Opening

86% Captain Phillips Oct 11
31% Machete Kills Oct 11
—— Haunt Oct 11
41% All the Boys Love Mandy Lane Oct 11
—— Romeo and Juliet Oct 11
67% Escape From Tomorrow Oct 11
—— CBGB Oct 11
—— The Inevitable Defeat Of Mister And Pete Oct 11
—— Zero Charisma Oct 11
—— Where the Devil Hides Oct 11

Top Box Office

97% Gravity $55.8M
59% Cloudy with a Chance of Meatballs 2 $21.0M
8% Runner Runner $7.7M
81% Prisoners $5.7M
88% Rush $4.5M
82% Don Jon $4.2M
18% Baggage Claim $4.1M
35% Insidious: Chapter 2 $3.9M
63% Pulling Strings $2.5M
95% Enough Said $2.2M
56% Instructions Not Included $1.8M
47% We're The Millers $1.6M
33% The Family $1.5M
73% Lee Daniels' The Butler $1.2M
—— Grace Unplugged $1.0M
78% Metallica Through the Never $0.7M
60% Riddick $0.5M
5% Battle of the Year $0.5M
75% Despicable Me 2 $0.5M
38% Percy Jackson: Sea of Monsters $0.4M

Coming Soon

78% Kill Your Darlings Oct 16
—— Carrie Oct 18
—— Escape Plan Oct 18
35% The Fifth Estate Oct 18
97% 12 Years a Slave Oct 18
100% All Is Lost Oct 18
75% Haunter Oct 18
—— Paradise Oct 18

2001: A Space Odyssey Reviews

Penelope Gilliatt
New Yorker
Top Critic IconTop Critic

Stanley Kubrick's 2001: A Space Odyssey is some sort of great film, and an unforgettable endeavor. Technically and imaginatively, what he put into it is staggering.

January 14, 2013
Jonathan Rosenbaum
Chicago Reader
Top Critic IconTop Critic

The film's projections of the cold war and antiquated product placements may look quaint now, but the poetry is as hard-edged and full of wonder as ever.

Full Review Source: Chicago Reader

May 8, 2007
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

It was a freshening attitude then, though its long-term effects haven't been all to the good.

Full Review Source: Chicago Reader

May 8, 2007
Geoff Andrew
Time Out
Top Critic IconTop Critic

For all the essential coldness of Kubrick's vision, it demands attention as superior sci-fi, simply because it's more concerned with ideas than with Boy's Own-style pyrotechnics.

Full Review Source: Time Out

June 24, 2006
Michael Wilmington
Chicago Tribune
Top Critic IconTop Critic

It is an extraordinary, obsessive, beautiful work of art.

Full Review Source: Chicago Tribune | Original Score: 4/4

July 20, 2002
Glenn Lovell
San Jose Mercury News
Top Critic IconTop Critic

Yup, you guessed it -- a religious experience.

Full Review Source: San Jose Mercury News

November 21, 2001
Stephen Hunter
Washington Post
Top Critic IconTop Critic

Now, seen in the actual 2001, it's less a visionary masterpiece than a crackpot Looney Tune, pretentious, abysmally slow, amateurishly acted and, above all, wrong.

November 2, 2001
Desson Thomson
Washington Post
Top Critic IconTop Critic

[Retains] its artistic magnificence after more than 30 years.

November 2, 2001
Robert B. Frederick
Variety
Top Critic IconTop Critic

2001 compares with, but does not best, previous efforts at science fiction.

Full Review Source: Variety

February 13, 2001
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

The film creates its effects essentially out of visuals and music. It is meditative. It does not cater to us, but wants to inspire us, enlarge us.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
Renata Adler
New York Times
Top Critic IconTop Critic

Somewhere between hypnotic and immensely boring.

Full Review Source: New York Times | Original Score: 3/5

January 1, 2000
James Berardinelli
ReelViews
Top Critic IconTop Critic

A cold, majestic motion picture, a movie that seeks to remind us of the vastness of space and our relatively insignificant place in it.

Full Review Source: ReelViews | Original Score: 4/4

January 1, 2000
Scott Rosenberg
Salon.com
Top Critic IconTop Critic

I assumed that this was what all movies ought to be: treasures for moral and aesthetic contemplation that did not provide all their answers on first contact.

Full Review Source: Salon.com

January 1, 2000
Help | About | Jobs | Critics Submission | Press | API | Licensing | Mobile