It doesn't just scare you; it messes with your head.
Caché (2005)
Tomatometer
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Reviews Counted:126
Fresh:111
Rotten:15
Average Rating:7.8/10
Consensus: A creepy French psychological thriller that commands the audience's attention throughout.
Theatrical Release:2005
Box Office: $3,453,754
Synopsis: Writer/director Michael Haneke delivers a masterpiece of unsettlement with CACHÉ. Life seems perfect for Georges (Daniel Auteuil) and Anne (Juliette Binoche), a bourgeois Parisian couple who live... Writer/director Michael Haneke delivers a masterpiece of unsettlement with CACHÉ. Life seems perfect for Georges (Daniel Auteuil) and Anne (Juliette Binoche), a bourgeois Parisian couple who live in a comfortable home with their adolescent son, Pierrot (Lester Makedonsky). But when an anonymous videotape turns up on their doorstep, showing their house under surveillance from across the street, their calm life begins to spiral out of control. Subsequent videotapes arrive, accompanied by mysterious drawings, and gradually Georges becomes convinced that he's being tormented by a figure from his past. But when he confronts him, the man assures Georges he is innocent. A growing sense of guilt begins to rise in Georges as he recalls his less-than-angelic childhood, yet for some reason he's unable to be completely honest with Anne. Soon, their happy home is an emotional battleground, leading to a climax that is breathtaking in its ferocity and ambiguousness. Though Haneke's film works first and foremost as an insidious thriller, it is also a powerful commentary on the urban paranoia and racism that continue to permeate modern society. Without using a score, and keeping his camera detached and static, Haneke nonetheless establishes a nearly unbearable level of tension. Not for the squeamish, CACHÉ remains a work of menacing brilliance, and was the winner of the Best Director award at the 2005 Cannes Film Festival. [More]
Starring: Juliette Binoche, Daniel Auteuil, Maurice Benichou, Annie Girardot
Starring: Juliette Binoche, Daniel Auteuil, Maurice Benichou, Annie Girardot, Daniel Duval, Nathalie Richard
Director: Michael Haneke
Director: Michael Haneke
Producer: Margaret Menegoz, Veit Heiduschka
Studio: Sony Pictures Classics
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Reviews for Caché
["Cache" is] intelligent and intriguing and will readily draw the film buffs in search of thought-provoking entertainment.
When Caché played at Cannes, some critics deplored its lack of a resolution. I think it works precisely because it leaves us hanging.
Tedious or tense, it's all in the mind of the beholder -- and in the hands of the director. ... The talented Haneke keeps you so absolutely mesmerized.
By the final riveting and static images, fear and guilt have become almost palpable. You won't be able to look away.
It leaves a bad taste, but Caché is never less than enthralling, grabbing its audience through sheer force of technique.
This film is one long tease. There might be a solution, and it's hinted at, but Director Haneke makes the possibilities so ambiguous that one can't be sure as exactly who done what. It's really frustrating.
Caché's approach amounts to some kind of methodical psychological torture of characters that simultaneously inhabit and seem trapped in Haneke's screw-turning narrative.
Taking the traditional thriller genre and retaining its quality of gripping suspense, Haneke subverts it into a trenchant commentary on the seemingly irresolvable malignant conflicts of our time.
A master of the icy yet visceral shock, Austrian-born Michael Haneke often turns his formidably unpleasant imagination to the movie equivalent of a cruel prank. But in Cache (Hidden), the subject matter is worthy of his nastiness ...
Cache never achieves any sort of emotional catharsis, or even resolution. But then Haneke's subject isn't catharsis, or resolution. It's repression -- and the willful amnesia of the wrongdoer.
Cache is one of those movies you could spend hours examining, analyzing and, above all, arguing about with others.
Writer-director Michael Haneke's unnerving new mystery Cache (Hidden) worms its way into your brain and doesn't leave for days.
Haneke's exploration of willful ignorance, guilt, and history takes hold, and doesn't quite let go when the lights come up.
It's not the usual whodunit, but if you're open to having your cage rattled, you won't be disappointed.
From its challenging opening to its sphinx-like conclusion, Haneke is firmly in command of his material.
Latest News for Caché
January 11, 2006:
Chicago Critics Pick Their 2005 Winners (and Iowa!)
The Chicago Film Critics Group announced their nominees just before New Years' Eve, and they reconvened this week to vote on their year-end favorites. Also, the Iowa Film... More...
January 10, 2006:
Online Film Critics Offer Their Annual Nominations
The OFCS, which is hosted right here at Rotten Tomatoes and (full disclosure) includes yours truly as a member, announced their year-end nominations yesterday ... and we hope... More...
January 03, 2006:
Chicago Critics Announce Their Nominations
Thanks to Movie City News for sharing the scoop on the Windy City critics and their favorite flicks of 2005.The Chicago film journalists will announce their year-end winners on... More...
December 21, 2005:
Southeastern Critics Chime in With Their Picks
The 2005 Southeastern Film Critics Association Awards announced their annual awards on Monday, Dec. 19, in Atlanta, Ga. Forty-two members in nine states (Alabama, Arkansas,... More...
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