|
5/5
|
98%
|
Taxi Driver (1976) |
"
Is Travis a hero or a monster? The question is never answered to any satisfying degree, and Herrmann's score makes sure of that by always playing up the counterpoint of a scene."
—
FilmFocus
Posted Jul 22, 2006
|
|
1/5
|
13%
|
The Dukes of Hazzard (2005) |
"
It's a film made specifically and entirely for the purpose of extracting money out of unsuspecting customers' wallets, all marketing plan and no artistic vision."
—
FilmFocus
Posted Aug 25, 2005
|
|
40/100
|
25%
|
House of Wax (2005) |
"
Meanwhile, the audience wonders when Paris Hilton will be eviscerated for their enjoyment."
—
FilmFocus
Posted Jun 4, 2005
|
|
40/100
|
35%
|
Hostage (2005) |
"
Much like Jeff Talley himself, Hostage badly needed a shave."
—
FilmFocus
Posted Apr 23, 2005
|
|
88/100
|
100%
|
Anatomy of a Murder (1959) |
"
Courtroom procedurals this nimble don't come along often, but with Anatomy of a Murder, Preminger showed how it could be done."
—
FilmFocus
Posted Apr 17, 2005
|
|
60/100
|
91%
|
Downfall (Der Untergang) (2004) |
"
Downfall doesn't let us down when it comes to telling what happened, but it has trouble coming up with how or why."
—
FilmFocus
Posted Mar 27, 2005
|
|
68/100
|
46%
|
Constantine (2005) |
"
Sometimes dense and impenetrable, but it also contains an unusually thoughtful consideration of the difference between faith and belief."
—
FilmFocus
Posted Mar 20, 2005
|
|
47/100
|
69%
|
Hitch (2005) |
"
Those who have seen enough of these films - and who know all their tricks - will likely recognize that Hitch is nothing special."
—
FilmFocus
Posted Mar 13, 2005
|
|
75/100
|
90%
|
Hotel Rwanda (2004) |
"
As it should, leaves you feeling exhausted and wrung-out."
—
FilmFocus
Posted Feb 28, 2005
|
|
93/100
|
53%
|
The Life Aquatic with Steve Zissou (2004) |
"
Anderson's ability to deftly flip between whimsy and sentiment remains intact."
—
FilmFocus
Posted Feb 22, 2005
|
|
74/100
|
83%
|
In Good Company (2004) |
"
Possesses the same depth of character and effortless charm as the [Weitzes'] other successful productions."
—
FilmFocus
Posted Feb 14, 2005
|
|
32/100
|
13%
|
Hide and Seek (2005) |
"
A film in which no character ever turns on the lights, because if they ever did, we could see exactly what was happening, and how stupid it really is."
—
FilmFocus
Posted Feb 7, 2005
|
|
50/100
|
55%
|
Ocean's Twelve (2004) |
"
All around, you can feel the strain of people trying very hard to make it seem like they're not trying."
—
FilmFocus
Posted Feb 4, 2005
|
|
5/5
|
96%
|
The Lord of the Rings: The Two Towers (2002) |
"
It's a grand film, art masquerading as commercial enterprise, and the best film I've seen this year."
—
Daily-Reviews
Posted Dec 23, 2002
|
|
4/5
|
65%
|
Heist (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
3/5
|
60%
|
Hart's War (2002) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
2/5
|
21%
|
The Glass House (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
2.5/5
|
37%
|
Behind Enemy Lines (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
4.5/5
|
88%
|
American Beauty (1999) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
2/5
|
60%
|
The Anniversary Party (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
3.5/5
|
68%
|
Legally Blonde (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
2/5
|
18%
|
Collateral Damage (2002) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
3/5
|
52%
|
American Pie 2 (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
3/5
|
77%
|
A Beautiful Mind (2001) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
2.5/5
|
34%
|
Resident Evil (2002) |
—
Daily-Reviews
Posted Nov 23, 2002
|
|
3.5/5
|
83%
|
Harry Potter and the Chamber of Secrets (2002) |
—
Daily-Reviews
Posted Nov 22, 2002
|
|
4/5
|
90%
|
The Lion King (2011) |
—
Daily-Reviews
Posted Aug 16, 2002
|
|
3.5/5
|
74%
|
Signs (2002) |
"
Shyamalan's sense of pace, atmosphere, and mood remains near-flawless."
—
Daily-Reviews
Posted Aug 16, 2002
|
|
3/5
|
60%
|
Hart's War (2002) |
"
A perfectly respectable, perfectly inoffensive, easily forgettable film."
—
Daily-Reviews
Posted Aug 4, 2002
|
|
3.5/5
|
52%
|
The Crocodile Hunter - Collision Course (2002) |
"
I just saw this movie... well, it's probably not accurate to call it a movie."
—
Daily-Reviews
Posted Jul 21, 2002
|
|
4/5
|
92%
|
Minority Report (2002) |
"
Terrific action sequences, seamless special effects, devilishly underhanded humor, and an excellent supporting cast."
—
Daily-Reviews
Posted Jul 18, 2002
|
|
4/5
|
63%
|
The Powerpuff Girls - The Movie (2002) |
"
A rather brilliant little cult item: a pastiche of children's entertainment, superhero comics, and Japanese animation."
—
Daily-Reviews
Posted Jul 14, 2002
|
|
3.5/5
|
93%
|
Insomnia (2002) |
"
An artful, intelligent film that stays within the confines of a well-established genre."
—
Daily-Reviews
Posted Jun 24, 2002
|
|
capsule
|
27%
|
A Walk to Remember (2002) |
"
Lopes along from predictable plot twist to predictable anti-climax."
—
Film Written Magazine
Posted Jun 21, 2002
|
|
capsule
|
76%
|
Black Hawk Down (2001) |
"
Remains consistently stimulating for its entire running time."
—
Film Written Magazine
Posted Jun 21, 2002
|
|
capsule
|
56%
|
The Shipping News (2001) |
"
Another beautifully-made and serious-minded celebration of having nothing to say."
—
Film Written Magazine
Posted Jun 21, 2002
|
|
3/5
|
67%
|
Star Wars: Episode II - Attack of the Clones 3D (2013) |
"
It's still got enough magic to coast on sheer goodwill."
—
Daily-Reviews
Posted Jun 15, 2002
|
|
4.5/5
|
89%
|
Spider-Man (2002) |
"
Toes the fine line between cheese and earnestness remarkably well; everything is delivered with such conviction that it's hard not to be carried away."
—
Daily-Reviews
Posted May 11, 2002
|
|
4.5/5
|
95%
|
Monsoon Wedding (2002) |
"
A burst of color, music, and dance that only the most practiced curmudgeon could fail to crack a smile at."
—
Daily-Reviews
Posted May 3, 2002
|
|
4/5
|
76%
|
Panic Room (2002) |
"
Fincher crafts supremely effective suspense sequences."
—
Daily-Reviews
Posted Apr 13, 2002
|
|
5/5
|
98%
|
E.T. The Extra-Terrestrial (1982) |
"
I'm a tough guy; I can handle this stuff. That's not even a real alien. It's a puppet. Pffff."
—
Daily-Reviews
Posted Mar 30, 2002
|
|
3/5
|
77%
|
Ice Age (2002) |
"
While it doesn't stumble over itself, it doesn't exactly swing for the fences either."
—
Daily-Reviews
Posted Mar 27, 2002
|
|
2.5/5
|
34%
|
Resident Evil (2002) |
"
I firmly believe that a good video game movie is going to show up soon. I also believe that Resident Evil is not it."
—
Daily-Reviews
Posted Mar 22, 2002
|
|
2/5
|
60%
|
The Anniversary Party (2001) |
"
A movie [made] for the express purpose of showing off a lot of other talented actors, and unfortunately, there's not much of a purpose beyond that."
—
Daily-Reviews
Posted Mar 13, 2002
|
|
3.5/5
|
72%
|
Le Pacte des loups (Brotherhood of the Wolf) (2001) |
"
In short, it's a big mess. I mean that in the best possible way."
—
Daily-Reviews
Posted Mar 6, 2002
|
|
2/5
|
18%
|
Collateral Damage (2002) |
"
Yet another Arnold vehicle that fails to make adequate use of his particular talents."
—
Daily-Reviews
Posted Feb 25, 2002
|
|
1.5/5
|
34%
|
I Am Sam (2001) |
"
It's all payoff and no setup; the longest Kodak commercial ever filmed."
—
Daily-Reviews
Posted Feb 9, 2002
|
|
capsule
|
93%
|
In the Bedroom (2001) |
"
Contains some of the best starkly dramatic scenes you're likely to see on a movie screen all year."
—
Film Written Magazine
Posted Feb 2, 2002
|
|
capsule
|
67%
|
Ali (2001) |
"
The problem is that none of these very well-directed scenes manage to fit together into any kind of collective whole."
—
Film Written Magazine
Posted Feb 2, 2002
|