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The Warrior (2005)
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Reviews Counted:41
Fresh:34
Rotten:7
Average Rating:6.8/10
Consensus: This simple but beautifully photographed film tells a timeless tale.
Theatrical Release:Jul 15, 2005 Limited
Synopsis: Named the Best British Film at the 2003 British Academy of Film and Television Awards, THE WARRIOR is a poignant look at the choices people are forced to make in order to survive. Irfan Khan is... Named the Best British Film at the 2003 British Academy of Film and Television Awards, THE WARRIOR is a poignant look at the choices people are forced to make in order to survive. Irfan Khan is unforgettable as Lafcadia, a man who works as an executioner for a heartless warlord (Anupam Shyam). When a poor village is unable to pay him tribute, the warlord orders an old man to be instantly executed and the village burned and pillaged. For the first time, Lafcadia shows hesitation in carrying out his duties, and after a young girl (Sunita Sharma) shows him mystical snow-covered mountains, he considers running away with his young son (Puru Chhibber). But as he puts down his sword and seeks a peaceful, quiet life, his men (led by the stellar Aino Annuddin) are ordered to bring back his head, leading to horrific loss and a thrilling chase scene through the desert landscape of Rajasthan in India (known as the Land of Death). Part swordfighting epic, part spiritual quest, THE WARRIOR is an Eastern Western reminiscent of the films of Akira Kurosawa and Sergio Leone. Lafcadia's search for inner peace represents the conflicts that tear through the souls of all men and women, a universal desire for the beauty and simplicity of life. [More]
Starring: Irrfan Khan, Puru Chhibber, Anupam Shyam, Aino Annuddin
Starring: Irrfan Khan, Puru Chhibber, Anupam Shyam, Aino Annuddin, Manoj Mishra, Nanhe Khan, Chander Singh, Hemant Maahoar, Mandakini Goswami, Sunita Sharma
Director: Asif Kapadia
Director: Asif Kapadia
Screenwriter: Tim Miller, Asif Kapadia
Producer: Bertrand Faivre
Composer: Dario Marianelli
Studio: Miramax Films
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Reviews for The Warrior
The point is as clear as the breathtaking vistas: Corrupt and powerful rulers are to be resisted for the sake of humanity. And that makes this period piece as current as any rabble-rousing political documentary.
A sublime rarity, with its renegade warrior's inner struggle reflecting our wayward society's quest to rediscover its lost soul.
There's a pinch of Akira Kurosawa, a sprinkle of Clint Eastwood, and heaps of originality in this.
Kapadia constantly proves himself to be a director with not only an astonishingly rich visual imagination but also a strong sense of narrative, intelligently integrating a handful of flashbacks.
"The Warrior" is a timeless and lyrical movie set against the stunning beauty of the Himalayan Mountains.
A mournful meditation on killing for a living, Asif Kapadia's film is by turns poetic and preachy. It's also unexpectedly gripping.
If subtitles turn you off of foreign movies, you won't have much of a problem with this one. Most of the film is carried by Khan's expressive face.
It's little more than a spaghetti western (which here might be called a chapati western), that elevates itself by not sticking entirely with its revenge intended theme.
I much prefer the full-throated passion of The Gate of the Sun, but it's to the film's credit that it's able to say so much with very little words.
Although the plot is over-simplistic, Kapadia sucks us into his exotic world using cinematic magic.
The leading man has a sorrowful and introspective expression throughout the picture, but it seems like more... it seems like language.
If you can forgive its lapses in storytelling and character development, then Kapadia's 2001 feature filmmaking debut delivers, at minimum, an impressive visual account of a worthwhile spiritual journey.
A beautiful and affecting meditation on what it takes to bring about peace.
Asif Kapadia's feature debut is a minimalist but strikingly beautiful tale of renounced violence told with uncommon precision and depth.
Asif Kapadia's blazing feature debut, a gorgeously photographed saga with a fine sense of the way place shapes personality, has won numerous awards in the filmmaker's native Britain.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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