Collectively, the result is a familiar film off the beaten path.
Happy Hour (2004)
Tomatometer
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Reviews Counted:21
Fresh:8
Rotten:13
Average Rating:5/10
Theatrical Release:Oct 22, 2004 Limited
Synopsis: Once upon a time it appeared that Tulley (Anthony LaPaglia) had a glittering future mapped out ahead of him. The son of a successful writer, his early literary efforts suggested he would easily... Once upon a time it appeared that Tulley (Anthony LaPaglia) had a glittering future mapped out ahead of him. The son of a successful writer, his early literary efforts suggested he would easily follow in his father's prestigious footsteps. Then the booze got him. A slave to the bottle and the bar, Tulley spends his daylight hours counting down the clock in an interminable office job. His coworker and best friend Levine (Eric Stoltz) is a keen companion in the pursuit of alcohol, frequently propping up the bar next to Tulley in the duo's local watering hole, where the sound of the HAPPY HOUR bell is like music to the patrons' ears. But Tulley's life is irretrievably altered one fateful night, when schoolteacher Natalie (Caroleen Feeney) settles down snuggly at the bar, and comfortably matches him drink-for-drink. A love affair begins, and Natalie attempts to coerce Tulley back into writing. Levine tries to explain the futility of such a pursuit, but when Tulley is delivered some shocking news from his doctor, he grasps hold of his addiction and endeavors to overcome it. As he sinks deeper into the abyss of ill health, Tulley enters into a breathless race with the Grim Reaper in order to belatedly fulfill his literary promise. This cinematic study of a hapless alcoholic is so convincing that it's a wonder the celluloid doesn't ooze alcohol from its reels. The coterie of heavy drinkers portrayed by Stoltz, Feeney, and LaPaglia are disturbingly believable, and the movie stands as a fine testament to LaPaglia's skills in particular. Director Mike Bencivenga wonderfully recreates the ambience of New York City's less salacious nightspots, presenting a sad portrait of a man for whom the glass is always half empty. [More]
Starring: Anthony LaPaglia, Eric Stoltz, Caroleen Feeney, Robert Vaughn
Starring: Anthony LaPaglia, Eric Stoltz, Caroleen Feeney, Robert Vaughn, Sandrine Holt
Director: Mike Bencivenga
Director: Mike Bencivenga
Screenwriter: Richard Levine
Producer: J. Todd Harris, Kimberly Shane O'Hara, John Davis
Composer: Jeffrey Taylor
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Reviews for Happy Hour
Once the story takes its big turn toward tragedy, though, it becomes predictable and sentimental.
A small film, a tiny cast, a labor of love with a minuscule budget that shows in the poor lighting and even worse sound quality. That it was made is the thing to be applauded.
Nothing especially new, but a well-acted chamber piece about a self-destructive writer.
The premise of the ever-soused movie is solid, too bad the execution is anything but.
Drama of a self-destructive, boozing New York ad man would reek of cliche were it not for a virtuosic performance from Anthony LaPaglia, who still fails to make this small film big.
Provides enough tragi-comedy to make the viewer feel like drowning their own sorrows... while laughing to lift their spirits.
Director Mike Bencivenga has reinvented the alcoholic romantic dramedy and Leading Actor Anthony LaPaglia has redefined the cinematic soak. A beautiful piece of work.
First-time writer-director Mike Bencivenga and co-writer Richard Levine have a flair for brittle repartee, and an obvious affection for literate drunks, but their take on the drinking life feels antiquated and movie-derived.
Happy Hour is strictly college-level compost, content with its mediocrity, if not wholly unaware of it.
In a world with so many problems, it's hard to drum up any sympathy for these characters' profligate self-destruction.
What you'll remember most about the movie is its banal script and dialogue so ripe it almost laughs at itself.
The characters in Happy Hour are stick figures from a musty old teleplay that might be titled The Days of Wine and Malarkey.
LaPaglia is solid and there's a grittiness here, and a clear-eyed approach to alcoholism that's reminiscent of Leaving Las Vegas.
This is the kind of tripe that wouldn’t get past a junior editor at a publishing house.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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