Wesley Lovell

Wesley Lovell

Agrees with the Tomatometer 81% of the time.

Biography:
Movies have always been a passion for me. Even when I was a child, I wanted to see movies that my grandparents wouldn't want me to see. Everything changed for me in 1990 when I sat down to watch the Academy Awards for the first time. I had a personal favorite going into the race and knew little to nothing about the awards themselves. Against odds that I was not aware of then, Driving Miss Daisy took home the trophy for Best Picture. I was ecstatic and it became my personal mission to study the Academy Awards and become a first rate prognosticator. In 1996, I founded The Oscar Guy, my personal website for the Academy Awards. Over time as I finished my studies in film, I began writing reviews in order to embellish my site. In 1997, I joined the Online Film Critics Society and have been a proud member ever since. In 2006, I was elected a governor of the Online Film Critics Society and am working on a number of projects that I feel will bring further prestige to the organization. I graduated from then Southwest Missouri State University (now Missouri State University) in 1999 with a BS in Communications/Mass Media. Through my studies, my intense love of movies grew and I have used much of that training to increase my filmic vocabulary and continue to work to increase my knowledge of historical contexts.
Favorites:
There are many movies that I enjoy but among my most beloved are Sunrise, Schindler's List, Citizen Kane, The Lord of the Rings Trilogy.
Publications:
Apollo Guide , Cinema Sight
Critics' Group:
Online Film Critics Society
Total Reviews:
824
Total QuickRatings:
793
Location:
Springfield, Missouri, USA

Movie Reviews Only

Showing 51 - 100 of 793
Rating T-Meter Title | Year Add Date
3.5/4 70% TRON (1982) " More important for its revolutionary visual effects than anything else, the film is both entertaining and prescient." — Cinema Sight
Posted Aug 16, 2011
4/4 93% Dr. Jekyll and Mr. Hyde (1931) " There has never been a more inventive nor engaging retelling of this classic story." — Cinema Sight
Posted Aug 16, 2011
2.5/4 93% Jezebel (1938) " A tottering costume drama that gave Bette Davis one of her rare non-bitchy roles. It should come as little surprise that it doesn't quite work." — Cinema Sight
Posted Aug 16, 2011
4/4 100% Holiday (1938) " Character dramas are often at their best when exploring inside worlds and not running free outside." — Cinema Sight
Posted Aug 16, 2011
4/4 100% The Adventures of Robin Hood (1938) " Nearly every aspect of the Robin Hood myth we know today is embodied in this exciting, socially aware adventure." — Cinema Sight
Posted Aug 16, 2011
4/4 100% Stagecoach (1939) " One of the best early westerns ever made." — Cinema Sight
Posted Aug 16, 2011
3/4 100% The Shop Around the Corner (1940) " Entertaining to a fault, the film doesn't ignite the imagination in the way many other films of the period did." — Cinema Sight
Posted Aug 16, 2011
3.5/4 100% The Grapes of Wrath (1940) " Back when they adapted serious literature for the big screen, the results were equally impressive." — Cinema Sight
Posted Aug 16, 2011
3.5/4 93% Foreign Correspondent (1940) " A showcase of early Hitchcock suspense." — Cinema Sight
Posted Aug 16, 2011
3.5/4 88% Meet John Doe (1941) " Journalistic ethics are only a small aspect of the film, but the implications are long-ranging." — Cinema Sight
Posted Aug 16, 2011
2.5/4 —— The Great Lie (1941) " Predictable to a fault, even Bette Davis can't save this film." — Cinema Sight
Posted Aug 16, 2011
2/4 65% Dr. Jekyll and Mr. Hyde (1941) " If you mess with perfection, you end up with the beast." — Cinema Sight
Posted Aug 16, 2011
3.5/4 100% National Velvet (1944) " Watching a young Elizabeth Taylor work is like watching a seed grow into a blossoming flower." — Cinema Sight
Posted Aug 16, 2011
3/4 100% Laura (2005) " This interesting film noir has more working for its final half than in its first." — Cinema Sight
Posted Aug 16, 2011
3.5/4 96% Out of the Past (1947) " Few films noir were better than this." — Cinema Sight
Posted Aug 16, 2011
3.5/4 97% Monsieur Verdoux (1947) " It's not often you find Charlie Chaplin in the rare role of a villain, but he does nice work in this small tale of lies and murder." — Cinema Sight
Posted Aug 16, 2011
3.5/4 96% Key Largo (1948) " Trapped in a country estate by an impending storm, a mobster attempts to lay low before escaping from the police, but takes a risky gambit holding Humphrey Bogart and Lauren Bacall hostage." — Cinema Sight
Posted Aug 15, 2011
2.5/4 94% She Wore a Yellow Ribbon (1949) " A film more notable for its gorgeous cinematography than for its plot." — Cinema Sight
Posted Aug 15, 2011
3/4 83% Harvey (1951) " A modest family film that lays on the sweetness a bit to heavily." — Cinema Sight
Posted Aug 15, 2011
4/4 89% The Quiet Man (1952) " John Ford may be the first director to make me like John Wayne." — Cinema Sight
Posted Aug 15, 2011
2.5/4 95% The Bad and the Beautiful (1953) " Three disjointed stories awkwardly connected by a frayed thread." — Cinema Sight
Posted Aug 15, 2011
4/4 97% Stalag 17 (1953) " When escape is the only option, you do whatever you can to make it happen. This is one exciting escape drama." — Cinema Sight
Posted Aug 15, 2011
3/4 100% The Band Wagon (1953) " A fun musical with creative choreography, but far too little substance." — Cinema Sight
Posted Aug 15, 2011
4/4 98% The Night of the Hunter (1955) " An astounding thriller with a chilling performance by Robert Mitchum." — Cinema Sight
Posted Aug 15, 2011
3.5/4 100% The Searchers (1956) " One of the better examples of the western genre." — Cinema Sight
Posted Aug 15, 2011
3.5/4 97% The Killing (1956) " A tight heist thriller from master director Stanley Kubrick." — Cinema Sight
Posted Aug 15, 2011
2.5/4 98% Sweet Smell of Success (1957) " A meandering drama about the lure of success and the ignominious aggression of defeat." — Cinema Sight
Posted Aug 15, 2011
4/4 93% Paths of Glory (1957) " Stanley Kubrick often spoke out against war in his film, using violence as a weapon against the audience's sensibilities. Never was he more convincing as here." — Cinema Sight
Posted Aug 15, 2011
4/4 95% Touch of Evil (1958) " Orson Welles' masterwork of greed, treachery and revenge." — Cinema Sight
Posted Aug 15, 2011
2.5/4 77% Separate Tables (1958) " How do you assemble a wonderful ensemble and then waste their talents? Here's an example." — Cinema Sight
Posted Aug 15, 2011
4/4 75% The Diary of Anne Frank (1959) " A poignant drama bringing us into the lives of Anne Frank, whose diary inspired millions seeking to understand why such a sweet, innocent child could be murdered in the Holocaust." — Cinema Sight
Posted Aug 15, 2011
3/4 96% Elmer Gantry (1960) " If not for the amazing performance of Burt Lancaster, the film would collapse under its own self-righteousness." — Cinema Sight
Posted Aug 15, 2011
4/4 96% La Dolce Vita (1960) " A lovely Italian palette that questions if we can settle down to a life of struggle without having first lived life at its best." — Cinema Sight
Posted Aug 15, 2011
4/4 100% The Miracle Worker (1962) " Two well-deserved Oscars grace this unflinching portrait of selfishness in direct resistance to selflessness." — Cinema Sight
Posted Aug 15, 2011
3.5/4 93% Long Day's Journey Into Night (1962) " An adaptation of Eugene O'Neill's legendary play results in a stage-bound production lifted by grand performances, including the delightful Katharine Hepburn." — Cinema Sight
Posted Aug 15, 2011
3.5/4 82% Advise and Consent (1962) " You can't hire a judge without breaking a few nerves. This insightful political film is terrific." — Cinema Sight
Posted Aug 15, 2011
1.5/4 —— The V.I.P.s (1963) " Trying to shoehorn a talent ensemble into a trite premise results in unmitigated failure." — Cinema Sight
Posted Aug 15, 2011
3/4 86% Zorba the Greek (2004) " A pensive film about the need to find your own truth while living life to its fullest." — Cinema Sight
Posted Aug 15, 2011
4/4 —— The Best Man (1964) " It's hard to be educational while being poignant, but this film does both easily." — Cinema Sight
Posted Aug 15, 2011
4/4 100% A Patch of Blue (2000) " A wonderful twist on the adage that love is blind." — Cinema Sight
Posted Aug 15, 2011
4/4 97% The Good, the Bad and the Ugly (Il Buono, il Brutto, il Cattivo.) (1966) " The defining spaghetti western pits a charismatic Clint Eastwood against partner and nemesis Eli Wallach and perpetual enemy Lee Van Cleef." — Cinema Sight
Posted Aug 15, 2011
4/4 98% Rosemary's Baby (1968) " A spellbinding horror film from Roman Polanski." — Cinema Sight
Posted Aug 15, 2011
4/4 96% The Lion in Winter (1968) " Peter O'TOole and Katharine Hepburn are superb as the bickering, yet loving Henry II and his meddling wife Eleanor of Aquitaine." — Cinema Sight
Posted Aug 15, 2011
4/4 83% They Shoot Horses, Don't They? (1969) " There has never been a film quite so original as this, featuring a wealth of noted actors fighting for their lives in a dance competition taking place during the Great Depression." — Cinema Sight
Posted Aug 15, 2011
3.5/4 —— Oh! What a Lovely War (1969) " An anti-war musical whose originality has never been successfully repeated." — Cinema Sight
Posted Aug 15, 2011
3/4 100% Cactus Flower (1969) " A sometimes forgettable romantic comedy." — Cinema Sight
Posted Aug 15, 2011
4/4 86% Five Easy Pieces (1970) " An American entry into the French New Wave starring a compelling Jack Nicholson." — Cinema Sight
Posted Aug 15, 2011
3.5/4 80% Airport (1970) " Before there was Airplane! there was Airport, a surprisingly engaging disaster drama that ignited a trend." — Cinema Sight
Posted Aug 15, 2011
3.5/4 89% McCabe & Mrs. Miller (1971) " A surprise departure from modern-sensible ensemble maestro Robert Altman." — Cinema Sight
Posted Aug 15, 2011
3/4 75% Butterflies Are Free (1972) " An interesting film about love, blindness and the inherent bias in both." — Cinema Sight
Posted Aug 15, 2011
Showing 51 - 100 of 793
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