Penelope Gilliatt

Penelope Gilliatt

Agrees with the Tomatometer 100% of the time.

Publications:
New Yorker
Total Reviews:
9
Total QuickRatings:
1

Listing Of All Reviews & Articles

Showing 1 - 9 of 9
Rating T-Meter Title | Year Add Date
100% Le Samouraï (The Godson) (2005) " Cold, masterly, without pathos, and not even particularly sympathetic; it has the noble structure of accuracy." — New Yorker
Posted Jan 14, 2013
—— The Princess Yang Kwei Fei (Yôkihi) (1955) " Princess Yang Kwei Fei miraculously reproduces the comings and goings of the hero's thought, and it is in this sense that Mizoguchi's realism is most classical." — New Yorker
Posted Jan 14, 2013
97% 2001: A Space Odyssey (1968) " Stanley Kubrick's 2001: A Space Odyssey is some sort of great film, and an unforgettable endeavor. Technically and imaginatively, what he put into it is staggering." — New Yorker
Posted Jan 14, 2013
100% Adam's Rib (1949) " Katharine Hepburn conveys an extraordinary abundance of spirit." — New Yorker
Posted Jan 14, 2013
90% Pat and Mike (1952) " Ruth Gordon and Garson Kanin here wrote an engaging screenplay about emotion-without-display for their rare uncut diamonds." — New Yorker
Posted Jan 14, 2013
90% Woman of the Year (1942) " The film earlier has one of the very best Tracy-Hepburn love scenes, full of the sense of private shelter that they uniquely purvey." — New Yorker
Posted Jan 14, 2013
93% Star Wars: Episode IV - A New Hope (1977) " George Lucas, who made American Graffiti, has put together a sci-fi film that draws on any number of associations. Star Wars is both amazing and familiar." — New Yorker
Posted Jan 14, 2013
91% Professione: reporter (The Passenger) (1975) " Earlier Antonioni films have often seemed studied, but not this one. Its details are easy and apropos." — New Yorker
Posted Jan 14, 2013
Showing 1 - 9 of 9
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