Its deadly pacing and almost word-free screenplay make it seem like a very long slog indeed.
The Warrior (2005)
Tomatometer
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Reviews Counted:41
Fresh:34
Rotten:7
Average Rating:6.8/10
Consensus: This simple but beautifully photographed film tells a timeless tale.
Theatrical Release:Jul 15, 2005 Limited
Synopsis: Named the Best British Film at the 2003 British Academy of Film and Television Awards, THE WARRIOR is a poignant look at the choices people are forced to make in order to survive. Irfan Khan is... Named the Best British Film at the 2003 British Academy of Film and Television Awards, THE WARRIOR is a poignant look at the choices people are forced to make in order to survive. Irfan Khan is unforgettable as Lafcadia, a man who works as an executioner for a heartless warlord (Anupam Shyam). When a poor village is unable to pay him tribute, the warlord orders an old man to be instantly executed and the village burned and pillaged. For the first time, Lafcadia shows hesitation in carrying out his duties, and after a young girl (Sunita Sharma) shows him mystical snow-covered mountains, he considers running away with his young son (Puru Chhibber). But as he puts down his sword and seeks a peaceful, quiet life, his men (led by the stellar Aino Annuddin) are ordered to bring back his head, leading to horrific loss and a thrilling chase scene through the desert landscape of Rajasthan in India (known as the Land of Death). Part swordfighting epic, part spiritual quest, THE WARRIOR is an Eastern Western reminiscent of the films of Akira Kurosawa and Sergio Leone. Lafcadia's search for inner peace represents the conflicts that tear through the souls of all men and women, a universal desire for the beauty and simplicity of life. [More]
Starring: Irrfan Khan, Puru Chhibber, Anupam Shyam, Aino Annuddin
Starring: Irrfan Khan, Puru Chhibber, Anupam Shyam, Aino Annuddin, Manoj Mishra, Nanhe Khan, Chander Singh, Hemant Maahoar, Mandakini Goswami, Sunita Sharma
Director: Asif Kapadia
Director: Asif Kapadia
Screenwriter: Tim Miller, Asif Kapadia
Producer: Bertrand Faivre
Composer: Dario Marianelli
Studio: Miramax Films
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Reviews for The Warrior
If this moralistic apologue appears a tad too simplistic, at least the pictures are pretty.
Narrative elegance and rapturous imagery highlight The Warrior...[as well as] the dark charisma of leading man Khan...and lovely vistas.
This is a timeless tale; the time period is irrelevant as the story is a profoundly personal one about trying to reject the strong internal drive for vengeance.
This is a timeless tale; the time period is irrelevant as the story is a profoundly personal one about trying to reject the strong internal drive for vengeance.
What is best in the film is its depiction of the warrior's epic journey, photographed with breathtaking beauty and simplicity by Roman Osin.
It's in the larger canvas that the picture ends up short, with an elliptical style that sometimes leaves the viewer bereft of information and a seeming unwillingness to dig deeper into the psychology of its main character.
A beautiful and affecting meditation on what it takes to bring about peace.
Although the plot is over-simplistic, Kapadia sucks us into his exotic world using cinematic magic.
A mournful meditation on killing for a living, Asif Kapadia's film is by turns poetic and preachy. It's also unexpectedly gripping.
A sublime rarity, with its renegade warrior's inner struggle reflecting our wayward society's quest to rediscover its lost soul.
I much prefer the full-throated passion of The Gate of the Sun, but it's to the film's credit that it's able to say so much with very little words.
Asif Kapadia's feature debut is a minimalist but strikingly beautiful tale of renounced violence told with uncommon precision and depth.
Long before the end, it takes on the quality of a wise fable and reveals itself as an enriching experience.
It is hardly the most original story, but Kapadia, the British-born son of Indian immigrants, infuses it so much with stately resonance and spiritual reverence, that it never seems remotely shopworn, much less laborious.
Considering that this is a film set in feudal India of an indefinite era, the film should be surprisingly thoughtful and engaging for American audience.
If subtitles turn you off of foreign movies, you won't have much of a problem with this one. Most of the film is carried by Khan's expressive face.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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