3:10 to Yuma - Movie Reviews - Rotten Tomatoes

3:10 to Yuma Reviews

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Top Critic

New Yorker
July 21, 2014
The compositions evoke a kind of open-air claustrophobia ...
Matt Brunson
Creative Loafing
June 9, 2013
Like The Gunfighter and Winchester '73, 3:10 to Yuma is one of those defining '50s Westerns that is well-known by film buffs but has never reached the familiarity level of a High Noon or Shane.
Full Review | Original Score: 3.5/4
Peter Canavese
Groucho Reviews
May 28, 2013
Distinguished by its thoughtfulness regarding the nature of Western heroism, as defined not only by dead-eye gunplay, but by family, community, and moral rectitude. [Criterion Blu-ray]
Full Review | Original Score: 3.5/4
Christopher Long
Movie Metropolis
May 22, 2013
Daves isn't interested in cynicism. Redemption is probably too big a stretch as well, but there's plenty of room in-between.
Full Review | Original Score: 8/10
Top Critic
Stephen Garrett
Time Out
May 10, 2011
A portrait of storytelling made for and by the Silent Generation, an audience all too familiar with the world's spooky, white-knuckled moral twilight.
Full Review | Original Score: 4/5
Urban Cinefile Critics
Urban Cinefile
January 24, 2008
The film is something of a classic and boasts a terrific ending.
Steven D. Greydanus
Decent Films Guide
September 21, 2007
Although not as nerve-wracking as High Noon, 3:10 to Yuma is even more claustrophobic… and the two-character drama is more intriguing than High Noon's protagonist standing alone.
Full Review | Original Score: A-
Nick Schager
Lessons of Darkness
September 9, 2007
No amount of climactic train smoke can mask the fact that the finale is fancifully optimistic gibberish.
Full Review | Original Score: B-
Bruce Dancis
Sacramento Bee
September 7, 2007
The new 3:10 to Yuma will have to be quite a film to stand up to the original.
| Original Score: 3.5/4
Fernando F. Croce
Slant Magazine
September 7, 2007
A sturdy genre piece.
Full Review | Original Score: 3/4
Rory L. Aronsky
Film Threat
September 7, 2007
The minutes tick toward 3:10, and all we can do is watch and hope that it all turns out ok. That's the best kind of Western, one that allows feelings like that to emerge while watching.
Full Review | Original Score: 4.5/5
Rob Humanick
Projection Booth
September 6, 2007
Though masterful in stretches, it ultimately mistakes feel-good qualities for truly satisfying ones.
Full Review | Original Score: B-
Brian Webster
Apollo Guide
August 27, 2007
An enjoyable western that's an excellent reminder of how - in the world of movies - sometimes less is best.
Full Review | Original Score: 76/100
Jeffrey M. Anderson
Combustible Celluloid
August 25, 2007
During the 1950s, the Western grew a conscience.
Full Review | Original Score: 3/4
Top Critic
Variety Staff
August 17, 2007
That the climax fizzles must be laid on doorstep of Halsted Welles, who adapts Elmore Leonard's story quite well until that point.
Emanuel Levy
August 14, 2007
Made in the vein of The Gunfighter and High Noon, this mature psychological Western is arguably Delmer Daves best film, featuring Van Heflin (in the Gary Cooper role) and Glenn Ford as the bad-good guy at their most appealing and accomplished.
Full Review | Original Score: A-
Donald J. Levit
ReelTalk Movie Reviews
May 23, 2006
The enjoyment here that outweighs the film's derivativeness comes in the dialogue and relationship developed between outlaw and rancher.
Top Critic
Bosley Crowther
New York Times
March 25, 2006
This is a first-rate action picture -- a respectable second section to High Noon.
Full Review | Original Score: 4/5
Top Critic
Tom Milne
Time Out
February 9, 2006
It's of necessity a talkative film, with Ford working on Heflin's nerves in a stream of Machiavellian banter, but one held in perfect balance by Daves, who keeps the tension strung taut.
Chuck O'Leary
October 8, 2005
A taut Western (obviously inspired by High Noon) about a lone man bravely standing on principle when all others have abandoned him. Marred only by a phony ending.
| Original Score: 7/10
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