicious way." — Boxoffice Magazine
Posted Jan 8, 2011
3.5/5 84% The Time That Remains (2011) " The formalism Suleiman employs here provides a unique emotional entry point into the Palestinian dilemma, one that uses static shot composition and humor to clarify and comment, not to generate cheap laughs." — Boxoffice Magazine
Posted Jan 8, 2011
2/5 32% How Do You Know (2010) " Witherspoon's charm...has been replaced with tentativeness, confusion and the exaggerated facial expressions of a sitcom comedienne. " — Boxoffice Magazine
Posted Dec 14, 2010
1.5/5 33% Meskada (2010) " Completely inauthentic at almost every level." — Boxoffice Magazine
Posted Dec 5, 2010
2.5/5 51% The Next Three Days (2010) " To get anything out of this overlong, underwhelming nonsense, think of it as a blow against the wimpification of the American male." — Boxoffice Magazine
Posted Nov 13, 2010
2.5/5 64% Jews And Baseball: An American Love Story (2010) " (Prioritizes) statistics and on-field accomplishments over larger questions of religion, culture and community." — Boxoffice Magazine
Posted Nov 8, 2010
3.5/5 71% The Magician (2010) " Ray is a ratty little bugger with a corner pub smile that hides secrets you're safer not knowing but can't wait to discover. " — Boxoffice Magazine
Posted Oct 29, 2010
1.5/5 38% Eichmann (2010) " Feels the burden of history so heavily that it's effectively smothered by it." — Boxoffice Magazine
Posted Oct 29, 2010
2.5/5 40% Gerrymandering (2010) " Works fine as civics instruction but it won't move the needle against this decidedly anti-democratic process." — Boxoffice Magazine
Posted Oct 18, 2010
3/5 83% Rachel (2010) " Bitton operates at a cool, investigatory remove that's not as objective as it looks ... nevertheless, it's a well structured, sometimes riveting piece of information gathering." — Boxoffice Magazine
Posted Oct 10, 2010
2/5 71% Red (2010) " Schwentke keeps things light: light on big laughs, light on unique action set pieces and light on any sense that these game but retired spies are too old for this crap. " — Boxoffice Magazine
Posted Oct 5, 2010
2.5/5 55% The Winning Season (2010) " Rockwell charms us into giving the film the benefit of our many doubts. " — Boxoffice Magazine
Posted Sep 3, 2010
3/5 75% Dirty Hands: The Art & Crimes of David Choe () " A wild biographical ride that adds an unexpected psychological layer to the classic art versus commerce conundrum." — Boxoffice Magazine
Posted Aug 27, 2010
3.5/5 97% A Film Unfinished (2010) " Hersonski has done Holocaust scholarship a great favor. Just when we thought there were no new twists to the story of the Warsaw Ghetto comes this documentary: focused, sorrowful and revelatory." — Boxoffice Magazine
Posted Aug 20, 2010
2.5/5 43% The Extra Man (2010) " Filled with odd behavior and curious quirks. What it's not filled with are recognizable humans." — Boxoffice Magazine
Posted Aug 6, 2010
3/5 59% Hugh Hefner: Playboy, Activist and Rebel (2010) " Hugh Hefner has earned the gift of a fawning, non-confrontational greatest hits package and that's exactly what he's received, even if it's not what we necessarily wanted." — Boxoffice Magazine
Posted Jul 30, 2010
3/5 91% Winnebago Man (2010) " A fun little addendum to a profanity-laden chapter in New Media history." — Boxoffice Magazine
Posted Jul 9, 2010
2/5 18% Princess Ka'iulani (2010) " Free of insight and depth, leaving us with little sense of the weight of her accomplishments." — Boxoffice Magazine
Posted Jul 6, 2010
2/5 50% South of the Border (2010) " Edging closer to boilerplate leftwing loon, Stone embarrasses himself by backing the wrong horse and then making a weak case for him." — Boxoffice Magazine
Posted Jun 30, 2010
3/5 95% Harlan - Im Schatten von Jud Süss (Harlan: In the Shadow of Jew Seuss) (2010) " This open therapy session-slash-doc is a film festival and PBS-type item worth seeking out." — Boxoffice Magazine
Posted Jun 30, 2010
2.5/5 80% Cyrus (2010) " Cyrus is strong enough to free them from their tiny corner of deep-indie cinema. But today's films have so little interest in exploring character that it's worth lamenting when one of the last champions of character specificity undershoots the target. " — Boxoffice Magazine
Posted Jun 18, 2010
1.5/5 13% Jonah Hex (2010) " Jonah Hex is not a good movie, but it's a great cautionary tale about what happens when a film loses its way." — Boxoffice Magazine
Posted Jun 18, 2010
1/5 42% Burzynski (2010) " Burzynski may have credibility in the eyes of some, but the movie about him has no credibility, so no one will be receptive to its message. " — Boxoffice Magazine
Posted Jun 11, 2010
3.5/5 100% The Juche Idea (2011) " Densely constructed and pretty damn brilliant." — Boxoffice Magazine
Posted Jun 1, 2010
3/5 —— Dirty Hands: The Art & Crimes of David Choe () " It's all quite renegade, in that self-aggrandizing, subcultural way. " — Boxoffice Magazine
Posted Apr 30, 2010
3/5 —— One Peace At A Time (2009) " Pipkin liberally applies the dispiriting statistics, but he's not laying a guilt trip. His tone is positive and hopeful, elevating One Peace at a Time from other docs that try to motivate using alarmist rhetoric, smug sarcasm or scare tactics." — Boxoffice Magazine
Posted Apr 23, 2010
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