Neil Young

Neil Young

Agrees with the Tomatometer 69% of the time.

Neil Young's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Hollywood Reporter

Listing Of All Reviews & Articles

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Rating T-Meter Title | Year Review
62% We Are Monster "This is very much Alexander's show. Despite moments of audition-piece excess, the young actor... almost single-handedly keeps We Are Monster watchable, exuding a malign charisma that dominates the screen and compels our appalled fascination. " ‐ Hollywood Reporter
Posted May 11, 2015
100% Court "Chaitanya Tamhane emerges as one of the world's most accomplished and promising film-makers under 30 with his quietly steely legal drama Court, a bluntly-titled chronicle of politically-motivated injustice. " ‐ Hollywood Reporter
Posted Apr 16, 2015
3/5 92% Force Majeure (2014) "An essentially hollow contrivance, more concerned with pushing hot buttons and sparking discussion than organically developing characters or probing complex issues. " ‐ Little White Lies
Posted Apr 9, 2015
75% That Guy Dick Miller (2015) "At 90-odd minutes, it's more exhausting than illuminating -- there's not much time for anything resembling proper analysis. " ‐ Hollywood Reporter
Posted Mar 30, 2015
100% Of Horses and Men (2015) "Strikingly good-looking if somewhat narratively uneven. " ‐ Hollywood Reporter
Posted Mar 10, 2015
82% Black Sea (2015) "A semi-waterlogged confluence of the submarine and heist sub-genres which seeks to evoke a testosterone-soaked, 1970s feel. " ‐ Hollywood Reporter
Posted Jan 20, 2015
92% Death Metal Angola (2014) "An upbeat chronicle of very hard rock in a very hard place, Death Metal Angola is one of the livelier and more enticingly exotic additions to the ever-burgeoning music-documentary sub-genre. " ‐ Hollywood Reporter
Posted Oct 24, 2014
75% Once Upon a Time Veronica (2014) "Brazil's Marcelo Gomes leaps to the front rank of South American filmmakers. " ‐ Hollywood Reporter
Posted Aug 22, 2014
100% Gebo And The Shadow (2014) "Old-school charm and expert performances elevate a somewhat creaky theatrical adaptation by the tireless centenarian Manoel de Oliveira. " ‐ Hollywood Reporter
Posted May 27, 2014
75% Jimmy's Hall (2015) "What we're left with is an odd, only fitfully engaging hybrid of The Quiet Man and Footloose, which neither packs much of a punch nor is particularly nimble on its feet. " ‐ Hollywood Reporter
Posted May 23, 2014
92% Ai Weiwei: The Fake Case (2014) "Accessible documentary serves as useful introduction to and informative update on an artist who's seldom out of the headlines for long. " ‐ Hollywood Reporter
Posted May 14, 2014
99% The Missing Picture (2014) "A sobering, ultimately numbing peek into the living hell of 1970s Cambodia. " ‐ Hollywood Reporter
Posted Jan 16, 2014
95% A Hijacking (2013) "A high-seas hostage-taking and resulting negotiations are absorbingly dramatized in this low-key Venice standout from Denmark's hottest new writer-director. " ‐ Hollywood Reporter
Posted Dec 16, 2013
96% Wrinkles (2014) "Poignant animated feature about senior citizens is one the year's best Spanish films. " ‐ Hollywood Reporter
Posted Nov 12, 2013
100% Approved for Adoption (2013) "Animated semi-documentary takes a wry backward glance at an unorthodox childhood with sometimes affecting results. " ‐ Hollywood Reporter
Posted Oct 21, 2013
80% Story of My Death (2014) "A fanciful project that's tantalizing on paper but largely DOA on screen. " ‐ Hollywood Reporter
Posted Sep 14, 2013
97% The Selfish Giant (2013) "Solidly effective addition to Britain's social realism tradition, elevated by excellent performances by the young leads and some unexpectedly poetic touches. " ‐ Hollywood Reporter
Posted Sep 14, 2013
44% Blind Detective (Man Tam) "Tiresomely frenetic crime-comedy-romance. " ‐ Hollywood Reporter
Posted Sep 14, 2013
92% Harry Dean Stanton: Partly Fiction (2013) "Engaging documentary tribute to the craggy character-actor and his five-decade career is elevated by classy visuals and a nicely relaxed, casual tone. " ‐ Hollywood Reporter
Posted Sep 9, 2013
92% Our Nixon (2013) "Efficient found-footage collage is more evocative than revelatory. " ‐ Hollywood Reporter
Posted Aug 26, 2013
55% Now, Forager (2012) "Likeably unassuming, good-looking US indie may exert offbeat appeal to the foodie crowd. " ‐ Hollywood Reporter
Posted Aug 20, 2013
86% The Patience Stone (2013) "A luminous central performance from Golshifteh Farahani distinguishes an ambitious if somewhat monotonously wordy adaptation of a prize-winning best-seller. " ‐ Hollywood Reporter
Posted Aug 12, 2013
69% El artista y la modelo (The Artist and the Model) (2013) "Nicely elegiac, proudly old-fashioned tale of wartime passions, with veteran French star Jean Rochefort a likely award-magnet. " ‐ Hollywood Reporter
Posted Aug 2, 2013
38% The Purge (2013) "Gimmicky chiller lacks the robustness and distinction needed to support its social-commentary ambitions. " ‐ Hollywood Reporter
Posted Jun 7, 2013
No Score Yet Lullaby To My Father Hollywood Reporter
Posted May 23, 2013
89% The Golden Dream (La Jaula De Oro) Hollywood Reporter
Posted May 23, 2013
No Score Yet All Divided Selves Hollywood Reporter
Posted May 9, 2013
No Score Yet Prílis mladá noc (A Night Too Young) Hollywood Reporter
Posted May 9, 2013
No Score Yet Animals (2013) Hollywood Reporter
Posted May 9, 2013
No Score Yet You Are God (Jestes Bogiem) Hollywood Reporter
Posted May 9, 2013
No Score Yet Grills Gone Wild: From the Backyard to Backstage Hollywood Reporter
Posted May 9, 2013
94% Stories We Tell (2013) "Canadian documentary skilfully deploys some ambitious creative gambits to explore the director's own family background. " ‐ Hollywood Reporter
Posted May 1, 2013
58% Kiss Of The Damned (2013) "Love streams and bloodstreams messily cross in a steamy but clunky plunge into vampire lore, hipster-indie style. " ‐ Hollywood Reporter
Posted Apr 29, 2013
55% Post Tenebras Lux (2013) "Acclaimed Mexican auteur's self-indulgent exercise in exquisite pseudo-profundity commits hara-kiri on his own reputation. " ‐ Hollywood Reporter
Posted Apr 29, 2013
83% The Unspeakable Act (2013) "Sensitive subject-matter is handled with tact and intelligence in this tart if talky US indie. " ‐ Hollywood Reporter
Posted Mar 7, 2013
5/10 No Score Yet Back Home (2008) Jigsaw Lounge
Posted Jan 22, 2013
4/10 67% Helen (2008) Jigsaw Lounge
Posted Jan 22, 2013
8/10 85% Sightseers (2013) Jigsaw Lounge
Posted Jan 22, 2013
4/10 No Score Yet O Abismo Jigsaw Lounge
Posted Jan 22, 2013
4/10 No Score Yet Andarilho (Drifter) Jigsaw Lounge
Posted Jan 22, 2013
6/10 98% This Is Not a Film (2012) Jigsaw Lounge
Posted Jan 22, 2013
85% Sightseers (2013) "Very British blend of quirky character-comedy and homicidal violence has all the makings of a midnight-movie cult classic. " ‐ Hollywood Reporter
Posted Jan 14, 2013
60% Here and There (2013) "Award-winning examination of migrant labor would have worked better as a documentary. " ‐ Hollywood Reporter
Posted Jan 14, 2013
63% Café de Flore (2012) "Decade-hopping metaphysical romance descends into overwrought histrionics. " ‐ Hollywood Reporter
Posted Nov 5, 2012
70% The Loneliest Planet (2012) "[A] slow-burning, distinctive second feature from Russian-born, Colorado-raised writer/director Julia Loktev. " ‐ Hollywood Reporter
Posted Oct 22, 2012
35% Passion (2013) "Remaking Alain Corneau's 2010 French noir Love Crime proves less a comeback for De Palma and more what economists call a 'dead cat bounce.' " ‐ Hollywood Reporter
Posted Sep 7, 2012
No Score Yet Fogo "A superb calling-card for the skills of cinematographer Diego García, hour-long docu-fiction hybrid Fogo is otherwise austere high-art cinema of the most exquisitely patience-sapping kind. " ‐ Hollywood Reporter
Posted May 29, 2012
No Score Yet Hold Back "Brisk and brash, the latest twist on well-worn Romeo and Juliet/West Side Story themes has an irresistibly youthful zest that easily transcends and justifies the rough edges of its unvarnished approach. " ‐ Hollywood Reporter
Posted May 24, 2012
87% Trashed (2012) "While its techniques are manipulative -- it's certainly no margin-call to say that Vangelis's two-dimensional score barely lets up from start to finish -- the picture ultimately swerves pitfalls of hectoring preachiness. " ‐ Hollywood Reporter
Posted May 24, 2012
No Score Yet Villegas "When the music stops and the dialogue has to carry the burden of character and narrative development, Villegas is a little too restrained and laid-back to ever properly engage us with the cousins or their volatile, decades-old relationship. " ‐ Hollywood Reporter
Posted May 22, 2012
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