|
3.5/4
|
70%
|
TRON (1982) |
"
More important for its revolutionary visual effects than anything else, the film is both entertaining and prescient."
—
Cinema Sight
Posted Aug 16, 2011
|
|
4/4
|
93%
|
Dr. Jekyll and Mr. Hyde (1931) |
"
There has never been a more inventive nor engaging retelling of this classic story."
—
Cinema Sight
Posted Aug 16, 2011
|
|
2.5/4
|
93%
|
Jezebel (1938) |
"
A tottering costume drama that gave Bette Davis one of her rare non-bitchy roles. It should come as little surprise that it doesn't quite work."
—
Cinema Sight
Posted Aug 16, 2011
|
|
4/4
|
100%
|
Holiday (1938) |
"
Character dramas are often at their best when exploring inside worlds and not running free outside."
—
Cinema Sight
Posted Aug 16, 2011
|
|
4/4
|
100%
|
The Adventures of Robin Hood (1938) |
"
Nearly every aspect of the Robin Hood myth we know today is embodied in this exciting, socially aware adventure."
—
Cinema Sight
Posted Aug 16, 2011
|
|
4/4
|
100%
|
Stagecoach (1939) |
"
One of the best early westerns ever made."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3/4
|
100%
|
The Shop Around the Corner (1940) |
"
Entertaining to a fault, the film doesn't ignite the imagination in the way many other films of the period did."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
100%
|
The Grapes of Wrath (1940) |
"
Back when they adapted serious literature for the big screen, the results were equally impressive."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
93%
|
Foreign Correspondent (1940) |
"
A showcase of early Hitchcock suspense."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
88%
|
Meet John Doe (1941) |
"
Journalistic ethics are only a small aspect of the film, but the implications are long-ranging."
—
Cinema Sight
Posted Aug 16, 2011
|
|
2.5/4
|
——
|
The Great Lie (1941) |
"
Predictable to a fault, even Bette Davis can't save this film."
—
Cinema Sight
Posted Aug 16, 2011
|
|
2/4
|
65%
|
Dr. Jekyll and Mr. Hyde (1941) |
"
If you mess with perfection, you end up with the beast."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
100%
|
National Velvet (1944) |
"
Watching a young Elizabeth Taylor work is like watching a seed grow into a blossoming flower."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3/4
|
100%
|
Laura (2005) |
"
This interesting film noir has more working for its final half than in its first."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
96%
|
Out of the Past (1947) |
"
Few films noir were better than this."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
97%
|
Monsieur Verdoux (1947) |
"
It's not often you find Charlie Chaplin in the rare role of a villain, but he does nice work in this small tale of lies and murder."
—
Cinema Sight
Posted Aug 16, 2011
|
|
3.5/4
|
96%
|
Key Largo (1948) |
"
Trapped in a country estate by an impending storm, a mobster attempts to lay low before escaping from the police, but takes a risky gambit holding Humphrey Bogart and Lauren Bacall hostage."
—
Cinema Sight
Posted Aug 15, 2011
|
|
2.5/4
|
94%
|
She Wore a Yellow Ribbon (1949) |
"
A film more notable for its gorgeous cinematography than for its plot."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3/4
|
83%
|
Harvey (1951) |
"
A modest family film that lays on the sweetness a bit to heavily."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
89%
|
The Quiet Man (1952) |
"
John Ford may be the first director to make me like John Wayne."
—
Cinema Sight
Posted Aug 15, 2011
|
|
2.5/4
|
95%
|
The Bad and the Beautiful (1953) |
"
Three disjointed stories awkwardly connected by a frayed thread."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
97%
|
Stalag 17 (1953) |
"
When escape is the only option, you do whatever you can to make it happen. This is one exciting escape drama."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3/4
|
100%
|
The Band Wagon (1953) |
"
A fun musical with creative choreography, but far too little substance."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
98%
|
The Night of the Hunter (1955) |
"
An astounding thriller with a chilling performance by Robert Mitchum."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
100%
|
The Searchers (1956) |
"
One of the better examples of the western genre."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
97%
|
The Killing (1956) |
"
A tight heist thriller from master director Stanley Kubrick."
—
Cinema Sight
Posted Aug 15, 2011
|
|
2.5/4
|
98%
|
Sweet Smell of Success (1957) |
"
A meandering drama about the lure of success and the ignominious aggression of defeat."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
93%
|
Paths of Glory (1957) |
"
Stanley Kubrick often spoke out against war in his film, using violence as a weapon against the audience's sensibilities. Never was he more convincing as here."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
95%
|
Touch of Evil (1958) |
"
Orson Welles' masterwork of greed, treachery and revenge."
—
Cinema Sight
Posted Aug 15, 2011
|
|
2.5/4
|
77%
|
Separate Tables (1958) |
"
How do you assemble a wonderful ensemble and then waste their talents? Here's an example."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
75%
|
The Diary of Anne Frank (1959) |
"
A poignant drama bringing us into the lives of Anne Frank, whose diary inspired millions seeking to understand why such a sweet, innocent child could be murdered in the Holocaust."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3/4
|
96%
|
Elmer Gantry (1960) |
"
If not for the amazing performance of Burt Lancaster, the film would collapse under its own self-righteousness."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
96%
|
La Dolce Vita (1960) |
"
A lovely Italian palette that questions if we can settle down to a life of struggle without having first lived life at its best."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
100%
|
The Miracle Worker (1962) |
"
Two well-deserved Oscars grace this unflinching portrait of selfishness in direct resistance to selflessness."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
93%
|
Long Day's Journey Into Night (1962) |
"
An adaptation of Eugene O'Neill's legendary play results in a stage-bound production lifted by grand performances, including the delightful Katharine Hepburn."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
82%
|
Advise and Consent (1962) |
"
You can't hire a judge without breaking a few nerves. This insightful political film is terrific."
—
Cinema Sight
Posted Aug 15, 2011
|
|
1.5/4
|
——
|
The V.I.P.s (1963) |
"
Trying to shoehorn a talent ensemble into a trite premise results in unmitigated failure."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3/4
|
86%
|
Zorba the Greek (2004) |
"
A pensive film about the need to find your own truth while living life to its fullest."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
——
|
The Best Man (1964) |
"
It's hard to be educational while being poignant, but this film does both easily."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
100%
|
A Patch of Blue (2000) |
"
A wonderful twist on the adage that love is blind."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
97%
|
The Good, the Bad and the Ugly (Il Buono, il Brutto, il Cattivo.) (1966) |
"
The defining spaghetti western pits a charismatic Clint Eastwood against partner and nemesis Eli Wallach and perpetual enemy Lee Van Cleef."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
98%
|
Rosemary's Baby (1968) |
"
A spellbinding horror film from Roman Polanski."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
96%
|
The Lion in Winter (1968) |
"
Peter O'TOole and Katharine Hepburn are superb as the bickering, yet loving Henry II and his meddling wife Eleanor of Aquitaine."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
83%
|
They Shoot Horses, Don't They? (1969) |
"
There has never been a film quite so original as this, featuring a wealth of noted actors fighting for their lives in a dance competition taking place during the Great Depression."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
——
|
Oh! What a Lovely War (1969) |
"
An anti-war musical whose originality has never been successfully repeated."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3/4
|
100%
|
Cactus Flower (1969) |
"
A sometimes forgettable romantic comedy."
—
Cinema Sight
Posted Aug 15, 2011
|
|
4/4
|
86%
|
Five Easy Pieces (1970) |
"
An American entry into the French New Wave starring a compelling Jack Nicholson."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
80%
|
Airport (1970) |
"
Before there was Airplane! there was Airport, a surprisingly engaging disaster drama that ignited a trend."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3.5/4
|
89%
|
McCabe & Mrs. Miller (1971) |
"
A surprise departure from modern-sensible ensemble maestro Robert Altman."
—
Cinema Sight
Posted Aug 15, 2011
|
|
3/4
|
75%
|
Butterflies Are Free (1972) |
"
An interesting film about love, blindness and the inherent bias in both."
—
Cinema Sight
Posted Aug 15, 2011
|